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Mohit Ratnakar Takalkar (born 18 August 1977) is an Indian theatre director, filmmaker, film editor, screenwriter and actor from Pune, Maharashtra.[1] He has led and spawned a movement in Indian experimental theatre through his 25-year-long career by co-founding the theatre company, Aasakta Kalamanch in 2003.[2]

Mohit Ratnakar Takalkar
Born (1977-08-18) 18 August 1977 (age 45)
EducationGraduation from Institute of Hotel Management, Mumbai and Masters in Theatre Practice & Direction from the University of Exeter, UK
OccupationTheatre Director, Filmmaker, Film Editor, Screenwriter, Actor and Restaurateur
Parents
  • Ratnakar Takalkar (father)
  • Aparna Ratnakar Takalkar (mother)

Takalkar has directed several experimental plays in Marathi, Hindi, Urdu, Kannada, Marwari and English languages. He has directed movies including The Bright Day and Medium Spicy. He also runs his restaurant Barometer in Pune.[3]

In 2011, he was diagnosed with Bipolar II disorder and has been quite vocal about it.[1]


Career


He completed graduation from the Institute of Hotel Management, Mumbai[4] and briefly worked in the hospitality industry as a chef, before shifting his focus towards the entertainment industry. He then studied animation from the Centre for Development of Advanced Computing.


Theatre


Takalkar started his theatre career with the Progressive Dramatic Association, Pune. He won the Maharashtra State Award for the Best Play and Best Director for Yayati and Nanephek and later for Tu (2007).[1]

In 2003, he co-founded Aasakta Kalamanch to extensively work in cutting-edge theatre, experimenting with language, form, content and presentation. His plays are known for minimalism in staging with a high level of technical excellence and a strong visual language.[5] Takalkar directed a flurry of plays for Aasakta repertory, which were mainly performed in Sudarshan Rangmanch, a small intimate theatre space for about 100 odd audiences, in the heart of Pune. Takalkar often acknowledges the contribution of this space in experiments with his craft.[6]

He received the Charles Wallace scholarship which enabled him to pursue his Masters degree in Theatre Practice from the University of Exeter in 2010 under the guidance of Phillip Zarrilli. This exposure changed his practice and upon returning to India he directed plays with large ensemble casts which include Comrade Kumbhakarna, written by Ramu Ramanathan, for the repertory company of the National School of Drama.[7]

He then went on to direct his Marathi production of Uney Purey Shahar Ek based on the English play, Bendakaalu on Toast by Girish Karnad.[8][9]

In 2015, He directed the Hindostani production of Main Hoon Yusuf aur ye hai Mera Bhai translated from Palestinian playwright, Amir Nizar Zuabi's English play, I am Yusuf and this is my brother.[10][11] It went on to win five awards at the Mahindra Excellence in Theatre Awards, including Best Play and Best Director. In 2017, Takalkar directed Chaheta in Urdu, based on another of Zuabi's plays, The Beloved.[12] For Aadyam, Takalkar directed Mosambi Narangi, a Hindi adaptation of Marie Jones' English play, Stones in His Pockets, in which two actors, Rajit Kapur and Ajeet Singh Palawat, played more than 20 characters.[13]

During the COVID-19 pandemic in 2020, Takalkar directed a digital play, The Colour of Loss based on Booker Prize winner, Han Kang’s The White Book.[14] When the theatres re-opened after the pandemic, he devised a multilingual theatre piece, Hunkaro which is based on the story Asha Amar Dhan by Vijaydan Detha.[15]


Films


In 2012, Takalkar scripted, edited, and directed his debut feature film The Bright Day in Hindi-English which premiered at the Toronto International Film Festival.[16][17][18] It was in competition at the Shanghai International Film Festival, Mumbai International Film Festival, and was showcased at the London Indian Film Festival, Vancouver South Asian Film Festival, Calgary International Film Festival, Indian Film Festival -The Hague.[19][20][21] It won the Grand Jury Prize and Best Director at the South Asian International Film Festival. The film stars Sarang Sathaye, Radhika Apte, Rajit Kapur, Shernaz Patel and Mohan Agashe.[22]

In 2017, he scripted, edited, and directed his debut non-feature in Marathi-English, Chirebandi on the life and works of celebrated Playwright Mahesh Elkunchwar, which was commissioned by the Sahitya Akademi, New Delhi.[23][24]

In 2019 he went on to direct his debut Marathi feature film, Medium Spicy for Landmarc Films starring Sai Tamhankar, Parna Pethe and Lalit Prabhakar. The film released three years later in June 2022 because of the COVID-19 pandemic.[25] The film was screened at Norway Bollywood Film Festival, Pune International Film Festival, Dhaka International Film Festival, River to River Florence Indian Film Festival and the Stuttgart Indian Film Festival.[26]

Takalkar has edited over 20 feature films which include, Cobalt Blue, Soyarik, Kaasav, Astu, Badha, Dithee, Chidiya, Nital, Samhita among others [27][28]

He has played minor roles in the films like, Godavari, Gho Mala Asla Hava, CRD, Devrai. However, Takalkar maintains that he acts only for fun and that he lacks the conviction and hard work necessary for being an actor.[29]


Accolades



References


  1. Nath, Dipanita (2 July 2017). "The Pursuit of Stillness: How a bipolar disorder drives this theatre director's work". Indian Express. Retrieved 7 July 2021.
  2. Phukan, Vikram (6 August 2016). "Pune: a theatre epicentre". Mint.
  3. Phukan, Vikram (29 August 2017). "Culinary adventures in theatreland". The Hindu.
  4. Gehi, Reema (19 October 2019). "Director's Cut". Mumbai Mirror.
  5. Ray, Shreya (30 March 2016). "Mohit Takalkar: The Minimal Master". Open Magazine.
  6. Phukan, Vikram (6 August 2016). "Pune: a theatre epicentre". Mint.
  7. Joshi, Ajay (8 February 2020). "The edge of seventeen". The Bridge Chronicle.
  8. Gokhale, Shanta (11 March 2013). "Crafting a City". Pune Mirror.
  9. Gahlot, Deepa (15 June 2019). "Rooted in Reality". The Bridge Chronicle.
  10. Karnoor, Maithreyi (28 April 2016). "The story of real people". The Hindu.
  11. Gupta, Manik (24 February 2017). "Play Explores Love In The Time Of War". Ten News.
  12. Phukan, Vikram (8 March 2019). "Abraham and Isaac's story". The Hindu.
  13. Banerjee, Kaushani (3 November 2019). "From the other end of glamour". The New Indian Express.
  14. Bhuyan, Avantika (19 December 2020). "How the covid-19 pandemic scripted Indian theatre's second act". The Hindu.
  15. Singh, Deepali (2 July 2022). "Mohit Takalkar: 'In each of the three stories, the essential fulcrum is hope'". Money Control.
  16. "Mohit Takalkar set to make his mark at Tiff with the Bright Day". 4 September 2012.
  17. "Bright Spot - Indian Express".
  18. Chatterjee, Saibal (16 September 2012). "Mumbai makes its mark". The Tribune.
  19. "Pune filmmaker's debut film wins jury award in New York | Pune News - Times of India". The Times of India.
  20. "Mumbai film festival unveils competition sections".
  21. "Mohit Takalkar's film to compete at a film festival in Shanghai - Times of India". The Times of India.
  22. "The Bright Day: Goa Film Bazaar Review". The Hollywood Reporter. 2 December 2012.
  23. Phukan, Vikram (3 June 2017). "A film on Elkunchwar by another playwright traces a rich legacy". The Hindu.
  24. Unnithan, Vidya (30 March 2018). "NAGPUR VANTAGE POINT". The New Indian Express.
  25. "Theatre director Mohit Takalkar on his debut Marathi film Medium Spicy, and the possibility of Indian commercial cinema telling personal stories". 2 June 2019.
  26. "Mohit Takalkar's Medium Spicy is being screened at Norway's Bollywood Film Festival".
  27. "Mohit Takalkar". IMDb.
  28. "Interview With Mohit Takalkar : www.MumbaiTheatreGuide.com". www.mumbaitheatreguide.com.
  29. "Nikhil Mahajan's Marathi Film Godavari To Premiere at 75th Cannes Film Festival". News 18. 18 May 2022.
  30. Bari, Prachi (6 January 2019). "Meet Mohit Takalkar, the accidental director". Open Magazine.
  31. "Enjoy Uney Purey Shahar Ek on Ranga Shankara's View from the 4th Row programme". The Times of India.





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