Interstate 60 (also known as Interstate 60: Episodes of The Road) is a 2002 American independent road film[3] written and directed by Bob Gale, in his directorial debut,[4] and starring James Marsden, Gary Oldman, Amy Smart, Christopher Lloyd, Chris Cooper and Kurt Russell, with a cameo by Michael J. Fox.
Interstate 60 | |
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![]() Official DVD cover | |
Directed by | Bob Gale |
Written by | Bob Gale |
Produced by | Bob Gale Ira Deutchman Peter Newman |
Starring | |
Cinematography | Denis Maloney |
Edited by | Michael Fallavollita |
Music by | Christophe Beck |
Production companies | Fireworks Pictures Seven Arts Pictures |
Distributed by | Samuel Goldwyn Films |
Release dates |
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Running time | 112 minutes[1] |
Countries | Canada United States |
Language | English |
Box office | $8,449[2] |
The opening introduces O.W. Grant, who carries a pipe in the shape of a monkey-head. He demonstrates his mysterious powers in an encounter with a businessman, when granting the man's wish results in the businessman being hit by a truck. O.W. Grant stands for One Wish Grant.
Neal Oliver aspires to be an artist, despite the lack of support from his domineering father and analytical girlfriend. At a party for his 22nd birthday, O.W. Grant is the waiter who serves the cake. After Neal blows out the candles, he says he wished for an answer to his life. His father responds by handing him an admission letter to law school. As the family goes outside to look at the red convertible that Neal's dad bought him, a bucket falls onto Neal's head, knocking him out.
Neal wakes up in the hospital, where a doctor named Ray comes in and does a quick sight test using playing cards. Neal has to name the suit on the cards. Neal asks if he got it right, and Ray points out that the cards actually had red spades and black hearts, emphasizing that things aren't always what they seem.
After getting out of the hospital, Neal sees the mystery woman that he's been dreaming about in a billboard advertisement, but the billboard company insists that the billboard is blank. When Neal checks the billboard, he sees a new picture of the beautiful blonde, this time with a framed inscription "Call 555-1300". Neal calls the number, and a recorded message tells him that he has an appointment at 555 Olive Street, Suite 1300.
At the appointment, he again meets Ray, who gives him a package to deliver to a Robin Fields in a town called Danver in Colorado (not "Denver"). Ray tells him that he'll find Danver by taking Interstate 60.
With no Interstate 60 on the roadmap, Neal sets out west and encounters O.W. Grant on the roadside. Grant gives Neal directions to the unlisted Interstate 60, and on his journey, Neal meets various characters including a man who can consume unnatural quantities of food and drink; a promiscuous woman looking for perfect sex; a lonely mother looking for her son, who is living in a city where the population is addicted to a government-controlled drug; a dying ex-advertiser who is on a crusade to punish dishonesty; and Mrs. James, who runs the Museum of Art Fraud that actually contains real masterpieces posing as fakes.
When Neal reaches the town of Morlaw, where all citizens are lawyers who spend their days suing each other, he finally finds Lynn, the imprisoned mystery woman he has been dreaming about and painting. Lynn explains that she met O.W. Grant and wished to find the right guy. They spend the night together at the "Fork in the Road" motel. Neal also makes a painting of the motel. Neal leaves to deliver the package in Danver, while Lynn stays behind.
On the radio, Neal hears a report of a reported murderer on the loose, and the description matches his car. He abandons his vehicle to hitchhike. Arriving in Danver, Neal meets "Robin Fields", who turns out to be O.W. Grant. After opening the package (which holds a replacement monkey-head pipe for O.W.'s broken one), Grant uses his magic powers to "warp" Neal back in time, where he wakes up in the hospital before he first encountered Ray.
Leaving the hospital, Neal confronts his father and asserts his right to live his life without his father's interference. His sister takes him to an art gallery where Neal sees his painting of the "Fork in the Road". A girl who resembles Lynn talks to him about commissioning him to do a series of paintings on roadside motels and diners.
The DVD includes several deleted scenes and the "bridges" where they would be placed in the film. They include:
Robert Koehler, writing in Variety, criticized the film's "juvenile obviousness" and says the themes do not feel genuine.[5]
Review aggregation website Rotten Tomatoes lists 4 reviews, and reports 3 positive and 1 negative review.[6]