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Chittajallu Pullayya (Telugu: చిత్తజల్లు పుల్లయ్య; 1898 – 6 October 1967) was an Indian film director and screenwriter. He is one of the earliest film personalities in Telugu cinema being associated with the industry right from the silent era.[1]

Not to be confused with P. Pullayya.
C. Pullayya
Born
Chittajallu Pullayya

1898
Kakinada, India
Died(1967-10-06)6 October 1967 (aged 69)
Madras, India
OccupationDirector, producer

Pullayya started his film career in 1921 as a camera apprentice to the father of Telugu cinema, Raghupati Venkaiah Naidu’s 'Star of the East' in Madras, and at 'Kohinoor' in Bombay. He was also the playwright for Kakinada-based Young Men’s Happy Club. He made a silent three-reel short film Bhakta Markandeya (1926 or 1931)[2][3] and to exhibit it he started a tent theatre named 'City Electric Cinema' and took the projector and chairs to various towns and exhibited the film, thus pioneering a movie theatre movement in Andhra.[4] He later ran the permanent Minerva theatre.[5]

In 1933, he made his feature film directorial debut with East India Film Company's first Telugu film Sati Savitri in Calcutta which received an honorary diploma at the Venice Film Festival. He then directed Lava Kusa (1934) and Sati Anasuya (1936), the first Telugu children's film made with sixty child actors.[1][6]

He continued to direct films like Vara Vikrayam (1939), Maalati Madhavam (1940), Pakka Inti Ammayi (1953) under the East India Film Company.[1] He directed Bala Nagamma (1942) and Apoorva Sahodarulu (1950) under Gemini Pictures after shifting base to Madras. He is well remembered for Lava Kusa (1963), the story of Lava and Kusa in Hindu epic Ramayana, which won the National Film Award for Best Feature Film in Telugu.[7]

Pullayya introduced Bhanumathi and Anjali Devi to the film industry through Vara Vikrayam (1939) and Gollabhama (1947) respectively.[5]


Filmography


  1. Ramadasu (1933)
  2. Sati Savitri (1933)
  3. Lava Kusa (1934)
  4. Sri Krishna Tulabharam (1935)
  5. Anasuya (1936)
  6. Dhruva Vijayam (1936)[8]
  7. Chal Mohana Ranga (1937)
  8. Dasavataramulu (1937)
  9. Kasula Peru (1937)
  10. Mohini Bhasmasura (1938)
  11. Satyanarayana Vratam (1938)
  12. Vara Vikrayam (1939)
  13. Malathi Madhavam (1940)
  14. Bala Nagamma (1942)
  15. Narada Naradi (1946)
  16. Gollabhama (1947)
  17. Vindhyarani (1948)
  18. Apoorva Sahodaralu (1950)
  19. Sankranti (1952)
  20. Pakka Inti Ammayi (1953)
  21. Devanthakudu (1960)
  22. Naan Kanda Sorgam (1960)
  23. Lava Kusa (1963)
  24. Paramanandayya Sishyula Katha (1966)
  25. Bhuvana Sundari Katha (1967)
  26. Bhama Vijayam (1967)

References


  1. "C. Pullaiah – Indiancine.ma Wiki". Indiancine.ma. Retrieved 10 October 2022.
  2. W. Chandrakanth (9 February 2007). "'Nijam cheppamantara, abaddham cheppamantara...'". The Hindu. Archived from the original on 29 May 2007.
  3. Parthasarathy, R. (1984). Andhra Culture: A Petal in Indian Lotus. Government of Andhra Pradesh. p. 128.
  4. Narasimham, M. L. (7 November 2010). "Sati Savitri (1933)". The Hindu. Archived from the original on 13 November 2010. Retrieved 8 July 2011. Pullayya can be called as the father of theatre movement in Andhra Pradesh. He made a silent film Markandeya. Since there was no facility to screen a film in Kakinada, he started a tent theatre, ‘City Electric Cinema' and showed the film much to the cheers of local people. He then took the projector and chairs to various towns and exhibited his film, thus pioneering a theatre movement.
  5. "Lavakusa (1963)". Indiancine.ma. Retrieved 10 October 2022.
  6. Bhagawan Das Garg (1996). So many cinemas: the motion picture in India. Eminence Designs. p. 86. ISBN 81-900602-1-X.
  7. "11th National Film Awards". International Film Festival of India. Archived from the original on 2 May 2017. Retrieved 13 September 2011.
  8. C.Pullaiah | Chittajallu Pullaiah| తెలుగు సినీ పితామహుడు । చిత్తజల్లు పుల్లయ్య । సి.పుల్లయ్య, retrieved 10 October 2022; Event occurs at 6:08




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