Christopher Doyle, also known as Dù Kěfēng (Mandarin) or Dou Ho-Fung (Cantonese)[1] (traditional Chinese: 杜可風; simplified Chinese: 杜可风) (born 2 May 1952) is an Australian-Hong Kong cinematographer. He has worked on over fifty Chinese-language films, being best known for his collaborations with Wong Kar-Wai in Chungking Express, Happy Together, In the Mood for Love and 2046. Doyle is also known for other films such as Temptress Moon, Hero, Dumplings, and Psycho. He has won awards at the Cannes Film Festival and Venice Film Festival, as well as the AFI Award for cinematography, the Golden Horse award (four times), and the Hong Kong Film Award (six times).
Christopher Doyle | |||||||||||
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![]() Christopher Doyle in 2005 | |||||||||||
Born | (1952-05-02) 2 May 1952 (age 70) Sydney, New South Wales, Australia | ||||||||||
Nationality | Australian Hongkonger | ||||||||||
Occupation | Cinematographer, actor, photographer, and film director | ||||||||||
Years active | 1978–present (photographer); 1983–present (cinematographer) | ||||||||||
Awards | NYFCC Award of Best Cinematography 2000 In the Mood for Love 2003 Hero 2004 2046 Golden Osella for Best Cinematography 1994 Ashes of Time Technical Grand Prize (Cannes Film Festival) 2000 In the Mood for Love Hong Kong Film Awards – Best Cinematography 1986 Soul 1991 Days of Being Wild 1994 Ashes of Time 1995 Fallen Angels 2002 Hero 2004 2046 Golden Bauhinia Awards – Best Cinematography 1995 Fallen Angels 2000 In the Mood for Love 2002 Hero Golden Horse Awards – Best Cinematography 1994 Ashes of Time 1997 Happy Together 2000 In the Mood for Love 2002 Three | ||||||||||
Chinese name | |||||||||||
Traditional Chinese | 杜可風 | ||||||||||
Simplified Chinese | 杜可风 | ||||||||||
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Doyle was born in Sydney, Australia in 1952. He left his native country on a Norwegian merchant ship at the age of eighteen. Doyle arrived in Taiwan for the first time in the 1970s, while his ship was docked in Keelung Harbor. Doyle met Stan Lai and Ding Nai-chu at Idea House, a restaurant in Taipei.[2]
While living in other countries, he took on several odd jobs, such as an oil driller in India, a cow herder in Israel, and a doctor of Chinese medicine in Thailand.[3] In the late seventies, Doyle took an interest in Chinese culture and received the Chinese name Dù Kěfēng, which translates to "like the wind".[4] After language studies in Taiwan, he started working as a photographer. A couple of years later, he became a cinematographer, working with director Edward Yang in the 1983 film That Day, on the Beach.[5]
Doyle has worked on over 50 Chinese-language films. He is best known for his collaborations with Wong Kar-Wai in Chungking Express, Happy Together, In the Mood for Love and 2046. He has collaborated with other Chinese filmmakers on projects including Temptress Moon, Hero and Dumplings. He has also made more than 20 films in various other languages, working as director of photography on Gus Van Sant's remake of Psycho, Liberty Heights, Last Life in the Universe, Rabbit-Proof Fence, Paranoid Park, and The Limits of Control, among others.
He also wrote, shot, and directed Warsaw Dark, Away with Words starring Asano Tadanobu, and Hong Kong Trilogy: Preschooled Preoccupied Preposterous, an experimental portrait of three generations of Hong Kong people.[6] He co-directed The White Girl with Jenny Suen.
Among Doyle's 60 awards and 30 nominations are the Technical Grand Prize at the Cannes Film Festival for In the Mood for Love,[7] as well as the Osella d’Oro for Best Cinematography for Ashes of Time at the Venice International Film Festival.[8]
On 26 May 2017, Doyle was honoured during the 70th Cannes Festival with the “Pierre Angénieux ExcelLens in Cinematography” award, in tribute to his successful and influential career.[9]
Year | Film | Director | Notes |
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1983 | That Day, on the Beach | Edward Yang | |
1986 | Soul | Kei Shu | |
Noir et blanc | Claire Devers | ||
1987 | My Heart Is That Eternal Rose | Patrick Tam | |
1989 | Her Beautiful Life Lies | Tony Au | |
1991 | Days of Being Wild | Wong Kar-wai | |
1992 | The Peach Blossom Land | Stan Lai | |
Mary from Beijing (aka "Awakening") | Sylvia Chang | ||
1994 | Red Rose White Rose | Stanley Kwan | |
Ashes of Time | Wong Kar-wai | Osella d'Oro for Best Cinematography | |
The Red Lotus Society | Stan Lai | ||
Chungking Express | Wong Kar-wai | ||
1995 | The Peony Pavilion | Chen Kuo-fu | |
Fallen Angels | Wong Kar-wai | ||
1996 | 4 Faces of Eve | Kwok-Leung Gan Eric Kot Jan Lamb |
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Yang ± Yin: Gender in Chinese Cinema | Stanley Kwan | ||
Temptress Moon | Chen Kaige | ||
1997 | First Love: The Litter on the Breeze | Eric Kot | |
Motel Cactus | Ki-Yong Park | ||
Happy Together | Wong Kar-wai | ||
1998 | Psycho | Gus Van Sant | Remake of the 1960 film of the same name |
1999 | Liberty Heights | Barry Levinson | |
Away with Words | Himself | ||
2000 | In the Mood for Love | Wong Kar-wai | Grand Technical Prize at the Cannes Film Festival New York Film Critics Circle Award for Best Cinematographer National Society of Film Critics Award for Best Cinematography Nominated- Chicago Film Critics Association Award for Best Cinematography |
2001 | Made | Jon Favreau | |
2002 | Hero | Zhang Yimou | New York Film Critics Circle Award for Best Cinematographer Chicago Film Critics Association Award for Best Cinematography Nominated- National Society of Film Critics Award for Best Cinematography |
The Quiet American | Phillip Noyce | ||
Rabbit-Proof Fence | |||
2003 | Green Tea | Zhang Yuan | |
Last Life in the Universe | Pen-Ek Ratanaruang | ||
2004 | 2046 | Wong Kar-wai | New York Film Critics Circle Award for Best Cinematographer National Society of Film Critics Award for Best Cinematography |
2005 | Perhaps Love | Peter Chan | |
The White Countess | James Ivory | ||
2006 | McDull, the Alumni | Samson Chiu | |
Dumplings | Fruit Chan | ||
Invisible Waves | Pen-Ek Ratanaruang | ||
Lady in the Water | M. Night Shyamalan | ||
2007 | Paranoid Park | Gus Van Sant | |
2008 | Downloading Nancy | Johan Renck | |
2009 | The Limits of Control | Jim Jarmusch | |
Ondine | Neil Jordan | ||
2010 | Ocean Heaven | Xue Xiao-Lu | |
Passion Play | Mitch Glazer | ||
2011 | Love for Life | Gu Changwei | |
Tormented | Takashi Shimizu | ||
Underwater Love – A Pink Musical | Shinji Imaok | ||
2013 | Magic Magic | Sebastián Silva | |
American Dreams in China | Peter Chan | ||
2014 | Ruined Heart! Another Love Story Between a Criminal and a Whore |
Khavn | |
2015 | Fundamentally Happy | Tan Bee Thiam
Lei Yuan Bin |
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Port of Call | Philip Yung | ||
Enishi: The Bride of Izumo | Hiroshi Horiuchi | ||
Hong Kong Trilogy: Preschooled Preoccupied Preposterous |
Himself | ||
I Am Belfast | Mark Cousins | ||
2016 | Stockholm, My Love | ||
Endless Poetry | Alejandro Jodorowsky | ||
2017 | You Mean The World To Me | Saw Teong Hin | |
The White Girl | Himself Jenny Suen |
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Human Flow | Ai Weiwei | ||
2018 | Love Only | Himself Charine Chan | |
2019 | The Rest | Ai Weiwei | |
They Say Nothing Stays the Same | Joe Odagiri | ||
Tezuka's Barbara | Macoto Tezuka | ||
2020 | Love After Love | Ann Hui | |
2021 | Just 1 Day | Erica Li | |
Year | Film | Director | Notes |
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1979 | The Boat-Burning Festival | Chang Chao-Tang | |
1996 | wkw/tk/1996@7′55″hk.net | Wong Kar-wai | |
2002 | Six Days | ||
Goin Home | Peter Chan | Segment of Three | |
2004 | The Hand | Wong Kar-wai | Segment of Eros |
Dumplings | Fruit Chan | Segment of Three... Extremes | |
2006 | The Madness of the Dance | Carol Morley | |
2007 | Meeting Helen | Emily Woof | |
2011 | White Sand | Tsien-Tsien Zhang | |
2012 | Linda Linda | ||
2013 | A Good Story | Martin-Christopher Bode | |
2014 | Allergic to Art | Himself Jenny Suen |
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2016 | Wind | Tiong Guan Saw | |
2018 | Anthony Bourdain: Parts Unknown episode "Hong Kong" | Asia Argento | with Frederic Menou |
2018 | To Heaven, to Gather | Li-Yue Chang | |
2019 | Cuba | Peter H. Chan | |
2021 | Ouverture of Something that Never Ended | Alessandro Michele Gus Van Sant |
7 episodes |
Awards for Christopher Doyle | |||||||||||||||||||||||||||||||||||||
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