A Son Is Born is a 1946 Australian melodrama directed by Eric Porter and starring Ron Randell, Peter Finch, and Muriel Steinbeck.
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A Son Is Born | |
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Directed by | Eric Porter |
Written by | Gloria Bourner |
Produced by | Eric Porter |
Starring | Ron Randell Peter Finch Muriel Steinbeck |
Cinematography | Arthur Higgins Damien Parer (war photography) |
Edited by | James Pearson |
Music by | Sydney John Kay |
Production company | Eric Porter Studios |
Distributed by | British Empire Films (UK) Hoyts (AS) 20th Century Fox (US/International) |
Release date | 20 September 1946 |
Running time | 85 mins |
Country | Australia |
Language | English |
Budget | £10,000[1] |
Box office | £27,000 [2] |
In 1920, Laurette marries an irresponsible drifter, Paul Graham. They have a son, David, but later divorce due to Paul's drinking and infidelities. David chooses to stay with his father and Laurette marries again, this time to John, a rich businessman with a teenaged daughter, Kay.
Years later Paul is killed in a car accident and David comes to live with his mother, John and Kay. To get revenge on his mother for "abandoning" his father, David seduces Kay into marriage and abandons her, but realises the error of his ways serving in New Guinea during World War II. He is injured in battle but survives to be reunited with Kay, Laurette and John.
The script was written by Gloria Bourner, who was a cartoonist.[3] Eric Porter storyboarded the entire film prior to filming.[4] He also put up half the budget himself, with the balance coming from Charles Munro and some private investors.[5]
Peter Finch, Ron Randell, Muriel Steinbeck and John McCallum were all well established actors when the film was made. Jane Holland was a 22-year-old radio actor who later moved to England and married Leo McKern.[6] Kitty Bluett was a musical comedy star, the daughter of comedian Fred Bluett.[7]
The film was shot in the Supreme Sound System studio in early 1945. Filming was scheduled to allow the actors to take radio and stage jobs, and sometimes would start at midnight.[8] War footage shot by Damien Parer is used in the New Guinea sequences.[9]
The movie was shot prior to Smithy (1946), also starring Randell and Steinbeck, but its release was held off until after that bigger budget movie to take advantage of its publicity.
Ron Randell was mobbed by female fans at the film's premiere.[10] Critical response was mixed, many comparing the film unfavourably with Smithy.[11][12]
Reviewer Stephen Vagg later wrote "This is a perfectly fine soapie, with Steinbeck suffering and smiling through the tears. She has beauty and charisma and holds her own against three men who would all become major names."[13] Vagg characterised Randell's performance as "charismatic, vicious, cruel... a great performance... [that] established Randell as a force to watch."[14]
Eric Porter later claimed the film made £27,000 at the Australian box office but that he had trouble selling it to Australian television.[2]