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Bodies Bodies Bodies is a 2022 American black comedy horror film directed by Halina Reijn in her English-language debut. Written by Sarah DeLappe from a story by Kristen Roupenian, the film stars Amandla Stenberg, Maria Bakalova, Myha'la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, and Pete Davidson.

Bodies Bodies Bodies
Theatrical release poster
Directed by	Halina Reijn
Screenplay by	Sarah DeLappe
Story by	Kristen Roupenian
Produced by	David Hinojosa Ali Herting
Starring	Amandla Stenberg Maria Bakalova Myha'la Herrold Chase Sui Wonders Rachel Sennott Lee Pace Pete Davidson
Cinematography	Jasper Wolf
Edited by	Taylor Levy Julia Bloch
Music by	Disasterpeace
Production company	2AM
Distributed by	A24 (United States/China) Stage 6 Films Sony Pictures Releasing (International)
Release dates	March 14, 2022 (2022-03-14) (SXSW) August 5, 2022 (2022-08-05) (United States)
Running time	94 minutes
Country	United States
Language	English
Box office	$10.9 million[1][2]

Bodies Bodies Bodies premiered at South by Southwest on March 14, 2022, and was theatrically released in the United States on August 5, 2022, by A24. The film received generally positive reviews from critics, who praised the humor and the cast's performances.

Plot

Bee, a working-class young woman from Eastern Europe, travels with her wealthy girlfriend Sophie to a "hurricane party" at a mansion owned by the family of Sophie's childhood friend David. Other guests include David, his actress girlfriend Emma, podcaster Alice, her much-older new boyfriend Greg, and enigmatic Jordan. Another guest, Max, left after a fight with David. After drinking, using drugs, and dancing, the group decides to play "Bodies Bodies Bodies," a murder in the dark-style game. Greg goes to bed early and David leaves after a fight with Emma. The power goes out. Bee finds David outside with his throat slashed, a blood-stained kukri nearby. The group try to go for help in Sophie's car but find its battery dead.

Greg is suspected after the group discovers he has a go bag with a knife. They confront Greg, who was asleep in the mansion's gym, with weapons. Initially disbelieving, Greg realizes they are serious and returns their hostility. After a struggle, Bee kills him using a kettle bell. The group doubt that Greg was the killer and Emma theorizes that Max, who had confessed feelings for Emma, returned to kill David. Sophie, a sober addict, relapses. Emma kisses her, to Sophie's confusion, before accepting drugs. Alice later finds Emma dead at the bottom of the stairs, and believes the group is being killed one by one. Jordan and Alice cast suspicion on Bee, revealing that no one with her name is on record as having graduated from her college; they cast Bee out into the hurricane.

Returning to Sophie's car, Bee finds underwear that matches Jordan's bra in the backseat. She sees Jordan holding a gun through a window, then crawls back into the mansion through a pet door. Bee confronts the group, revealing that she dropped out of college to take care of her mother, who has borderline personality disorder. A vicious verbal fight ensues between the group. Jordan, revealed to have been the "killer" in the Bodies Bodies Bodies game, expresses resentment for Sophie due to her drug addiction and using David to get access to her trust fund back, and claims Sophie cheated on Bee with Jordan. Sophie expresses why she would not date Jordan, that she avoids her friends because their behavior challenges her sobriety, and reveals that Jordan only "hate-listens" to Alice's podcast. After Alice responds by insulting Jordan's insecurities, Jordan shoots Alice in the leg. A struggle for the gun follows; Alice is fatally shot in the throat. As Sophie and Jordan fight, Bee pushes Jordan over the staircase bannister. With her dying breath, Jordan tells Bee to check Sophie's text messages.

When morning comes, after the storm has blown over, Sophie tearfully confesses to Bee that she relapsed and witnessed Emma falling down the stairs to her death. However, Bee holds her at gunpoint, demanding to see her texts. Sophie tosses her phone away and the two struggle, inadvertently picking up David's phone in the process, which reveals that David accidentally slashed his own throat trying to use the kukri to open a wine bottle for a TikTok video—revealing there was no real murderer after all. As Bee and Sophie realize the night's bloodshed was all for nothing, a confused Max returns to the mansion, and the power comes back on.

Cast

• Amandla Stenberg as Sophie
• Maria Bakalova as Bee
• Myha'la Herrold as Jordan
• Chase Sui Wonders as Emma
• Rachel Sennott as Alice
• Lee Pace as Greg
• Pete Davidson as David
• Conner O'Malley as Max

Production

In March 2018, A24 acquired Bodies, Bodies, Bodies, a spec script written by Kristen Roupenian.[3] In September 2019, it was announced Chloe Okuno would re-write the script and direct the film.[4] In April 2021, it was reported that Amandla Stenberg and Maria Bakalova were set to star in the film, while Pete Davidson and Myha'la Herrold were in talks to join the cast, with Halina Reijn now set to direct.[5] Bakalova said she was scared to be in a horror film, having been frightened watching them, but thought that A24 films were deeper; she said that the film was "more like an R-rated comedy."[6] In May 2021, actors Lee Pace, Rachel Sennott, Chase Sui Wonders and Conner O'Malley joined the film, with Davidson and Herrold's casting also being confirmed.[7]

Principal photography began in May 2021.[7]

Ultimately, Roupenian was given a 'story by' credit for her work on the film's screenplay, while The Wolves playwright Sarah DeLappe received sole, final 'screenplay by' credit.[8]

Music

The film's music score was composed by Disasterpeace in March 2022.[9] Charli XCX performed the song "Hot Girl" for the film, which was released as a single on July 26, 2022.[10] The 9-music scores album was released on August 10, 2022 by A24 Music.[11] Meghan Currier was credited as the music supervisor for the film, and contains 15 credited songs from a wide variety of artists including Shygirl, Kilo Kish, Princess Nokia, Iggy Azalea and Tommy Genesis.[12] The music selection features a heavy prominence of female rappers and singer-songwriters.

Release

Bodies Bodies Bodies premiered at South by Southwest on March 14, 2022.[13] It was theatrically released on August 5, 2022 in select cities, before a nationwide expansion on August 12.[14] Stage 6 Films will distribute the film internationally.[15]

The film will be released on Blu-ray and DVD on October 18, 2022.[16]

Reception

Box office

In its opening weekend, Bodies Bodies Bodies made $226,653 from six theaters in Los Angeles and New York City. The $37,775 per-venue average was the second best of 2022 for a limited release, behind Everything Everywhere All at Once ($50,130 in March).[17] The film expanded to 1,283 theaters in its second weekend, and was projected to gross $2–3 million.[18] It made $3.1 million, finishing eighth at the box office.[19] Expanding to 2,541 theaters in its third weekend, the film made made $2.6 million, finishing tenth.[2][20] It made $1.1 million the next weekend, finishing fourteenth.[21]

Critical response

On the review aggregator website Rotten Tomatoes, 85% of 179 reviews are positive, with an average rating of 7.2/10. The website's critical consensus reads, "Impeccably cast and smartly written, Bodies Bodies Bodies is an uncommonly well-done whodunnit."[22] Metacritic, which uses a weighted average, assigned a score of 70 out of 100 based on 38 critics, indicating "generally favorable reviews."[23] Audiences polled by PostTrak gave the film an average 3 out of 5 stars, with 63% saying they would definitely recommend it.[19]

Abby Olcese for RogerEbert.com praised the use of music and cinematography to enhance the single-location setting.[24] Bloody Disgusting found the social satire of the movie, and its use of setting to highlight this, to be strong.[25] Lovia Gyarkye for The Hollywood Reporter found the film to be a psychological study of the friendship archetypes and the digital age, while also showing an understanding of the anxieties of twenty-somethings, praising the story.[26] IndieWire's Robert Daniels wrote that Reijn's direction was the strongest part of the film, while also praising the script for its social interrogation.[27] Erin Brady of Little White Lies instead thought that the film fell apart towards the end because it is "a movie that claims to understand how Gen-Z treats societal topics ... [while] portraying some of those topics so stereotypically."[28] However, she said that the film was well-paced and it was hard to resist the fun of it.[28] IGN's Rafael Motamayor wrote that "it does falter somewhat when it comes to Gen Z talk ... like someone had a bunch of placeholders they swapped in with whatever term a teenager told them kids use these days," though also felt it was good overall.[29]

Valerie Complex at Deadline Hollywood praised the cast, saying "each actor [has] their own style that brings a varied flavor to the film, which makes the cast ... a joy to watch, even if their characters are insufferable,"[30] and Owen Glieberman for Variety praised the directing for giving the characters and actors room to explore.[31] Complex and Daniels said that the characters as written are weak, but the performances all elevate them.[30][27] Sennott was consistently named the standout performance of the film,[32][30][24][33][26][27][29] while Brady said this was Herrold.[28] Gyarkye wrote that nobody could deny the acting talent, noting Herrold as well as Stenberg.[26] Daniels highlighted Sennott and Davidson,[27] while Marya E. Gates of The Playlist commended the ensemble while noting Davidson and Bakalova.[33] Paste's Aurora Amidon felt that the cast were all successful, but that Bakalova's comedic talents were wasted by playing a serious character.[34]

Glieberman described the film as "And Then There Were None staged by John Cassavetes for the age of Instagram."[31] Gates felt that some scenes ran too long, but said that the film is "destined to [take] its place on the mantle with seminal horror-comedy faves like Jennifer's Body and Scream;"[33] Gyarkye instead said that the film may not appeal to slasher genre fans.[26] Eileen Jones of Jacobin gave a negative review of the film, summarizing: "Like so many horror films attempting to be subversive, Bodies Bodies Bodies tries to satirize the upper class. But all it delivers are tired, lazy tropes about Gen Z."[35]

See also

• Tucker & Dale vs. Evil, a 2010 black comedy slasher film also about a group of young adults who keep accidentally killing themselves and each other while thinking a killer is after them.

References

External links

• Bodies Bodies Bodies at IMDb

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