Heros Machado (1 June 1914 – 1 January 2004), known as Eros Volúsia was a Brazilian dancer and actress. Her dancing style blended classical ballet to Afro-Brazilian dancing traditions.[1]
Eros Volúsia | |
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![]() Eros Volúsia as Salome (1943) | |
Born | Heros Volúsia Machado (1914-06-01)June 1, 1914 Rio de Janeiro, Brazil |
Died | January 1, 2004(2004-01-01) (aged 89) |
Occupation | Dancer, actress |
Parent | Gilka Machado Rodolfo Machado |
Volúsia participated in several movies in Brazil and Hollywood, among them the 1942 film Rio Rita, starring Abbott and Costello.[2]
Volúsia was born in Rio de Janeiro, in 1914; her parents were the poets Gilka Machado and Rodolfo Machado.[3] Volúsia entered the ballet school in 1928, where she studied under Maria Olenewa.[4] She also attended the umbanda terreiro of João da Luz, where she had her first contact with Afro-Brazilian dances.[4]
In 1929, Volúsia made her first presentation at Theatro Municipal, dancing samba barefooted.[4] She would make another presentations in the following years, invited by cultural salonists like Paschoal Carlos Magno.[5] In the spirit of Brazilian modernism Volúsia researched Amerindian and African dances in order to create a "national dance" (bailado nacional).
In 1935 she participated of her first Brazilian film, Favela dos Meus Amores. She would be featured in other four films in Brazil.[5]
On 22 September 1941 she was featured at the cover of Life magazine. The following year she participated in a musical act in the MGM film Rio Rita, with Abbott and Costello. She would be compared to Carmen Miranda by local media.[3]
Year | Title | Role | Notes |
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1935 | Favela dos Meus Amores | ||
1937 | Samba da Vida | ||
1942 | Rio Rita | Eros Volusia | |
1943 | Caminho do Céu | ||
1944 | Romance Proibido | Dançarina | |
1949 | Pra Lá de Boa | (final film role) |
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