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Roland Pertwee (15 May 1885[3] – 26 April 1963)[4] was an English playwright, film and television screenwriter, director and actor. He was the father of Doctor Who actor Jon Pertwee and fellow playwright and screenwriter Michael Pertwee.[5] He was also the second cousin of actor Bill Pertwee and grandfather of actors Sean Pertwee and Dariel Pertwee.

Roland Pertwee
Pertwee in the 1920s
Born(1885-05-15)15 May 1885
Hove, Sussex, England[1]
Died26 April 1963(1963-04-26) (aged 77)
Sandhurst, Kent, England[2]
OccupationWriter, playwright, film director, actor
Period20th century
Spouse
Avice Scholtz
​
​
(m. 1911; div. 1921)​
Children
Relatives

From the 1910s to 1950s, he worked as a writer on many British films, providing either the basic story or full screenplay. He was one of many writers who worked on the script of A Yank at Oxford starring Robert Taylor and Vivien Leigh, the film in which his son Jon made his screen debut, and on Caravan.[6]

While he seemingly preferred writing, he acted in ten films (1915–45) and directed Breach of Promise (1942), which he also wrote.


Life and career


Pertwee had French Huguenot ancestry (his surname was an Anglicisation of "Perthuis"; the origins of his surname being "de Perthuis de Laillevault", the family being Counts descended from Charlemagne).[7][8] His career began as a painter after he gained a scholarship to the Royal Academy Schools at the age of 17 and exhibited his first portrait at the Royal Academy two years later. He studied in Paris, then returned to London, where he began to write and act.[9]

Pertwee married in 1911, and he and his wife went to Australia for a year, while Pertwee appeared on stage with a touring company. The couple had two children.[10] He worked as a musician and as an actor.[11][12]

His writing career essentially began in 1914, when four of his short plays, including Swank, were produced in London.[13][14] Pertwee had a role in Caste (1915). He could also be seen in The Second Mrs Tanqueray (1916). The following year a novel The Transactions of Lord Louis Lewis was published.[15]

He joined the army in 1916 and was invalided out in Christmas 1917.[10]

He adapted a play Quinneys (1919), in which he also played a small role. He wrote The Bridal Chair (1919), Hope (1919), Charity (1919), The Right Element (1919), Faith (1919), The Last Rose of Summer (1920), and Aunt Rachel (1920). Pertwee co wrote a play Out to Win (1921) which was filmed in 1921. Pertwee divorced his wife in 1921.[16] He wrote the plays Creaking Chair (1926) and Interference (1927).

He wrote the scripts for 'the films Packing Up (1927), and The Vortex (1928). Interference (1928), based on his play, was filmed in Hollywood.[17]

His play Heatwave, written in collaboration with Denise Robins, was produced at the St James's Theatre, London, in 1929.[18] It was later filmed as The Road to Singapore (1931).


Hollywood


Pertwee moved to Hollywood, where he wrote I Like Your Nerve (1931),[19] and Honor of the Family (1931). He also wrote a story for Marilyn Miller that was not used.[20] A play The Metropolitan Players had a run on Broadway in 1932.

Back in England he wrote Murder on the Second Floor (1932); Love Me, Love My Dog (1932); Postal Orders (1932); Impromptu (1932); Help Yourself (1932); A Voice Said Goodnight (1932); A Letter of Warning (1932); The Silver Greyhound(1932); Illegal (1932); Blind Spot (1932); Sleeping Car (1933), for Anatole Litvak; The Ghoul (1933) with Boris Karloff in the lead and The Crucifix (1934).

In 1934, Pertwee signed a contract with Columbia Pictures.[21] He also wrote British Agent (1934), directed by Michael Curtiz and The Night of the Party (1935), based on his play, directed by Michael Powell. He was credited on Honours Easy (1935), based on his play, and Man of the Moment (1935). Without Regret (1935) was based on his play.

In 1936, it was announced Alfred Hitchcock would film his novel Such an Enmity but no movie resulted.[22]

He did some work on the scripts for Two's Company (1936) and King Solomon's Mines (1937). He wrote Non-Stop New York (1937), and Dinner at the Ritz (1937), and was one of many writers on A Yank at Oxford (1938).[23]

Pertwee wrote Kicking Around the Moon (1938), The Ware Case (1938) and A Voice Said Goodnight (1938) for TV.


World War II


He wrote A Spy in Black (1939) and adapted The Four Just Men (1939) in which he also had an acting role. He wrote Young Man's Fancy (1939), They Came by Night (1940), Return to Yesterday (1940), and The Proud Valley (1940). He wrote a short, Dangerous Comment (1940), and did It Happened to One Man (1940), and Freedom Radio (1941). In 1940, his autobiography Master of None was published.[24]

Pertwee wrote Pimpernel Smith (1941) and had a small role on screen. He appeared in The Day Will Dawn (1942), Talk About Jacqueline (1942), The Gentle Sex (1943), The Halfway House (1944), They Were Sisters (1945), Nightbeat (1947).

In addition, he also wrote Jeannie (1941), Breach of Promise (1942) (which he also directed), Talk About Jacqueline (1942), The Gentle Sex (1943), The Lamp Still Burns (1943), The Night Invader (1943) and The Halfway House (1944).


Gainsborough


Pertwee went to Gainsborough Pictures to work on the melodramas Madonna of the Seven Moons (1945), They Were Sisters (1945), Caravan (1946), and The Magic Bow (1946).

His play Pink String and Sealing Wax was filmed in 1945. He wrote Nightbeat (1947), Silent Dust (1949) (based on his play The Paragon), Diamond City (1949), and Captain Blackjack (1950). He wrote for TV on Rheingold Theatre and did the feature Give Them a Ring (1954).


The Grove Family


In 1954, he and his elder son Michael created The Grove Family – generally regarded as being the first soap opera on British television[25] – for the BBC. Having previously written an episode of Douglas Fairbanks, Jr., Presents, this marked Pertwee's second and final foray into television writing. Like many BBC television productions of the era, it was broadcast live. At its height, the series had drawn in almost a quarter of British people who owned a television. Reportedly, Queen Elizabeth, The Queen Mother was a great fan. A film version, entitled It's a Great Day, was produced in 1955, likewise written by the Pertwees.

His final feature credit was Not Wanted on Voyage (1957).


Juvenile fiction


Pertwee also wrote works of juvenile fiction, including the series The Islanders, which serves up typical Boy's Own adventure with a strong field sports theme. The Islanders (1950) and Rough Water (1951) tell the adventures of three boys with the run of a sporting estate in the wild Devon countryside during a summer holiday. The third book, Operation Wild Goose (1955), takes place some years later, on a trip to Iceland, where the boys come up against Russian spies, in between landing fat salmon.

A further book, An Actor's Life for Me (1953), features just one of the Islanders boys, Nick, as he follows his parents onto the stage.

Pertwee wrote two short stories, "The River God" and "Fish Are Such Liars" which are now considered[by whom?] classics and have been anthologized in the book, Fisherman's Bounty, edited by Nick Lyons, and originally published by Crown in 1970, then by Fireside in 1988.


Later years and death


Following the cancellation of The Grove Family in 1957, Pertwee retired from writing. He died in April 1963.


Acting credits



Complete filmography



Stage



Writing credits



Screenwriter (partial listing)



Plays turned into films


Short stories



Novels



Plays



Junior fiction



References


  1. Birth notice in The Morning Post, 20 May 1885.
  2. Obituary in The Times, 29 April 1963.
  3. Pertwee's entry on the 1939 England & Wales Register.
  4. "findmypast.co.uk". search.findmypast.co.uk.
  5. "NAMES ARE HIS GAME". The Australian Women's Weekly. Vol. 42, no. 31. 1 January 1975. p. 18. Retrieved 29 October 2017 – via National Library of Australia.
  6. "NEW FILMS REVIEWED". The Advertiser. Adelaide. 8 February 1947. p. 12. Retrieved 29 October 2017 – via National Library of Australia.
  7. Jon Pertwee: The Biography, Bernard Bale, André Deutsch, 2000, p. 2
  8. An Hour with Jon Pertwee, broadcast by BBC7 on 30 March 2009
  9. ROLAND PERTWEE.Los Angeles Times; 24 August 1919: III32
  10. "LEFT FOR LOVE". The World. Vol. VI, no. 238. Tasmania. 6 October 1921. p. 6. Retrieved 29 October 2017 – via National Library of Australia.
  11. "PRIVATE LIVES". The Sydney Morning Herald. No. 31, 903. 30 March 1940. p. 12. Retrieved 29 October 2017 – via National Library of Australia.
  12. "MAN OF MANY PARTS". The Telegraph (SECOND ed.). Brisbane. 6 July 1940. p. 6. Retrieved 29 October 2017 – via National Library of Australia.
  13. "Mainly About People". The Daily News. Vol. XXXIII, no. 12, 193 (THIRD ed.). Western Australia. 29 July 1914. p. 5. Retrieved 28 October 2017 – via National Library of Australia.
  14. "ROLAND PERTWEE, PLAYWRIGHT, DIES: Film Writer and Novelist Studied Art With Sargent" The New York Times 28 April 1963: 88.
  15. "LORD LOUIS LEWIS IS WELL WORTH KNOWING!". Geelong Advertiser. No. 21, 928. Victoria. 18 August 1917. p. 8. Retrieved 28 October 2017 – via National Library of Australia.
  16. "AUTHOR'S FIND". Truth. No. 950. Western Australia. 15 October 1921. p. 8. Retrieved 29 October 2017 – via National Library of Australia.
  17. "INTERFERENCE". Table Talk. No. 3168. Victoria, Australia. 24 January 1929. p. 27. Retrieved 29 October 2017 – via National Library of Australia.
  18. Robins, Denise, Stranger Than Fiction (London, Hodder & Stoughton, 1965, autobiography)
  19. "PICTURES and PLAYS". The World's News. No. 1535. New South Wales, Australia. 13 May 1931. p. 11. Retrieved 29 October 2017 – via National Library of Australia.
  20. "BEST-PAID IDLER". The Mail. Vol. 20, no. 999. Adelaide. 18 July 1931. p. 10. Retrieved 29 October 2017 – via National Library of Australia.
  21. "FOR HOLLYWOOD". Morning Bulletin. No. 21, 104. Queensland, Australia. 14 March 1934. p. 11. Retrieved 29 October 2017 – via National Library of Australia.
  22. "Wait Disney's". The Mercury. Vol. CXLVIII, no. 21, 068. Tasmania, Australia. 4 June 1938. p. 5. Retrieved 29 October 2017 – via National Library of Australia.
  23. "PICTURES AND PERSONALITIES. The TECHNICOLOR ART". The Mercury. Vol. CXLVIII, no. 21, 015. Tasmania, Australia. 2 April 1938. p. 5. Retrieved 29 October 2017 – via National Library of Australia.
  24. "MAN OF MANY PARTS". The Telegraph (SECOND ed.). Brisbane. 6 July 1940. p. 6. Retrieved 28 October 2017 – via National Library of Australia.
  25. "Grove Family, The (1954–57)". BFI Screenonline. Retrieved 2 January 2013.
  26. BFI Screenonline
  27. "LONDON SEASON, 1928". The Sydney Morning Herald. No. 28, 269. 11 August 1928. p. 11. Retrieved 29 October 2017 – via National Library of Australia.
  28. in a short (15 min) and a long (35 min) version, see IMDb. As prose The voice that said Goodnight., in Crime stories from the 'Strand', ed. Geraldine Beare, London 1961; in German: Die Stimme, die 'Gute Nacht' sagte. Transl. Richard Fenzl, in Classical Detective Stories – Klassische Detektivgeschichten, Deutscher Taschenbuch-Verlag dtv, Munich 1993, p. 198–243
  29. "A CALL ON THE COUNTRY". The Journal. Vol. LII, no. 14254 (NIGHT ed.). Adelaide. 24 February 1917. p. 7. Retrieved 28 October 2017 – via National Library of Australia.
  30. "GENERAL NEWS". The Advertiser. Vol. LIX, no. 18, 313. Adelaide. 23 June 1917. p. 6. Retrieved 28 October 2017 – via National Library of Australia.
  31. "JACKIE PLAY-ALONE". The Leader. No. 3237. Victoria. 26 January 1918. p. 50 (WEEKLY). Retrieved 28 October 2017 – via National Library of Australia.
  32. "THE NEW MAGAZINE". The Telegraph. No. 14, 346 (SECOND ed.). Brisbane. 16 November 1918. p. 9. Retrieved 29 October 2017 – via National Library of Australia.
  33. "THE MARCH MAGAZINES". The Week. Vol. LXXXIX, no. 2, 316. Brisbane. 14 May 1920. p. 26. Retrieved 29 October 2017 – via National Library of Australia.
  34. "A Story in Two Parts". The Chronicle. Vol. LXIII, no. 3, 332. Adelaide. 31 July 1920. p. 40. Retrieved 29 October 2017 – via National Library of Australia.
  35. "A Story in Two Parts". The Chronicle. Vol. LXIII, no. 3, 333. Adelaide. 7 August 1920. p. 40. Retrieved 29 October 2017 – via National Library of Australia.
  36. "A SILLY THING TO DO". The Age. No. 20, 661. Victoria, Australia. 18 June 1921. p. 19. Retrieved 29 October 2017 – via National Library of Australia.
  37. "Tripped". Shepparton Advertiser. No. 3902. Victoria, Australia. 5 January 1922. p. 4. Retrieved 29 October 2017 – via National Library of Australia.
  38. "The Story Pages". The Chronicle. Vol. LXVIII, no. 3, 631. Adelaide. 24 April 1926. p. 63. Retrieved 29 October 2017 – via National Library of Australia.
  39. "EMPTY ARMS". Queensland Figaro. Vol. XXXVIII, no. 33. Queensland, Australia. 29 August 1931. p. 15. Retrieved 29 October 2017 – via National Library of Australia.
  40. "Greater London". The World's News. No. 2151. New South Wales, Australia. 27 February 1943. p. 16. Retrieved 29 October 2017 – via National Library of Australia.
  41. "Move, Britannia". The Australasian. Vol. CLIX, no. 5, 054. Victoria, Australia. 10 November 1945. p. 8. Retrieved 29 October 2017 – via National Library of Australia.
  42. "This week". The Australian Women's Weekly. Vol. 19, no. 46. 16 April 1952. p. 10. Retrieved 29 October 2017 – via National Library of Australia.
  43. "Books and Writers". Table Talk. No. 1732. Victoria, Australia. 3 October 1918. p. 34. Retrieved 28 October 2017 – via National Library of Australia.
  44. "THE LITERARY PAGE". The Register. Vol. LXXXIV, no. 22, 597. Adelaide. 12 April 1919. p. 4. Retrieved 29 October 2017 – via National Library of Australia.
  45. "SERIOUS STUDY BY ROLAND PERTWEE". The Mail. Vol. 29, no. 1, 485. Adelaide. 9 November 1940. p. 3 (Supplement to "THE MAIL" MAGAZINE SECTION). Retrieved 28 October 2017 – via National Library of Australia.
  46. "FROM LONDON TOWN". The Week. Vol. XCIV, no. 2, 448. Brisbane. 24 November 1922. p. 22. Retrieved 29 October 2017 – via National Library of Australia.
  47. "JUNIOR BOOKSHELF". The Age. No. 30233. Victoria, Australia. 22 March 1952. p. 17. Retrieved 29 October 2017 – via National Library of Australia.



На других языках

- [en] Roland Pertwee

[es] Roland Pertwee

Roland Pertwee (17 de mayo de 1885 – 26 de abril de 1963) fue un dramaturgo, guionista cinematográfico y televisivo, director televisivo y actor de nacionalidad británica. Es quizás más recordado por ser el padre de la estrella de Doctor Who Jon Pertwee y del guionista Michael Pertwee. Además fue tío del actor Bill Pertwee y abuelo de los actores Sean Pertwee y Dariel Pertwee.


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