Chameleon Street is a 1989 independent film written by, directed by and starring Wendell B. Harris, Jr.[1] It tells the story of a social chameleon who impersonates reporters, doctors and lawyers in order to make money.
Chameleon Street | |
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Directed by | Wendell B. Harris Jr. |
Written by | Wendell B. Harris Jr. |
Produced by | Dan Lawton |
Starring | Wendell B. Harris Jr. Timothy Alvaro Renauld Bailleux |
Cinematography | Dan Noga |
Edited by | Wendell B. Harris, Jr. |
Music by | Peter S. Moore |
Release dates |
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Running time | 94 minutes |
Country | United States |
Language | English |
The film is a satire based on the life of Detroit con artist and high-school drop-out William Douglas Street, Jr., who successfully impersonated professional reporters, lawyers, athletes, extortionists, and surgeons, going so far as to perform more than 36 successful hysterectomies.[2]
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The Washington Post found the film disappointing: "What we have here is a brilliant concept, but unfortunately, Harris just isn't a filmmaker -- not even in the most rudimentary sense. His failures are all on the most basic level. He can't plot or shape scenes; he can't draw out his actors; he can't write dialogue or mount it; he can't create any consistent rhythms or sense of pace."[3] Similarly, The Hartford Courant wrote "Chameleon Street feels like a series of improvised skits, some imaginative and funny, some hackneyed...[Harris] writes with élan and wit, but his sense of structure is minimal, so Chameleon Street feels jumpy and disjointed."[4]
On the other hand, The Philadelphia Inquirer was more generous: "Though, like its subject, the film goes on some pretty strange tangents, Chameleon Street is largely successful as the diary of a compulsive trickster whose marks are suckered by Street's confidence and instinct for telling people what they want to hear. Harris' truth-is-stronger-than-fiction rap is both funny and insightful."[5]
Chameleon Street won the Grand Jury Prize at the 1990 Sundance Film Festival.[6]
A Sundance Film Festival press release in 2008 described it as "one of the first films to examine how mellifluously race, class, and role-playing morph into the social fabric of America."[7]
Awards | ||
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Preceded by | Sundance Grand Jury Prize: U.S. Dramatic 1990 |
Succeeded by |