fiction.wikisort.org - Director

Vivian Kleiman is a Peabody Award-winning documentary filmmaker.[1] She has received a National Emmy Award nomination for Outstanding Individual Achievement in Research [2] and executive produced an Academy Award nominated documentary.[3]

In 2019, Kleiman was awarded a Eureka Fellowship of the Fleishhacker Foundation, a fellowship program for visual artists by invitation only.

Also an educator, she served as Adjunct Faculty at Stanford University's Graduate Program in Documentary Film and Video Production from 1995–2004.

Kleiman was a long time collaborator with Black gay filmmaker Marlon Riggs.[4] They founded Signifyin' Works in 1991, which creates and distributes films about the experiences of African Americans. Directed by Riggs, their 1992 film Color Adjustment screened at the Sundance Film Festival[5] and received the International Documentary Association's IDA Award,[6] the Erik Barnouw Award from the Organization of American Historians[7] and the George Foster Peabody Award in 1993.[8]

Selected filmography

As executive producer

• Pool Stories, work in progress (Director Vicky Funari
• Near Normal Man 28 minutes, 2017 (Director Charlene Stern)[9][10]
• Last Day of Freedom, animated documentary/transmedia project. KQED Truly California, 32 minutes, 2015 (Directors Dee Hibbert-Jones and Nomi Talisman). Academy Award nominated
• Strong! PBS, ITVS, one hour, 2012. (Director Julie Wyman)
• Passion & Power, 74 minutes, 2007. (Directors Emiko Omori and Wendy Slick)
• Hope Along the Wind (Director Eric Slade) PBS, ITVS
• The Key of G PBS, ITVS, one hour, 2007. (Director Robert Arnold)
• Maquilapolis: City of Factories PBS, ITVS, one hour, 2006. (Directors Vicky Funari and Sergio dela Torre)
• First Person Plural PBS, POV and ITVS, one hour, 2000. (Director Deann Borshay)

As producer

• Forgotten Fires PBS, ITVS, one hour, 1998. (with Michael Chandler)
• Roam Sweet Home PBS, ITVS, one hour, 1996. (with Ellen Spiro)
• Color Adjustment PBS, POV, 90 minutes, PBS, POV series, 90-minutes, 1992 (with Marlon Riggs)
• Routes of Exile: A Moroccan Jewish Odyssey 1982 (with Gene Rosow & Howard Dratch)

As director/producer

• No Straight Lines: The Rise of Queer Comics (world premiere Tribeca Festival 2021)
• Families Are Forever[11] Commissioned by the Family Acceptance Project, 21 minutes, 2013[12]
  • Audience Award, LA Outfest; Best Documentary Short, Sebastopol Documentary Film Festival
• Always My Son Commissioned by the Family Acceptance Project, 16 minutes, 2011
• Profiles of Change Commissioned by Rubicon Programs, 8 minutes, 2011
• Bianca's Journey Commissioned by the Family Acceptance Project, 8 minutes, 2010
• The Meaning of Food PBS, 3 x 60 minute series, 2005 (also Series Producer)
• My Body's My Business 16 minutes, 1992.
• Out For The Count Commissioned by Lavender Message Project, 14 minutes, 1992.
• Ein Stehaufmannchen Commissioned by Shana Films, 40 minutes, 1991.[13]

As consultant or writer

• Wu-Tang Clan: Of Mics & Men, (Director Sascha Jenkins) Story Consultant, 4 part series, Showtime, 2019
• Strike Anywhere Films - (founded by Barry Jenkins) feature-length documentary, Writer, 2018 (work-in-progress)
• Something Ventured - Consulting Producer, 85 minutes, PBS (Directors Dayna Goldfine & Dan Geller), 2011.
• Ripe for Change - Consulting Writer, one hour, PBS (Director Emiko Omori), 2005.
• The Cockettes- 100-minutes, PBS (Directors David Weissman and Bill Weber), 2002.

Selected awards

• George Foster Peabody Award[14]
• Grand Jury Prize, Best Feature-Length Documentary, OutFest Film Festival, Los Angeles, 2021.
• Eureka Fellowship, The Fleishhacker Foundation
• National Emmy Award Nomination for Outstanding Individual Research[15]
• Outstanding Documentary Award, International Documentary Association
• Erik Barnouw Award, Organization of American Historians[16]
• National Owl Award, AARP
• Prized Pieces, National Black Programmers Association
• Crystal Heart Award, Heartland Film Festival

References

External links

• Official website
• Vivian Kleiman at IMDb
• Vivian Kleiman at the British Film Institute

---