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Paul Burani (born Urbain Roucoux; Paris, 26 March 1845 – Paris, 9 October 1901), was a French author, actor, songwriter and librettist.

He had a short career as an actor at the Théâtre de Belleville and in the French provinces, after which he directed a journal, Le Café-Concert. At the commencement of his career as a songwriter he used the name Burani, an anagram of his first name.

Works

He collaborated on libretti for the following operas:

• Le Droit du seigneur (with Maxime Boucheron), music by Léon Vasseur - 1878[1]
• Le Billet de logement (with Boucheron), Vasseur - 1879
• La Barbière improvisée (with Jules Montini), Joseph O'Kelly - 1882
• Le Petit Parisien (with Boucheron), Vasseur - 1882
• François les bas-bleus (with Ernest Dubreuil and Eugène Humbert), André Messager - 1883
• Le Mariage au tambour (after Alexandre Dumas), Vasseur - 1886
• Le roi malgré lui (with Emile de Najac), Emmanuel Chabrier - 1887[2]
• Ninon de Lenclos (with Blavet), Vasseur, 1887
• Le Puits qui parle (with Beaumont), Edmond Audran - 1888
• Le Prince soleil (with Hippolyte Raymond), Vasseur - 1889
• Le Commandant Laripete (with Silvestre, Valabrigue), Vasseur - 1892
• Le Cabinet Piperlin (with Raymond), Hervé - 1897

Le Sire de Fisch Ton Kan was a popular song during the Paris Commune (1871), with words by Paul Burani and music by Antonin Louis, which denounced Napoléon III who was leading France to military disasters; the song contains many plays on words.[3]

References

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