Vera Neubauer is a Czech born British experimental filmmaker, animator, feminist activist and educator. She is known for her jarring, provocative and anti establishment approach. Her life's work spans genres, from cinematic short film to television series for children.[1] Neubauer has received two BAFTA Cymru awards.[2][3]
Vera Neubauer | |
|---|---|
| Born | Prague, Czech Republic |
| Alma mater | State Academy of Fine Arts Stuttgart (BA) Royal College of Art (MA) |
| Occupation |
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| Spouse(s) | Phil Mulloy |
Vera Neubauer was born to Dr. Helene and Dr. Karl Neubauer in Prague. In December 1965, several years before the Soviet invasion of Czechoslovakia, Neubauer fled the totalitarian regime with her parents and siblings. Arriving in Vienna, Neubauer gained refugee status and traveled on to Düsseldorf. Here she studied Print-making at the State Academy of Fine Arts Stuttgart[4] under professor Gunter Bohmer.
In 1968 Neubauer journeyed to London. She continued to study printmaking at the Royal College of Art and in 1970 switched departments to study film-making.[5] She struggled to survive and squatted in central Brixton. During this period she worked in a local Brixton Youth Centre and taught print-making at Isleworth Polytechnic.
Neubauer's experiences of life as a refugee and the loss of her family, often inform her works. As do her personal takes on the themes of birth, death, abuse, femininity, myth and existence.[6][7]
In the UK Neubauer became one of founding members of the film collective 'Spectre' that included Stephen Dwoskin, Phil Mulloy, Simon Hartog, Anna Ambrose, Michael Whyte, John Ellis, Keith Griffiths, and Thaddeus O'Sullivan.
Neubauer's collected works are distributed by the BFI,[8] LUX[9] and New York based The Film-Makers' Cooperative.
Neubauer is known for her work in multiple moving image disciplines and for her nuanced feminist stance.[10] She has won multiple awards for her work including two BAFTA Cymru Awards.[11]
She is a key figure in the History of British animation and is linked to the Second Wave of British Animation (1979–1996). Neubauer has been active as a filmmaker, animator and instigator of social reform for five decades.
Vera Neubauer's films are the terrorist branch of the art form, the Red Brigade of the animated film.[12] (Animating the Unconscious: Desire, Sexuality and Animation by Leslie Felperin)
Her first animated series after graduation was 'Pip and Betssie' that was commissioned for three years by the Germany television station Bayerischer Rundfunk.[13]
Neubauer's oeuvre of animated works is often considered experimental and ‘cutting edge’.
Vera Neubauer is one of Britain’s most innovative and provocative animators. Her highly idiosyncratic style uses an array of techniques, combining animated sequences with documentary and live action drama, provoking and entertaining in equal measure. (British Animation Awards)[14]
She is frequently cited for her ability to combine her personal stories of pain, loss and rebirth, underpinned by a wider societal commentary. Her canon of work mixes various techniques such as 2D drawing with photography, scratching into film emulation, cut out collage and giving character to found objects.
Neubauer's works often center around, and are created within her own neighborhood. Many of her films are short and meditative. Neubauer often uses the camera, much as a painter would use a brush, to create broad poetic strokes.
Neubauer's first drama film “Don’t be Afraid” made in 1990 starred a young Nick Moran[15] in the lead. It was based on the life of a squatting white couple who gave birth to a mixed race baby. The film gave an insight into issues facing young urban youth, both political and personal, whilst confronting audience's expectations and prejudices.
Her narrative and experimental films make use of guerrilla production techniques and are often socially critical and focus on social issues, poverty, women's rights, abuse and the homelessness.
Neubauer taught for nearly 30 years at Royal College of Art, Central Saint Martins and Goldsmiths College.
Neubauer is the subject of Maria Anna Tappeiner's 2012 45 minute documentary for 3sat 'Das Ganze Leben im Trickfilm' ('An Entire Life in Animation').[16]
| Year | Film | Role | Notes |
|---|---|---|---|
| 2019 | Fields of Vision | Director, Animator | 4 min. |
| 2019 | The Mummy's Curse Returns | Director, Animator | 18 min. |
| 2016 | A Tragedy of No'Importance' | Director | 7 min. |
| 2015 | You Are | Director | 15 min. |
| 2014 | Scarred Skies | Director | 4 min. |
| 2014 | Life Story | Director | 3 min. |
| 2013 | One Day In May | Director | 20 min. live musical performance, in collaboration with composer and violinist Alexander Bălănescu |
| 2010 | All Done and Dusted | Director, writer, animator | 3 min. |
| 2010 | Fly In The Sky | Director, writer, animator | 20 min. |
| 2004 | Woolly Town - Woolly Head | Director, writer, animator | 5 min. |
| 2002 | Hooked | Director, writer, animator | 10 min. Channel Four & Arts Council of England |
| 2002 | Wolly Wolf | Director, writer, animator | 4.15 min. Sianel Pedwar Cymru Winner BAFTA Cymru Best Animation & Winner BAFTA Cymru Best Short Film |
| 1999 | La Luna | Director, writer, animator | 26 min. Channel Four & British Film Institute |
| 1999 | I Dance | Director, animator | 2 min. |
| 1997 | The Dragon and The Fly | Director, animator | 1 min. LUX (British film company) London Film-Makers' Co-op |
| 1996 | Wheel of Life | Director, writer, animator | 16 min. Arts Council of Wales & Sianel Pedwar Cymru Awarded at Stuttgart International Festival of Animated Film. |
| 1995 | The Lady of The Lake | Director, writer, animator | 20 min. Winner Ankara International Film Festival winner Best Experimental Film Mediawave, Audience Award Filmfest Dresden. |
| 1993 | Live TV | Director, writer | 1 min. The Arts Council of Great Britain and the BBC |
| 1990 | Don't Be Afraid | Director, writer | 27 min. Channel Four Youth Jury Award at International Short Film Festival Oberhausen & Winner Melbourne International Film Festival |
| 1988 | Passing On | Director, writer | 30 min. Channel Four |
| 1987 | The Mummy's Curse | Director, animator | 25 min. Arts Council of Great Britain |
| 1986 | Mid Air | Director, writer, animator | 16 min. Channel Four Winner Melbourne International Film Festival |
| 1984 | The World of Children | Director, writer, animator | 15 min. Channel Four |
| 1981 | The Decision | Director, writer, animator | 33 min. British Film Institute |
| 1978 | Animation for Live Action | Director, writer, animator | 25 min. British Film Institute |
| 1976 | Fate | Director, writer, animator | 1 min. |
| 1972/73 | Vision On | Director, Animator | Television series for BBC Bristol |
| 1973/75 | Pip and Bessie | Creator, director, writer, animator | Television series for Bayerischer Rundfunk |
| 1972 | Animation - Allegation | Director, animator | 25 min. |
| 1972 | Genetics | Director, writer, animator | 1 min. Royal College of Art |
| 1971 | Cannon Fodder | Director, writer, animator | 1 min. Royal College of Art |