Solomon (Shloyme) Mikhoels (Yiddish: שלמה מיכאעלס [also spelled שלוימע מיכאעלס during the Soviet era], Russian: Cоломон (Шлойме) Михоэлс, 16 March [O.S. 4 March] 1890 – 13 January 1948) was a Latvian born Soviet Jewish actor and the artistic director of the Moscow State Jewish Theater. Mikhoels served as the chairman of the Jewish Anti-Fascist Committee during World War II. However, as Joseph Stalin pursued an increasingly anti-Jewish line after the War, Mikhoels's position as a leader of the Jewish community led to increasing persecution from the Soviet state. He was assassinated in Minsk in 1948 by order of Stalin.[1]
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Born Shloyme Vovsi in Dvinsk (now Daugavpils, Latvia), Mikhoels studied law in Saint Petersburg, but left school in 1918 to join Alexis Granowsky's Jewish Theater Workshop, which was attempting to create a national Jewish theater in Russia in Yiddish. The workshop moved to Moscow in 1920, where it established the Moscow State Jewish Theater. That was in keeping with Vladimir Lenin's policy on nationalities, which encouraged them to pursue and to develop their own cultures under the aegis of the Soviet state.
Mikhoels was the company's leading actor and, as of 1928, its director.[2] His memorable roles included Tevye in an adaptation of Sholom Aleichem's novel Tevye the Milkman (which was adapted for an American audience as Fiddler on the Roof)[2] and the title role in a Yiddish translation of Shakespeare's King Lear, in 1935.[3] As a director he commissioned a new Bar Kochba, written by Shmuel Halkin, which the company successfully staged as a socialist turn on the traditional story.[4]
These plays were ostensibly supportive of the Soviet state; however, the historian Jeffrey Veidlinger has argued that closer readings suggest that they actually contained veiled critiques of Joseph Stalin's regime and assertions of Jewish national identity[citation needed]. It is now believed [by whom?] that the Ukrainian director Les Kurbas contributed to the original King Lear production after he was ousted from his Berezil Theater in 1934. He seems to have had a lasting influence on Mikhoel's directing style.[citation needed]
By the mid-1930s, Mikhoels's career was threatened because of his association with other leading intelligentsia members who were victims of Stalin's Great Purge.[citation needed]
On August 24, 1941, Mikhoels led a gathering of thousands in central Moscow's Gorky Park. It was explicitly a Jewish rally and aimed to raise funds for the Soviet war effort from the international Jewish community. Speakers included the writer David Bergelson.[5]: 79–80
Mikhoels actively supported Stalin against Adolf Hitler and, in 1942, was made the chairman of the Jewish Anti-Fascist Committee. In that capacity, he travelled around the world and met with Jewish communities to encourage them to support the Soviet Union in its war against Nazi Germany.
That was useful to Stalin during World War II, but after the war, Stalin opposed contacts between Soviet Jews and Jewish communities in noncommunist countries, particularly Mikhoels' aims of establishing Jewish autonomy in Crimea, which he regarded as a plot by American capitalists.[6] The Jewish State Theater was closed, and the members of the Jewish Anti-Fascist Committee were arrested. All but two were eventually executed in the purges shortly before Stalin's death.[citation needed]
Mikhoels died in Minsk in January 1948. Some sources claim that he was assassinated on Stalin's personal orders,[7] and his death was disguised as a hit-and-run car accident. Mikhoels was allegedly taken to a Ministry for State Security (MGB) dacha and killed, along with the theatre critic and MGB informer Golubov-Potapov, under supervision of Deputy Minister of State Security Sergei Ogoltsov. Their bodies were dumped on a roadside in Minsk[8][9] and run over by a truck. However, after his death Mikhoels was praised in a Pravda obituary and accorded a state funeral, with prominent members of the party and government officials among the mourners.[10] He was buried at the New Donskoy Cemetery, in Moscow.[11]
Mikhoels was married to Anastasia Pototskaya, a Russian of Polish descent. He had two daughters from his first marriage to Sara Kantor, Nina and Natalya Vovsi.[12]
Mikhoels' cousin Miron Vovsi was a famous physician. He was arrested during the Doctors' plot affair but released after Stalin's death in 1953, as was Mikhoels' son-in-law, the Polish-born composer Mieczysław Weinberg.[citation needed] In 1983, Mikhoels' daughter, Natalia Vovsi-Mikoels, wrote a biography of her father: My Father Shlomo Mikhoels: The Life and Death of a Jewish Actor.
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