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A Woman's Case (Hebrew: מקרה אישה, tr. Mikreh Isha) is a 1969 black and white Israeli independent underground experimental dramatic art film, the first Israeli film to be screened at the Venice Film Festival, directed by Jacques Katmor, and, usually, categorized as belonging to the bohemian/counterculture and anarchistic New Sensitivity [he] movement.[1][2] The film was released on DVD by NMC Music.[3] Cinematographer and coscreenwriter Amnon Salomon stated, during an interview, held late in life, that the film's origin is in Katmor's early exhibition, dealing with the female body, and, that no commercial motivations were held by the filmmakers.[4]

A Woman's Case
DVD cover
מקרה אישה
Directed by	Jacques Katmor
Written by	Jacques Katmor Amnon Salomon
Produced by	Avraham Deshe [he] Mati Raz
Starring	Helit Yeshurun [he] Yossi Spector Igael Tumarkin Ann Tochmeyer Tirzeh Arbel Adar Eshet Aharon Almog [he] Aviva Paz Gad Kaynar [he; de; no] Ika Yisraeli [he] Abraham Plata Ester Zbako Anat Zagórski Avraham Inhaber Nora Jantzen Smadar Dror Daniella Doron Tatiana Lifshitz Joseph Ben-Gal Rachel Efrati Margaret Gary Ester Safkow Ahuva Zimmerman Susie Hulk Els Salla Urs Plang Nitza Ernst Raquel Shore [he] Yael Grinfeld Rachel Levy Gila Peles Cornelia Kristal
Cinematography	Amnon Salomon
Edited by	Nellie Gilad
Music by	The Churchills Yohanan Zaray [he]
Production company	Lamut Le'at Ltd.
Release date	1969 (1969) (Israel)
Running time	82 Minutes
Country	Israel
Language	Hebrew

Synopsis

This modernist and non-linear film, influenced by the French New Wave, and, especially, by films such as Jules and Jim and Breathless, tells the story of an advertiser (Yossi Spector), in his forties, who, meets Helit (Helit Yeshurun [he]), a model, in her twenties, and, together, the two spend a day in Tel Aviv and Jerusalem, The model leads the advertiser into cafés and drug-fueled orgies, while, he leads her into the workshops of sculptors, so, that they could create sculptures, modeled on her body, out of gypsum. While she tries to liberate his mind, he attempts to stay where he is. The film ends with the advertiser strangling Helit to death, during a sadomasochistic session.[5]

Reception

Maariv compared the film to the works of James Joyce, Jean-Luc Godard, and, Michelangelo Antonioni, with the acting of Helit Yeshurun [he] being compared to that of Monica Vitti,[6] writer Yoram Kaniuk wrote that the film is a critique of the horrors of the modern world,[7][8] and, Davar compared the film to painting.[9] The film, however, was a commercial failure, with only 38,000 tickets sold, due to its highly avant-garde nature.[10] University of Haifa sociologist, Prof. Dr. Oz Almog [he], wrote that film's main theme is the independent woman's, unsuccessful, attempt to free the man, from the shackles of his masculinity, and, noted that it was one of the first Israeli films to express their director's personal view.[11]

References

External links

• A Woman's Case at IMDb
• A Woman's Case at AllMovie

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