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George Alexander Coulouris (1 October 1903 – 25 April 1989) was an English film and stage actor.

George Coulouris
Coulouris as Thatcher in Citizen Kane (1941)
Born
George Alexander Coulouris

(1903-10-01)1 October 1903
Manchester, Lancashire, England
Died25 April 1989(1989-04-25) (aged 85)
London, England
OccupationActor
Years active1926–1985
Spouse(s)
Louise Franklin
(m. 1930; died 1976)

Elizabeth Donaldson
(m. 1977)
ChildrenGeorge Coulouris
Mary Louise Coulouris

Early life


Coulouris was born in Manchester, Lancashire, England, the son of Abigail (née Redfern) and Nicholas Coulouris, a merchant[citation needed] of Greek origin. He was brought up both in Manchester and nearby Urmston and was educated at Manchester Grammar School.[1] He attended London's Central School of Speech and Drama, in the company of fellow students Laurence Olivier and Peggy Ashcroft.[citation needed]


Early career


Marc Antony (George Coulouris) addresses the crowd in the Mercury Theatre production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany
Marian Warring-Manley as Margery, Whitford Kane as Simon Eyre and George Coulouris as the King in the Mercury Theatre production of The Shoemaker's Holiday (1938)
Harry Shannon, George Coulouris and Agnes Moorehead in Citizen Kane (1941)
The National Board of Review recognised both Orson Welles and George Coulouris for their performances in Citizen Kane (1941)

Coulouris made his stage debut in 1926 with Henry V at the Old Vic. By 1929, he made his first Broadway appearance, followed by his first Hollywood film role in 1933.

A major impact on his life was Orson Welles, whom he met in 1936 when they both had roles in the Broadway production of Sidney Kingsley's Ten Million Ghosts. Welles invited Coulouris to become a charter member of his Mercury Theatre, and in 1937 Coulouris performed the role of Mark Antony in the company's debut production, Caesar, an innovative modern-dress production of Shakespeare's Julius Caesar.[2]

"Even 'Friends, Romans, countrymen' sounds on his tongue as if it were a rabble-rousing harangue he is uttering for the first time," noted John Mason Brown in the New York Post.[citation needed]

In 1938, he appeared in the Mercury stage productions of The Shoemaker's Holiday and Heartbreak House,[3] and became part of the repertory company that presented CBS Radio's The Mercury Theatre on the Air and its sponsored continuation, The Campbell Playhouse (1938–40). Also for CBS, in 1944 he starred in the radio series Suspense, in the episode "Portrait without a Face".[4]

In Citizen Kane (1941), Coulouris played Walter Parks Thatcher, a financier similar to J. P. Morgan. Coulouris and Welles each received a 1941 National Board of Review Award for their performances.[5]

During the 1930s and 1940s, Coulouris remained a regular figure on the stage and screen, starring in his own Broadway production of Richard III in 1943. His films in this period included For Whom the Bell Tolls (1943), Between Two Worlds (1944), Mr. Skeffington (1944) and Watch on the Rhine (1943), in which he repeated the role he originated in the Broadway production.[6] He also performed as Robert de Baudricourt in Joan of Arc (1948), starring Ingrid Bergman. While most of his performances are strong ones, usually as a heavy or villain, occasionally he could turn his serious characterizations into humorous ones. Thatcher in Citizen Kane is fussy and pompous at times. A better (if briefer) example was in Mr. Skeffington as Dr. Byles, planning to go on a well-deserved, long-delayed holiday only to find it delayed again by a selfish, impossible Fanny Skeffington (Bette Davis).[clarification needed]

Coulouris was the first actor to star in the title role of the Bulldog Drummond programme on the Mutual Broadcasting System.[7]


Return to Britain


Coulouris returned to Britain after 1950, living first in Putney and later in Hampstead.[8] He appeared in more films, theatre and television productions. His stage work was the most well regarded and included the title role in King Lear at the Glasgow Citizens' Theatre (1952); the lead (Dr. Stockmann) in An Enemy of the People (1959) at the Arts Theatre, Cambridge; Peter Flynn in Seán O'Casey's The Plough and the Stars at the Mermaid Theatre (1962); a part in August Strindberg's The Dance of Death; and Big Daddy in Tennessee Williams's Cat on a Hot Tin Roof (1970).

Later film roles included parts in The Heart of the Matter (1953), Doctor in the House (1954), Papillon (1973), Mahler and Murder on the Orient Express (both 1974). He had rare leading roles in the British horror movies The Man Without a Body (1957) and The Woman Eater (1958).

He played in over 80 films, but radio roles were also numerous, and his television roles included parts in Hancock's Half Hour ("The Missing Page"), Danger Man and The Prisoner ("Checkmate", 1967). Other appearances included the recurring role of science writer Harcourt Brown in the ABC serials, Pathfinders to Mars and Pathfinders to Venus, which were sequels to earlier serials; Target Luna and Pathfinders in Space. He appeared as Arbitan in the Doctor Who serial The Keys of Marinus (1964).


Personal life


Coulouris was married to Louise Franklin from 1930 until her death in 1976, and then to Elizabeth Donaldson from 1977 until his death in 1989. He was the father of computer scientist George Coulouris and artist Mary Louise Coulouris.[8]


Death and legacy


Coulouris died in London on 25 April 1989, of heart failure following Parkinson's disease.[citation needed]

In Me and Orson Welles (2008), Richard Linklater's period drama set in the days surrounding the premiere of the Mercury Theatre's production of Caesar, Coulouris is portrayed by Ben Chaplin.[9]


Broadway roles


George Coulouris's Broadway credits are listed at the Internet Broadway Database.[10]


Actor



Director



Filmography



References


  1. "George Coulouris". 1989. Retrieved 14 August 2007.
  2. Collins, Glenn, "George Coulouris, 85, Is Dead; Actor Relished Villainous Roles". The New York Times, 27 April 1989
  3. George Cououris, Internet Broadway Database. Retrieved 12013-12-28.
  4. Blackstone Audio 'Suspense' Vol. 2 issued 2015
  5. "Ten Best 1941". National Board of Review Magazine. Vol. XVII, no. 1. National Board of Review. January 1942. p. 6. Retrieved 3 February 2016.
  6. "Watch on the Rhine". IBDB.com. Internet Broadway Database.
  7. Dunning, John (1998). On the Air: The Encyclopedia of Old-Time Radio (Revised ed.). New York, NY: Oxford University Press. p. 123. ISBN 978-0-19-507678-3. Retrieved 14 October 2019. Bulldog Drummond, crime drama.
  8. Phil Davison,Mary Louise Coulouris obituary, heraldscotland.com, 17 February 2012.
  9. McCarthy, Todd (6 September 2008). "Film Review: Me and Orson Welles". Variety. Retrieved 7 September 2015.
  10. George Coulouris at the Internet Broadway Database
  11. Welles, Orson; Bogdanovich, Peter; Rosenbaum, Jonathan (1992). This is Orson Welles. New York: HarperCollins Publishers. ISBN 0-06-016616-9.



На других языках


- [en] George Coulouris

[es] George Coulouris

George Coulouris (1 de octubre de 1903 – 25 de abril de 1989) fue un importante actor inglés de cine y teatro. Nació en Salford, Lancashire (Inglaterra), fue criado ahí y en Urmston, Mánchester, y educado en la Manchester Grammar School. Su padre era un inmigrante griego y su madre era inglesa. Acudió a la Central School of Speech and Drama de Londres, en compañía de otros estudiantes tales como Laurence Olivier y Peggy Ashcroft. Su debut en la escena fue en 1926 con Enrique V en el teatro Old Vic, y en 1929 tuvo su primera aparición en el teatro de Broadway, sobre cuyos escenarios destacaría, entre otras piezas, en The Late Christopher Bean. Su debut cinematográfico en Hollywood tuvo lugar en 1933.

[ru] Кулурис, Джордж

Джордж Кулурис (англ. George Coulouris) (1 октября 1903 — 25 апреля 1989) — английский актёр театра и кино, более всего известный своими бродвейскими и голливудскими работами 1930—40-х годов.



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