Kajirō Yamamoto (山本 嘉次郎, Yamamoto Kajirō, 15 March 1902–21 September 1974) was a Japanese film director, screenwriter, and actor who was known for his war films and comedies and as the mentor of Akira Kurosawa. The combined list of his efforts as a director for documentaries, silent, and sound films includes over 90 film titles during his lifetime.
Kajirō Yamamoto
Born
(1902-03-15)15 March 1902
Kyōbashi, Tokyo
Died
21 September 1974(1974-09-21) (aged72)
Nationality
Japanese
Occupation
Film director, screenwriter, actor
Early life
Born in Tokyo, Yamamoto attended Keio University, where he helped form a film appreciation society.[1] He first appeared in film in 1921 as an actor opposite Yoshiko Okada, but that only earned the wrath of his family, who disowned him.[1]
Career
He worked as an actor on the stage, joined Nikkatsu as an assistant director, and finally made his directorial debut in 1924 at Tōa Kinema.[1] After working at Nikkatsu again, he was lured to Photo Chemical Laboratories (P. C. L.) in 1934, where he first made a name filming the comedies of Kenichi Enomoto.[2] When P. C. L. became the Toho company, Yamamoto helmed realist dramas such as Tsuzurikata kyōshitsu and Uma (starring Hideko Takamine), and war films such as Hawai Mare oki kaisen.[2]
After World War II, he continued directing films, but increasingly worked in television and radio.[2]
Legacy
He is now mostly known as the mentor of Akira Kurosawa, who served as his assistant director on 17 films.[3]
He is also responsible for the career of Toshiro Mifune. In 1947, one of Mifune's friends who worked for the Photography Department of Toho Productions suggested Mifune try out for the Photography Department. He was accepted for a position as an assistant cameraman. At this time, a large number of Toho actors, after a prolonged strike, had left to form their own company, Shin Toho. Toho then organized a "new faces" contest to find new talent. Mifune's friends submitted an application and photo, without his knowledge. He was accepted, along with 48 others (out of roughly 4000 applicants), and allowed to take a screen test for Kajiro Yamamoto. Instructed to mime anger, he drew from his wartime experiences. Yamamoto took a liking to Mifune, recommending him to director Senkichi Taniguchi.[4]
Selected filmography
Advertisement for Enoken no Kondō Isami. (Starring Kenichi Enomoto and Teiichi Futamura.)
Director (selected films)
Danun; 1924
Renbo kouta shōdoshima jowa; 1924
Yama no shinpi; 1924
Bakudanji; 1925
Hito wo kutta hanashi; 1925
Kagayakeru tobira; 1925
Mori no asa; 1925
Matsuda eiga shōhin-shū: Kumo; 1926
Junange; 1932
Momoiro no musume; 1933
Sōkyū no mon; 1933
Arupusu taishō; 1934
Ren'ai ski jutsu; 1934
Furusato harete; 1934
Enoken no Kondō Isami (エノケンの近藤勇) (1935)
Sumire musume; 1935
Botchan; 1935
Enoken's Ten Millions 2; 1936
Wagahai wa neko de aru; 1936
Enoken no Chakkiri Kinta (エノケンのちゃっきり金太) (1937)
Utsukushiki taka; 1937, with Kurosawa
Enoken no chakkiri Kinta 'Go', kaeri wa kowai, mateba hiyori; 1937, with Kurosawa
Enoken no chakkiri Kinta 'Zen' - Mamayo sandogasa - Ikiwa yoiyoi; 1937, with Kurosawa
Nihon josei dokuhon (volume 1); 1937, with Kurosawa
A Husband's Chastity: Fall Once Again; 1937, with Kurosawa
Otto no teiso - haru kitareba; 1937, with Kurosawa
Enoken no bikkuri jinsei; 1938, with Kurosawa
Tsuzurikata Kyōshitsu (綴方教室) (1938), with Kurosawa
Tōjūrō no koi; 1938, with Kurosawa
Nonki Yokocho; 1939, with Kurosawa
Chushingura (Go); 1939, with Kurosawa
Chushingura (Zen); 1939, with Kurosawa
Enoken no gatchiri jidai; 1939, with Kurosawa
Enoken no songokū: songokū zenko-hen; 1940, with Kurosawa
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