Marius Re Goring, CBEFRSL (23 May 1912–30 September 1998) was an English stage and screen actor.[1] He is best remembered for the four films he made with Powell & Pressburger, particularly as Conductor 71 in A Matter of Life and Death and as Julian Craster in The Red Shoes,[2] and also for the title role in the long-running TV drama series, The Expert.[3] He regularly performed French and German roles, and was frequently cast in the latter because of his name, coupled with his red-gold hair and blue eyes. However, he explained that he was not of German descent in a 1965 interview, stating that "Goring is a completely English name."
Goring was born in Newport, Isle of Wight, the son of the eminent physician and researcher Dr Charles Buckman Goring (1870-1919), the author of The English Convict, and Kate Winifred (née Macdonald, 1874–1964), a pianist of Scottish descent who was also a suffragette.[4] He had an older brother, Donald, who died in Yemen, in 1936, from injuries sustained in a motor vehicle accident. After attending The Perse School in Cambridge, where he became a friend of an older boy, the future documentary film maker Humphrey Jennings, Goring studied modern languages at the universities of Frankfurt, Munich, Vienna and Paris.[5][6] He made his professional debut in 1927, playing Harlequin, and toured the continent playing classical roles with the Compagnie des Quinze under the directorship of Michel Saint-Denis, whom he would later encourage to come to England and work as a director.[6] He also studied under Harcourt Williams and at the Old Vic dramatic school from 1929 to 1932. His early stage career included appearances at the Old Vic, Sadler's Wells, Stratford and several European tours; he was fluent in French and German. During the 1930s, he played a variety of Shakespearean roles at the Old Vic, including the title role in Macbeth and Romeo in Romeo and Juliet (1933), Feste in Twelfth Night (1937), in addition to Trip in Sheridan's The School for Scandal. He first worked in the West End in a 1934 revival of Granville-Barker's The Voysey Inheritance at the Shaftesbury Theatre.
In 1929, he became a founding member of British Equity, the actors' union, served on its council from 1949 and was three times its vice-president from 1963 to 1965, 1975 to 1977 and again from 1980 to 1982.[4] Goring's relationship with his union was fraught with conflict: he took it to litigation on three occasions. In 1978, regarding the issue of the supremacy of a referendum to decide Equity rules, he took it as far as the House of Lords and won his case. In 1992, he unsuccessfully sought to end the restriction on the sale of radio and television programmes to apartheid South Africa.[6] Stressing that he opposed apartheid and would not perform for segregated audiences, he argued that the ban was depriving actors of work, and stated that he wished to stage a production of the play She Stoops to Conquer with an all-black cast. This particular litigation nearly bankrupted him, due to the heavy amount of court costs.
In November 1931, at the age of nineteen, he married twenty-nine year old Mary Westwood Steel (1902-1994) at Gretna Green, Scotland (they had a second marriage ceremony in a London register office in February 1932) and their only child, a daughter Phyllida, was born in March 1932. The marriage did not succeed and he became engaged in 1935 to ballet choreographer and designer, Susan 'Susy' Salaman, older sister of Merula Salaman, wife of Alec Guinness. Susy contracted acute encephalitis in late 1935 and was left brain-damaged. Goring wanted to go ahead with the wedding but Susy's father, Michel Salaman, would not allow it.[7]
In 1935, he co-founded the London Theatre Studio with Michel Saint-Denis, George Devine and Glen Byam Shaw. It trained actors, directors and designers and was a precursor of the Old Vic Theatre School. Marius taught Shakespeare there to the students. It had to close in late 1939 due to the outbreak of war.
Goring's film career began with an uncredited role in The Amateur Gentleman (1936) with Douglas Fairbanks Jr and a small speaking role in Rembrandt (also 1936). He shared his one scene in this film with the star Charles Laughton, with whom he had previously worked on stage at the Old Vic. He made two further films released in 1939: Flying Fifty-Five with Derrick de Marney where he showed off his comedic skills playing an amusing drunkard and co-starred with Conrad Veidt in his first Powell and Pressburger film, The Spy in Black, an intriguing spy thriller set during World War One, where he played a German officer for the first of many times in his film career.
When war was declared in September 1939, he was back in the West End as Pip in a production of Great Expectations, adapted for the stage by Alec Guinness. Along with all other plays, it was closed down temporarily by the war but was the first to resume when theatres were reopened in early 1940. He joined the British Army in June 1940, and was seconded in 1941 to the BBC as supervisor of radio productions broadcasting to Germany. He made broadcasts under the name Charles Richardson (using his father's first name and maternal grandmother's maiden name), because of the association of his name with Hermann Göring. In 1944 he became a member of the intelligence staff of SHAEF (Supreme Headquarters Allied Expeditionary Force) where he attained the rank of colonel. Because of the broadcasts he had been making to Germany, set up by the Foreign Office as an antidote to William Joyce (Lord Haw-Haw), he was put on a Nazi hit-list.
In 1941, he married his second wife, the German actress Lucie Mannheim (1899-1976). Mannheim, who was Jewish, had been a principal actress in the Berlin Theatre but had to leave Germany when the Nazis came to power. She worked with Goring in many stage productions from the 1930s onwards and in seven episodes of The Adventures of the Scarlet Pimpernel, one of which he wrote especially for her, as well as in several films. Mannheim died in 1976, and the next year Goring married television director/producer Prudence Fitzgerald (1930-2018), who had directed him in many episodes of The Expert.
In the film A Matter of Life and Death (1946) Goring played Conductor 71, whose role is to 'conduct' Peter Carter (David Niven) to the afterlife. In the film The Red Shoes, he played Julian Craster, a young composer who wins the heart of ballerina Vicky Page (Moira Shearer) and clashes with the imperious ballet impresario, Boris Lermontov (Anton Walbrook). In the film Odette released in the UK in 1950, Goring played the role of Colonel Henri, a German Abwehr (Military Intelligence) officer who deceived and captured Odette. The film is based on the true story of Odette Sansom, the first living woman to be awarded the George Cross. The real Odette Sansom was later a witness at his marriage to Prudence Fitzgerald in 1977. He played Colonel Günther von Hohensee in So Little Time (1952), which also featured Maria Schell, one of his rare romantic leads and frequent roles playing a German officer. He considered the film one of his favourites, alongside the four films he made with Powell and Pressburger.
His TV work included starring as Sir Percy Blakeney in The Adventures of the Scarlet Pimpernel (ITV, 1955) (a role which he also performed in a 1952-53 radio show), a series which he also co-wrote and produced; Theodore Maxtible in the Doctor Who story The Evil of the Daleks (BBC, 1967); Professor John Hardy in The Expert (BBC, 1968–1976); Paul von Hindenburg in Fall of Eagles (BBC, 1974); King George V in Edward & Mrs. Simpson (Thames, 1980) and Emile Englander in The Old Men at the Zoo (BBC, 1983).
Goring's voice provides the narration of the sound and light show performed regularly in the evening at the Blue Mosque in Istanbul, Turkey.
He was made a Fellow of the Royal Society of Literature in 1979 and appointed Commander of the Order of the British Empire (CBE) in 1991. He died from stomach cancer in 1998 aged 86 at his home in Rushlake Green, East Sussex, survived by his third wife, Prudence and daughter, Phyllida. He is buried in the churchyard of St Mary the Virgin, Warbleton, East Sussex near Rushlake Green with his wife, Prudence, who died in 2018.
BBC Sunday Night Theatre (1950–59 BBC TV series): Tommy Savidge in ‘Promise of Tomorrow’ (1950); Chorus in ‘The Life of Henry V’ (1951); Hjalmar Ekdal in ‘The Wild Duck’ (1952); General Harras in ‘The Devil’s General’ (1955); Dr Cranmer in ‘The White Falcon’ (1956); Crystof Walters in ‘The Cold Light’ (1956); Robert Clive in ‘Clive of India’ (1956) and Richard Brinsley Sheridan in ‘The Lass of Richmond Hill’ (1957)
International Detective (1959–61 ABPC TV series): Ferdie Steibel in ‘The Steibel Case’ (1960)
BBC Sunday-Night Play (1960–63 BBC TV series): Alexis Turbin in ‘The White Guard’ (1960); General Harras in ‘The Devil’s General’ (1960); Laye-Parker in ‘A Call on Kuprin (1961) and John Lock in ‘The Money Machine’ (1962)
Drama 61-67 (1961–67 ATV TV series): Captain in ‘The Cruel Day’ (1961) and Mervyn in ‘Room for Justice’ (1962)
24-Hour Call (1963 ATV TV series): Sam Bullivant in ‘Love for Caroline’
First Night (1963–64 BBC TV series): Grieve Wishart in ‘The Youngest Profession’ (1963)
Maigret (1960–63 BBC TV series): Peter the Lett in ‘Peter the Lett’ (1963)
The Third Man (1959–65 BBC TV series): Colonel Dimonella in ‘A Question in Ice’ (1964)
Love Story (1963–74 ATV TV series): Robert Langley in ‘In Loving Memory’ (1964)
The Great War (1964 BBC/ABC/CBC TV documentary series): Various voices in twenty-six episodes
The Mask of Janus (1965 BBC TV series): Dr Kapaka in ‘Why Not Call Me Kruschev?’
Out of the Unknown (1966–71 BBC TV series): Wattari in ‘Too Many Cooks’ (1966)
ITV Play of the Week (1955–74 ITV TV series): John Hagerman in ‘The Breath of Fools’ (1957); Purcell in ‘The Darkness Outside’ (1960); Charles Norbury in ‘The Sound of Murder’ (1964), Lewis Eliot in ‘The New Men’ (1966) and Robert Cosgrove in ‘On the Island’ (1967)
The Revenue Men (1967–68 BBC TV series): Kersten in ‘The Traders’ (1967)
Sir Arthur Conan Doyle (1967 BBC TV series): Lord Linchmere in ‘The Beetle Hunter’
Doctor Who (1963–? BBC TV Series): Theodore Maxtible in The Evil of the Daleks (six episodes in 1967)
The Wednesday Play (1964–1970 BBC TV series): Reverend Harrup in ‘A Walk in the Sea’ (1966) and Sir Hubert in ‘Sleeping Dogs’ (1967)
Man in a Suitcase (1967–68 ITC TV series): Henri Thibaud in ‘Blind Spot’ (1968)
Le dossiers de l’agence O (1968 COFERC/ORTF TV Series): Madame Sacramento in ‘Le club des vieilles dames’ (French TV series)
Thirty-Minute Theatre (1965–73 BBC TV series): Mr Ponge in ‘Mr Ponge’ (1965) and The Interrogator in ‘The Year of the Crow’ (1970)
The Expert (1968–76 BBC TV series): Professor John Hardy in sixty-two episodes
Fall of Eagles (1974 BBC TV mini-series): Von Hindenburg in ‘The Secret War’ and ‘End Game’
2nd House (1973–76 BBC TV series): Humboldt in ‘Saul Bellow’ (1975)
Wilde Alliance (1978 ITV TV Series): Rex in ‘Things That Go Bump’
Holocaust (1978 CBS TV mini-series): Heinrich Palitz in Part One
Edward & Mrs. Simpson (1979 ITV TV mini-series): King George V in ‘Venus at the Prow’ and ‘The Little Prince’
House of Caradus (1979 Granada TV series): Bronksy in ‘The Girl in the Blue Dress’
Tales of the Unexpected (1979–88 Anglia TV series): Dr John Landy in ‘William and Mary’ (1979)
Gnostics (1987 Channel 4 TV series): Episode 3: Divinity of Man: Hermes Trismegistus & Prospero (1987)
Stage appearances
Crossings: A Fairy Play (1925) as a Fairy with Angela Baddeley at the ADC Theatre, Cambridge. This was his amateur theatrical debut
Jean Stirling Mackinlay Children's Matinee: Dr Doolittle's Play (1927) as Harlequin at The Rudolf Steiner Hall, London. This was his professional theatrical debut
Jean Stirling Mackinlay Children's Matinee: Dr Doolittle's Play & King John's Christmas (1928) as Harlequin at The Rudolf Steiner Hall, London
Les Femmes Savantes (1930) as Trissotin at the ADC Theatre, Cambridge
Shakespearean rôles with the English Classical Players (1931) touring France and Germany
Hamlet and several parts with the Compagnie des Quinze (1931) in France and the Low Countries
Julius Caesar (1932) as a Spear Carrier at The Old Vic, London
Caesar and Cleopatra (1932) as Persian at The Old Vic, London and Sadler's Wells Theatre, London
As You Like It (1932) as Le Beau at The Old Vic, London
Macbeth (1932) as Macbeth at The Old Vic, London and Sadler's Wells Theatre, London. He undertook 3 performances as Macbeth when Malcolm Keen (Macbeth) and understudy Alastair Sim (Malcolm) were too incapacitated to perform
The Merchant of Venice (1932) as Salanio at The Old Vic, London. Directed by John Gielgud
She Stoops to Conquer (1933) as Aminadab at The Old Vic, London
The Winter's Tale (1933) as Cleomenes at The Old Vic, London
Cymbeline (1932) as Second Lord at The Old Vic, London
Shakespeare Birthday Festival (1933) at The Old Vic, London
The Tempest (1933) as Adrian at The Old Vic, London and Sadler's Wells Theatre, London
A Midsummer Night's Dream (1933) as a Faerie with the Oxford University Dramatic Society at Headington Hill Park, Oxford (outdoor performance). Produced & directed by Max Reinhardt
Twelfth Night (1933) as Sebastian at The Old Vic, London
Shakespeare Birthday Festival (1934) at The Old Vic, London
Macbeth (1934) as Malcolm with Charles Laughton as Macbeth at The Old Vic, London
The Voysey Inheritance (1934) as Hugh Voysey at Sadler's Wells Theatre, London and Shaftesbury Theatre, London. The Shaftesbury Theatre was his first appearance in the West End
Shakespeare Birthday Festival (1935) at The Old Vic, London
Hamlet (1935) as Hamlet (short version) and Fortinbras (long version) at The Old Vic, London. Malcolm Keen played Hamlet in the full version performances
The Hangman (1935) as Gallows Lasse at the Duke of York's Theatre, London
Sowers of the Hills (1935) as Aubert at the Westminster Theatre, London. Directed by Michel Saint-Denis
Mary Tudor (1935–1936) as Philip of Spain with Flora Robson as Mary Tudor at Streatham Hill Theatre, Golders Green Hippodrome, Playhouse Theatre, London and Sadler's Wells Theatre, London
Repayment (1936) as Paul Novak with Margaret Lockwood at the Arts Theatre, London
The Happy Hypocrite (1936) as Amor with Ivor Novello and Vivien Leigh at His Majesty's Theatre, London
The Ante-Room (1936) as Vincent de Courcy O'Regan with Diana Wynyard and Jessica Tandy at the King's Theatre, Edinburgh and the Manchester Opera House
Girl Unknown (1936) as Max with Lucie Mannheim at the New Theatre, London and the Golders Green Hippodrome. Produced by Lucie Mannheim
The Wild Duck (1936) as Gregors Werle at the Westminster Theatre, London
Shakespeare Birthday Festival (1937) at The Old Vic, London
Henry V (1937) as Chorus with Laurence Olivier as Henry V at The Old Vic, London
Satyr (1937) as Peter de Meyer with A. E. Matthews and Flora Robson at King's Theatre, Edinburgh and Shaftesbury Theatre, London
A Woman Killed with Kindness (1937) 5 scenes at the London Theatre Studio. He produced and directed this performance but did not appear in it
The Last Straw (1937) as Wolfe Guldeford with Lucie Mannheim at the Comedy Theatre, London. Produced & directed by Lucie Mannheim
Surprise Item (1938) as Arthur Primmer at the Ambassadors Theatre, London
Henry Irving Centenary Matinee - Scene from Louis XI (1938) at the Lyceum Theatre, London
The White Guard (1938) as Leonid Shervinsky at the Phoenix Theatre, London. Directed by Michel Saint-Denis
Nora (1939) with Lucie Mannheim at the Duke of York's Theatre, London. Marius produced this play but did not appear in it
Lady Fanny (1939) as Lord Bantock with Lucie Mannheim at the Duke of York's Theatre, London. He also directed this production
Nina (1939) as Schimmelmann with Lucie Mannheim as Nina at Gaiety Theatre, Dublin and Duke of York's Theatre, London. He also directed this production
Hamlet (1939) as First Player and Osric with John Gielgud as Hamlet performed at the Lyceum Theatre, London and at Kronborg, Helsingør, Denmark. He co-directed this production with John Gielgud
Great Expectations (1939–1940) as Pip at The Rudolf Steiner Hall, London. Play adapted by Alec Guinness from the novel by Charles Dickens
The Tempest (1940) as Ariel with John Gielgud as Prospero and Alec Guinness as Ferdinand at The Old Vic, London
Monsieur Lamberthier (1947) as Maurice with Lucie Mannheim in English and German on tour in Germany (British Zone)
Rosmersholm (1948) as Johannes Rosmer with his wife Lucie Mannheim as Rebecca West at the Arts Theatre, London. He also directed this production
Too True To Be Good (1948) as Aubrey Bagot with Lucie Mannheim at the Arts Theatre, London. He also directed this production
The Cherry Orchard (1948) as Peter Trofimov at the Arts Theatre, London
Marriage (1948) as Ivan Kuzmich Podkolyosin with Lucie Mannheim at the Arts Theatre, London
The Bear (1948) as Grigory Stepanovitch Smirnov with Lucie Mannheim at the Arts Theatre, London
The Third Man/Jealousy/Monsieur Lamberthier (1948-1949) as Maurice with Lucie Mannheim at the Arts Theatre, London, Oldham Repertory Theatre Club, Manchester and on tour in Germany
Daphne Laureola (1949) as Ernest Piaste with Lucie Mannheim as Lady Pitts on tour in Germany
The Madwoman of Chaillot (1951) as The Rag Picker with Martita Hunt at the St James's Theatre, London
Richard III (1953) as Richard III at the Shakespeare Memorial Theatre, Stratford
Antony and Cleopatra (1953) as Octavius Caesar with Michael Redgrave as Antony and Peggy Ashcroft as Cleopatra at the Shakespeare Memorial Theatre, Stratford and the Princes Theatre, London
The Taming of the Shrew (1953) as Petruchio with Yvonne Mitchell as Katherina at the Shakespeare Memorial Theatre, Stratford
King Lear (1953) as The Fool with Michael Redgrave as Lear at the Shakespeare Memorial Theatre, Stratford
Antony and Cleopatra (1954) as Octavius Caesar with Michael Redgrave as Antony and Peggy Ashcroft as Cleopatra at the Koninklijke Schouwburg, The Hague & Royal Theatre Carré, Amsterdam, The Netherlands, Koninklijke Nederlandse Schouwburg, Antwerp & Theatre Royal de la Monnaie, Brussels, Belgium and Théâtre des Champs-Élysées, Paris, France
Scenes from Shakespeare (1957) leading a company to France at the Théâtre National Populaire, Paris and Annecy, Lyons, Lille, Amiens and Douai
Scenes from Shakespeare (1957) leading a company to Helsinki, Finland
Savonarola Brown (1960) as Savonarola Brown at the Royal Festival Hall, South Bank, London
Measure for Measure (1962) as Angelo with Judi Dench as Isabella (Royal Shakespeare Company production) at the Royal Shakespeare Theatre, Stratford
A Penny for a Song (1962) as Sir Timothy Bellboys with Judi Dench as Dorcas Bellboys (Royal Shakespeare Company production) at the Aldwych Theatre, London
Menage à Trois (1963) as Charles with Phyllis Calvert at the Lyric Theatre, London
The Poker Session (1963–1964) as Teddy at the Gate Theatre, Dublin in the Dublin Theatre Festival (1963) and the Globe Theatre, London (1964). Marius played Teddy in the premiere production in Dublin
Oedipus rex (opera) (1963) as the Narrator at the Royal Festival Hall, South Bank, London
King Arthur (opera) (1964) as the Narrator at the Royal Albert Hall, London
The Apple Cart (1965) as King Magnus with Barbara Murray at the Cambridge Arts Theatre, Manchester Opera House, New Wimbledon Theatre, Theatre Royal, Brighton and Golders Green Hippodrome, London
The Devil's Disciple (1965) as General Burgoyne with Ian Bannen at the Yvonne Arnaud Theatre, Guildford
The Bells (1967–1968) as Mathias at the Derby Playhouse, The Alexandra, Birmingham, the Grand Theatre, Leeds and the Vaudeville Theatre, London. He also directed it in its Birmingham, Leeds and London productions
Married Bliss (1968) at The Alexandra, Birmingham and Grand Theatre, Leeds. He directed this play only and did not act in it. It was curtain raiser to The Bells
Lend Me Five Shillings (1968) as Mr Golighty. He also directed it in its production at the Vaudeville Theatre, London. It was curtain raiser to The Bells
The Demonstration (1969) as Professor Bright at the Nottingham Playhouse
Sleuth (1971–1973 & 1976) as Andrew Wyke at the St Martin's Theatre, London and the Liverpool Playhouse
If Music and Sweet Poetry Agree (1972) with the Royal Shakespeare Company at the Royal Shakespeare Theatre, Stratford
Tribute to the Lady (1974) at The Old Vic, London
The Wisest Fool (1974) as James I at Yvonne Arnaud Theatre, Guildford, The Alexandra, Birmingham, Grand Theatre, Wolverhampton, Civic Theatre, Darlington, Ashcroft Theatre, Croydon, Richmond Theatre, London, Theatre Royal, Bath, Grand Theatre, Leeds and Hull New Theatre
The Concert (1975) as Gustav Hein with Barbara Murray at the York Theatre Royal and the Forum Theatre, Billingham
This Wooden O (1975) at the Bankside Globe Playhouse, London
Habeas Corpus (1975) as Arthur Wicksteed at the Liverpool Playhouse
The Sun King (1976–77) at the Bristol Old Vic
Jubilee Gaieties (1977) at the Marlowe Theatre, Canterbury, Ashcroft Theatre, Croydon, New Wimbledon Theatre, London, Devonshire Park Theatre, Eastbourne, Theatre Royal, Windsor and Wyvern Theatre, Swindon
Royal Thames (1977) at the Theatre Royal Haymarket with Judi Dench
Exit: Pursued by a Bear (1977) at the Pitlochry Festival Theatre
Woe to the Sparrows (1980) as Emperor Franz Josef at Northcott Theatre, Exeter
The Sun King (1981) at the Theatre Royal, Windsor
Zaide (1982) as the Narrator at The Old Vic, London
The Sun King (1982) at the King's Lynn Festival
Peer Gynt (1982) at the Nottingham Playhouse, Nottingham
The Sun King (1983) at the Queen Elizabeth Hall, South Bank, London
Metamorphoses (Opera) (1983) as Ovid at the Parry Theatre, Royal College of Music, London
The Winslow Boy (1984) as Arthur Winslow at the Forum Theatre, Wythenshawe, Grand Opera House, Belfast, Theatre Royal, Norwich, Beck Theatre, Hayes, Towngate Theatre, Poole, Kings Theatre, Southsea, Richmond Theatre, London, Civic Theatre, Darlington, Babbacombe Theatre, Torquay, Theatre Royal, Plymouth, New Theatre Royal Lincoln, Liverpool Empire Theatre, Swan Theatre, Worcester, His Majesty's Theatre, Aberdeen, Orchard Theatre, Dartford and Ashcroft Theatre, Croydon
I Have Been Here Before (1985) as Dr Görtler at the Cambridge Arts Theatre, Marlowe Theatre, Canterbury, King's Theatre, Glasgow, Eden Court Theatre, Inverness, Kings Theatre, Southsea, Towngate Theatre, Poole, Ashcroft Theatre, Croydon, The Capitol Theatre, Horsham, Grand Theatre, Wolverhampton, Forum Theatre, Billingham, Oxford Playhouse, His Majesty's Theatre, Aberdeen, Key Theatre, Peterborough and New Theatre, Cardiff
The Apple Cart (1985–86) as Nicobar with Peter O'Toole and Michael Denison at the Theatre Royal, Bath and the Theatre Royal Haymarket, London
Mystery Plays (1986) as God at Canterbury Cathedral
Beyond Reasonable Doubt (1988-89) as Lionel Hamilton at the Queens Theatre, London
Towards Zero (1989) as Matthew Treves at the Churchill Theatre, Bromley, Theatre Royal, Brighton, Cambridge Arts Theatre, The Hexagon, Reading, The Alexandra, Birmingham, Theatre Royal, Nottingham, Hull New Theatre, Derngate Theatre, Northampton, Grand Theatre, Blackpool, Grand Theatre, Wolverhampton, Theatre Royal, Margate, Liverpool Empire Theatre, New Theatre Royal Lincoln, Ashcroft Theatre, Croydon, Wyvern Theatre, Swindon, Theatre Royal, Windsor, Theatre Royal, Newcastle, Manchester Opera House, Forum Theatre, Billingham, His Majesty's Theatre, Aberdeen and Eden Court Theatre, Inverness
Sunsets and Glories (1990) as Cardinal Latino Malabranca Orsini at the West Yorkshire Leeds Playhouse, Leeds with Freddie Jones as Pope Celestine V. Directed by Stuart Burge
Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.
2019-2025 WikiSort.org - проект по пересортировке и дополнению контента Википедии