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Behind the Green Door is a 1972 American feature-length pornographic film, widely considered one of the genre's "classic" pictures and one of the films that ushered in The Golden Age of Porn (1969–1984).[2][3][4][5] Featuring Marilyn Chambers, who became a mainstream celebrity, it was one of the first hardcore films widely released in the United States and the first feature-length film directed by the Mitchell brothers.[6] It was adapted from an anonymous short story of the same title, which was circulated by means of numerous carbon copies. The story's title makes reference to the 1956 hit song "Green Door", whose lyrics describe being denied entry to a raucous nightclub with a green door.[7] Though she plays the film's central character, Chambers does not have a single word of dialogue in the entire film. The film is possibly the first U.S. feature-length heterosexual hardcore film to include an interracial sex scene.[8]

Behind the Green Door
theatrical release poster
Directed by	Artie Mitchell & Jim Mitchell
Written by	Elliot Wax (original story), Artie Mitchell (screen adaptation)
Produced by	Artie Mitchell
Starring	Marilyn Chambers
Cinematography	Jon Fontana
Edited by	Jon Fontana
Music by	Daniel Le Blanc
Distributed by	Mitchell Brothers Film Group
Release date	December 17, 1972 (1972-12-17)
Running time	72 minutes
Country	United States
Language	English
Budget	$60,000
Box office	$50 million[1]

Plot

A wealthy San Francisco socialite, Gloria Saunders (Chambers), is taken against her will to an elite North Beach sex club and loved "as she's never been loved before". There she engages in sex with a group of six women, all dressed in black, after being brought out wearing a white dress on stage through the green door.

The silent, largely masked audience become increasingly aroused[3] as her white dress is removed and she is stroked, kissed and given cunnilingus by the women. Her first heterosexual sex is with the African-American boxer Johnnie Keyes, accompanied by a funk soundtrack.[9][10] Over 45 minutes, he gives her more cunnilingus and then they have sexual intercourse, while Gloria continues to be stroked by the other women. When she has an orgasm, the sex stops and he is not shown to ejaculate.

Gloria then mounts a trapeze contraption suspended from the ceiling and then engages in vaginal intercourse with one man as she performs oral sex on another and masturbates two others.[11] The audience become further aroused and begin having sex with each other in what becomes an orgy.[12] In a psychedelic key sequence, an ejaculation is shown with semen flying through the air for almost seven minutes. The film features several multicolored, optically printed, slow-motion close-ups of money shots.[9] This is the only ejaculation sequence in the film. The narrator then runs from the audience onto the stage and carries Gloria off through the green door.[9] The film ends with him and Gloria making love alone.[9]

Impact

Several years after Andy Warhol's seminal Blue Movie in 1969, and along with Deep Throat, also released in 1972, Behind the Green Door helped launch the "Golden Age of Porn" (1969–1984),[2] and somewhat later, the "porno chic" boom.[7] Along with Deep Throat, it was one of the first hardcore porn film to reach a mass mixed-sex audience.[9] Prior to Behind the Green Door, most of the Mitchell Brothers' 200 or so films had only been shown in their O'Farrell Theater.[13] Made with a budget of $60,000, it achieved a nationwide theatrical release which earned over $1 million.[2][7] The movie ultimately grossed over $50 million[14][15] including its video release, which was controlled exclusively by the Mitchells out of their headquarters in the O'Farrell Theatre, San Francisco. It was the one of the biggest box office pornographic successes of the 1970s, alongside Deep Throat and The Devil in Miss Jones.[7] It was even screened at the Cannes Film Festival.[6] After its release, organized crime figures used extortion in an attempt to obtain the rights to the film.[16]

Chambers was relatively unknown at the time; however, the film made her a star.[16][17] Immediately prior to the movie's release she had been the "Ivory soap girl",[17] modeling for the Ivory Snow soap and detergent packaging holding a baby.[6][16][17][18] The Mitchell brothers appropriated the brand's slogan "99 and 44/100% pure" to describe Chambers in press releases.[6][9] After the release of the movie, the advertising industry was scandalized,[9] and Procter & Gamble recalled all products and advertising materials featuring Chambers, unintentionally adding to the movie's hype. Procter & Gamble subsequently required of all of their advertising agencies that they thoroughly screen the background of any female model employed for print advertisements or commercials. That Chambers's image was so well known from Ivory Snow boosted the film's ticket sales, and led to several jokes on television talk shows.[18]

Critical reception

Upon its release, the film received some positive reviews in mainstream media.[16] Roger Ebert of The Chicago Sun-Times gave the film a negative review, writing that despite Chambers's beauty the film's lack of character development and the focus on "proving how dirty it was" were major detractions.[19]

According to writer Peter Michelson, there is "a relatively small corpus of pornographic films – e.g., Deep Throat, The Devil in Miss Jones, and Behind the Green Door – that have a minimal but still sufficient artistic interest to distinguish themselves from the rest of the genre",[20] and the film is "more artful than most smut films".[21] It was the second film to be inducted into the XRCO Hall of Fame, following Deep Throat.[22]

Legal troubles

The Supreme Court's 1973 Miller v. California decision adversely affected the mainstream release of porn films, including Behind the Green Door. The Miller decision redefined obscenity from that of “utterly without socially redeeming value” to that which lacks "serious literary, artistic, political, or scientific value" and substituted contemporary community standards for national standards, as some prior tests required. Miller continued to hold that obscenity was not protected by the First Amendment, which gave leeway to local judges to seize and destroy prints of films adjudged to violate local community standards. When Behind the Green Door opened in Suffolk County, New York in 1973, it – along with the porn film The New Comers – was successfully prosecuted. In addition to New York, Behind the Green Door was banned in California, Colorado, and Georgia.[23]

Later films

In 1986, the Mitchells made a sequel, Behind the Green Door: the Sequel, directed by cabaret singer Sharon McNight. The movie featured no famous performers, and starred Elisa Florez, billed as Missy Manners. (Florez was Artie Mitchell's girlfriend at the time, and she reportedly demanded the role from him.) It was one of the first "safe sex"-themed porn films, following the onset of the AIDS epidemic in the 1980s,[6] with the performers using condoms and other protection.[24] It was a critical and commercial disaster, and the Mitchells lost hundreds of thousands of dollars.[25][26] The O'Farrell Theatre contains a "Green Door Room" which is named for the two movies and was the principal set of the sequel.

In 2012, adult film company Vivid Entertainment produced a loose remake titled New Behind the Green Door. This film stars Brooklyn Lee as the main character Hope, a wealthy young woman drawn into a seedy underworld while on an erotic journey to find her birth mother. The movie includes footage of the original Behind the Green Door, as Hope describes a sexual fantasy that recalls the plot of the 1972 film. Other cast members include Dana DeArmond, Penny Pax, Bailey Blue, Steven St. Croix, and James Deen, with appearances by original cast member Johnnie Keyes and Marilyn Chambers' daughter McKenna Taylor.

In popular culture

• The production of the movie is dramatized in the 2000 film Rated X, starring brothers Charlie Sheen and Emilio Estevez as Artie and Jim Mitchell.[6]
• Actor Idris Elba's choice to name his production company Green Door Productions (because "I like doors and green is my favorite color") was questioned because of the association of the phrase with this film. He was intrigued to learn that it was one of the first porn films to feature interracial sex, and that it featured a seven-minute ejaculation sequence, which only made him want the name more, so that he could say that he'd chosen the name "Because it took a long time to come."[27]

See also

• List of American films of 1972

References

Notes

Bibliography

• Michelson, Peter (1993). Speaking the unspeakable: a poetics of obscenity. SUNY Press. ISBN 0-7914-1223-7.
• Williams, Linda (2004). Porn studies. Duke University Press. ISBN 0-8223-3312-0.

External links

• Behind the Green Door info, trivia and photos
• Behind the Green Door at IMDb
• Behind the Green Door review with some photos
• Behind the Green Door review
• Behind the Green Door at the Adult Film Database
• Behind the Green Door DVD details

На других языках

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- [en] Behind the Green Door

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[es] Detrás de la puerta verde

Tras la puerta verde es una película estadounidense pornográfica de 1972, producida y dirigida por Artie Mitchell y Jim Mitchell. Protagonizada por Marilyn Chambers en el papel principal. Se trata de una adaptación de un relato corto anónimo del mismo título, que circuló mediante numerosas copias al carbón. El título de la historia hace referencia a la exitosa canción de 1956 "Green Door", cuya letra describe cómo se le niega la entrada a un estridente club nocturno con una puerta verde.[1] A pesar de ser el protagonista de la película, Chambers no tiene ni una sola palabra de diálogo en toda la película. La película es posiblemente el primer largometraje estadounidense de sexo duro heterosexual que incluye una escena de sexo interracial.[2]

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[ru] За зелёной дверью

«За зелёной дверью» (англ. Behind the Green Door) — американский порнофильм 1972 года, одна из «классических»[1] лент эпохи «порношика», первый в истории США порнофильм, показанный на широком экране по всей стране. Картина снята по рассказу неизвестного автора.

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