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Soledad (Sol, Solly) Ballon Magdaluyo (born March 11, 1940), better known by her screen name Sofia Moran, is a Filipina actress, singer and record artist, credited with over 60 Philippine and foreign films. The Philippine actress began her film career in the Philippines in 1967 shortly after Joseph Estrada, then the country's biggest box-office draw and action star, gave her a first break and introduced her as Sofia Moran in his major film in 1968. She was born as Soledad Ballon in Nabua, Camarines Sur.
Sofia Moran | |
|---|---|
 Sofia Moran in Manila 2016 | |
| Born | Soledad Ballon March 11, 1940 Nabua, Camarines Sur, Philippines |
| Nationality | Filipino-American |
| Other names | Sol, Solly |
| Occupation | Actress, Singer, Record Artist, Philanthropist |
| Years active | 1967–present |
| Spouse | Dante A. Magdaluyo
(m. 1960; died 2019) |
| Children | 3 |
| Website | https://sofiamoran.org/ |
Career
Sofia was immediately featured in Valiente Brothers, starring Joseph Estrada,[1] Jess Lapid Sr., and Jun Aristorenas,[2] the biggest action stars in the country in 1968, and famously Directed by Augusto Buenaventura.
Sofia Moran made a remarkable 64 movies between 1967 and 1974 sharing the lead and starring next to the biggest leading male movie stars in the business to include Joseph Estrada, Fernando Poe Jr.,[3] Tony Ferrer, Eddie Garcia, Zaldy Zshornack, Vic Vargas[3] and Bernard Bonnin.[4]
Her most memorable films were Sofia starred in many of the Philippines’ historical movie classics, notably Siete Infantes de Lara (1973) as Princess Gismenia, co-starred with the legendary and award-winning filmmaker, Manuel Conde.
During the 1970s up until her migration to the United States (Las Vegas), Sofia was busy with her Las Vegas-style Live performances in Manila entertainment venues, such as the legendary Victoria Peak, as well as within the islands in the Philippines, Southeast Asia and major cities in Japan (Tokyo, Osaka).
In 1971, Moran co-starred in the cult film Women in Cages with Pam Grier. It was featured in the Planet Terror portion of the 2007 film Grindhouse directed by Quentin Tarantino. In August 2007, Grindhouse Director Quentin Tarantino said of the film, "I'm a huge, huge fan of Gerry de Leon.... the film Women in Cages is just harsh, harsh, harsh," he said, and described the final shot as one of "devastating despair." Sofia generated critical international reviews from her role as Theresa in Women in Cages and was nominated as Best Actress in a Supporting Role during the 1971 Metro Manila Film Festival
Sofia Moran became known in the 1970's as one of the major actors starring in films representing both the liberation as well as exploitation of the Philippines Film Industry in scenes with daring and bold scenes such as her films in "Huwag Kang Makiapid" (1971) and "Marupok" (1970),[5] as well as the article by Michael Flores, Bodies of Work in Philippine Cinema.[6]
Filmography
| Year | Film |
|---|---|
| 1967 | Alamid |
| 1967 | Pambihirang Pito |
| 1967 | Roman Montalan |
| 1967 | Pambihirang Tatlo |
| 1967 | Magnificent Bandit |
| 1967 | Kidlat Meets Gringo[3] |
| 1967 | Eagle Commandos |
| 1967 | Buhay Marino |
| 1967 | Baril at Rosaryo |
| 1967 | Walang Hari sa Batas |
| 1968 | Valiente Brothers |
| 1968 | Tigre Gitano |
| 1968 | The Magnificent Zorro |
| 1968 | Quinto de Alas |
| 1968 | Palos Strikes Again |
| 1968 | Leon Guerrero: Laban sa 7 Kilabot |
| 1968 | Kapwa walang panginoon |
| 1968 | Giyera patani |
| 1968 | Daredevil |
| 1968 | Dambana ng Kagitingan |
| 1968 | Cuadro de Jack |
| 1968 | Agents wen Manong |
| 1968 | Magnificent Karatista |
| 1969 | Dolpe de Gulat |
| 1969 | Liquidation Squad |
| 1969 | Ang ninong kong Nazareno |
| 1969 | Seven Deadly Roses |
| 1969 | Kalinga |
| 1969 | Ronquillo Brothers |
| 1969 | Palos Fights Back! |
| 1969 | Franco Negro |
| 1969 | Musmos na mandirigma |
| 1969 | Target, Hongkong |
| 1970 | San Diego |
| 1970 | Marupok |
| 1970 | Baligtaran |
| 1970 | Pigilin mo ang Umaga |
| 1971 | Isla de Amor |
| 1971 | Arkong Bato |
| 1971 | Sophia |
| 1971 | Huwag kang makiapid |
| 1971 | Inday |
| 1971 | Castigo |
| 1971 | Playpen |
| 1971 | Ang mga Palaban |
| 1971 | Women in Cages as Theresa (uncredited) |
| 1971 | San Cristobal |
| 1971 | Sigaw ng Katarungan |
| 1972 | Batwoman and Robin as Catwoman |
| 1972 | The Smugglers |
| 1972 | Parehas ang Laban |
| 1972 | Walang impiyerno sa Matatapang |
| 1972 | Bandolera |
| 1972 | Secret Witness |
| 1972 | Los compadres |
| 1973 | Karateka Boxer |
| 1973 | I Shall Return |
| 1973 | Siete Infantes de Lara as Princesa Gismenia |
| 1973 | Kingpin |
| 1974 | No Tears for the Brave |
| 1974 | Dial 717 |
| 1974 | Napahiya ka, 'No? |
| 1974 | The Magic Fighters |
Personal life
After retiring from film, Moran lived in Las Vegas, Nevada and Atlantic City, New Jersey with her husband, Dante A. Magdaluyo. Magdaluyo worked as a casino pit manager at Caesars Atlantic City.[7]
Moran has homes in Nabua, Camarines Sur, Fort Lauderdale, Florida and Las Vegas, Nevada. Her husband, Dante, died on February 24, 2019 at Santa Maria Josefa Foundation Hospital in Iriga City, Camarines Sur.
Moran is Catholic. She volunteers and supports the work of Holy Cross Catholic Church in Nabua and the Catholic Women's League in Naga City. Every year, she coordinates Nabua's annual Fiesta of Nuestra Senora de Angustia.
Further reading
- Quirino, J. (1973). Like Dew in April and Other Stories. Philippines: National Book Store.
- Zafra, J. (1995). Twisted. Philippines: Anvil.
References
- King, Amy K. (2016). ""Just like Back Home—Only Different!": Plantation Exploitation in 1970s Women-in-Prison Movies Filmed in the Philippines". The Global South. 10 (2): 48–69. doi:10.2979/globalsouth.10.2.04. ISSN 1932-8648. JSTOR 10.2979/globalsouth.10.2.04. S2CID 149083052. Retrieved 1 December 2020.
- Cowie, Peter. World Filmography, 1968. Tantivy Press. p. 493. ISBN 978-0-498-01569-4. Retrieved 1 December 2020.
- Cowie, Peter; Elley, Derek. World Filmography: 1967. Fairleigh Dickinson Univ Press. p. 449. ISBN 978-0-498-01565-6. Retrieved 1 December 2020.
- Aros, Andrew A. (1977). An Actor Guide to the Talkies, 1965 Through 1974. Scarecrow Press. p. 495. ISBN 978-0-8108-1052-5. Retrieved 1 December 2020.
- "Liberation and Exploitation: On Sex Flicks and the Filipino, Before, During, and After Martial Law". Esquiremag.ph.
- Flores, Patrick D. (2000). "Bodies of Work: Sexual Circulations in Philippine Cinema". Humanities Diliman: A Philippine Journal of Humanities. 1 (1). ISSN 2012-0788. Retrieved 1 December 2020.
- Slagle, Alton (17 June 1991). "Cloud hangs over holiday". Daily News. Newspapers.com. Retrieved 1 December 2020.
External links
- Sofia Moran at IMDb
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