Impact is a 1963 British crime thriller directed by Peter Maxwell and starring Conrad Phillips[1] with the pair writing the script. The pair formed a production company Arriba Productions, but Maxwell left for Australia to shoot the Whiplash TV series and never returned to the UK.[2]
Impact | |
---|---|
Directed by | Peter Maxwell |
Written by | Peter Maxwell Conrad Phillips |
Produced by | John I. Phillips Ronald Liles |
Starring | Conrad Phillips George Pastell |
Cinematography | Gerald Moss |
Edited by | David Hawkins |
Music by | Johnny Gregory |
Distributed by | Butcher's Film Service |
Release date | 1963 |
Country | United Kingdom |
Language | English |
Seeking vengeance for newspaper articles written about him, crooked Soho nightclub owner 'The Duke' (George Pastell), kidnaps crime reporter Jack Moir (Conrad Phillips), and frames him for theft. While serving a two-year prison sentence Moir plots his revenge and, upon release, embarks on a scheme to clear his name.
Anita West, (born Weust), was Ray Ellington's spouse from 1956–62, and (briefly) a Blue Peter presenter.
The Movie Scene wrote, "Impact is the sort of old British movie which you stumble across one day on one of those channels which appear well down the list which some people don't even know exist. It is also one of those movies which you start watching and an hour later it is over and you can't remember a great deal of what has happened. The reason why is that it is devoid of excitement and seems to have been made hastily on limited funds forcing the writer to use lots of dialogue to explain things rather than showing it".[3] The Radio Times reviewer commented: "this programme filler, produced in a matter of days on a shoestring budget, contains no surprises in the plot...Maxwell just about keeps what action there is ticking over, but he is fighting a losing battle with a cast that is substandard, even for a British B-movie".[4] Sky Movies described it as a "lively thriller about a reporter who wages a vendetta against a treacherous Soho gangster. George Pastell, as the villain, and Anita West, as a moll, give competent performances."[5]
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