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Kolberg is a 1945 Nazi German historical film directed by Veit Harlan. One of the last films of the Third Reich, it was intended as a Nazi propaganda piece to bolster the will of the German population to resist the Allies.

Kolberg
Theatrical release poster
Directed by	Veit Harlan
Written by	Veit Harlan Alfred Braun Joseph Goebbels (uncredited)
Based on	Kolberg by Paul Heyse
Produced by	Veit Harlan Joseph Goebbels (uncredited)
Starring	Kristina Söderbaum Heinrich George Paul Wegener Horst Caspar Gustav Diessl Otto Wernicke Kurt Meisel
Cinematography	Bruno Mondi
Edited by	Wolfgang Schleif
Music by	Norbert Schultze
Production company	Ufa Filmkunst GmbH (Herstellungsgruppe Veit Harlan)
Distributed by	Deutsche Filmvertriebs GmbH
Release date	30 January 1945 (1945-01-30)
Running time	110 minutes
Country	Nazi Germany
Languages	German French
Budget	7.6 million ℛℳ[1]

The film is based on the autobiography of Joachim Nettelbeck [de; pl], mayor of Kolberg in Pomerania, and on a play drawn from the book by Paul Heyse. It tells the story of the defence of the besieged fortress town of Kolberg against French troops between April and July 1807, during the Napoleonic Wars. In reality, the city's defence, led by then-Lieutenant Colonel August von Gneisenau, held out until the war was ended by the Treaty of Tilsit. In the film, the French abandon the siege.

Plot

The film begins in 1813 after the phase of the Napoleonic Wars known in German as the Befreiungskriege (Wars of Liberation). The opening scenes show Prussian Landwehr and volunteers marching down the streets of Breslau through enthusiastic crowds. This is followed by a dialogue between King Frederick William III of Prussia and Count August von Gneisenau, in which Gneisenau explains that the siege of Kolberg taught the importance of citizen armies. Ending with the admonition that kings who cannot lead must abdicate, the scene switches to Vienna in 1806 to show the abdication of the last Holy Roman Emperor, Francis II of Austria, whom the script has Gneisenau call "an Emperor who abandoned the German people in their hour of need".

The scene set, the film moves to 1806 and a Kolberg not yet affected by war, where the inhabitants are shown enjoying life, and the town's leaders, Nettelbeck chief among them, discuss Napoleon's proclamations, and what it will mean to them. Some see the French victories as a good thing, some wonder whether to leave. Nettelbeck alone is set on resisting the French. The film continues in this vein, with Nettelbeck struggling against cowardice, lethargy and the old-fashioned ideas of the garrison commander, to defend his city against the approaching French. Nettelbeck creates a citizen militia, in spite of the best efforts of the regular Prussian Army, has supplies collected, and strongly opposes the idea of surrender.

Finally, having been threatened with execution, and convinced that Kolberg can only be saved if a great leader can be found, Nettelbeck sends Maria on the dangerous journey to Königsberg whither the Court of Prussia has retreated, to meet with the King and with Queen Louise, who was described by Napoleon as "the only man in Prussia". Maria's journey leads to the energetic and charismatic Gneisenau being sent to Kolberg. After an initial confrontation with Nettelbeck, in order to show that there is only one leader in Kolberg, and that Gneisenau is that leader, the two work together with the army and the citizens to save the city from the French. After Kolberg is (unhistorically) saved, the film returns to 1813 after the Convention of Tauroggen, a time when Napoleon was defeated in Russia, and Prussian leaders wonder whether it is time to turn openly against him. Frederick William is convinced by Gneisenau to do so, and sits down to write the proclamation An Mein Volk ("To my People") announcing the Wars of Liberation.

Cast

Production

The film is based on the 1823 edition of the autobiography of Joachim Nettelbeck, mayor of Kolberg, and on the 1865 play drawn from the book by Nobel laureate Paul Heyse. No reference was made to the latter as the author was Jewish. Propaganda Minister Joseph Goebbels explicitly ordered the use of the historical events for a film, which he regarded as highly suitable for the circumstances Germany faced.[2]

Kolberg entered production in 1943, and was made in Agfacolor with high production values. It cost 7.6 million ℛℳ, not 8.5 million ℛℳ as is often stated. The film's extra cast accounted perhaps 5,000 soldiers and hundreds of Kolberg people participated for a daily fee of 5 ℛℳ. The number of extras is commonly exaggerated at 187,000, and claims of entire divisions of troops taking part are completely false.[1]

Principal cinematography took place from 22 October 1943 to August 1944. The exteriors were shot in and around the cities of Kolberg, Königsberg, Berlin, Seeburg, and Neustettin.[3]

To film scenes with snow during summer, 100 railway wagons brought salt to the set in Pomerania. The film was finally completed at the Babelsberg Studios at Potsdam while the town and nearby Berlin were being steadily bombed by the Allies.

Two extras were killed during the making of the film when an explosive charge went off too early.

Release

The film opened on 30 January 1945 in a temporary cinema (U.T. Alexanderplatz) and at Tauentzien-Palast in Berlin, and ran under constant threat of air raids until the fall of Berlin to Soviet forces in May 1945. Simultaneously with the opening in Berlin it was shown to the crew of the naval base at La Rochelle at the Théâtre de la Ville.[3]^{[failed verification]} It was also screened in the Reich Chancellery after the broadcast of Hitler's last radio address on 30 January. One of the last films of the Third Reich, it never went into general release.[4]

The city of Kolberg was declared a Festung ("fortress town") as Soviet forces neared it on 24 February 1945. Within a month of the film's opening Kolberg was under full siege (sometimes called the "Second Siege" or "Second Battle" of Kolberg), with around 70,000 trapped German civilians and military personnel. House-to-house fighting caused devastation. Kolberg fell to Soviet and Polish forces on 18 March 1945. Many civilians escaped by sea, and those who survived were permanently expelled along with all Germans in east Pomerania. The ruined city of Kolberg became part of Poland and is now known as Kołobrzeg.

The film was re-released in 1965, with an attached documentary, and is now available on DVD. In Germany, it is a Vorbehaltsfilm ("reservation film"), available for screening from the holder of the rights (Friedrich Wilhelm Murnau Foundation) only under special conditions.[5]

See also

• List of German films 1933–1945
• Nazism and cinema

References

Notes

Bibliography

• Noack, Frank (2016) [2000]. Veit Harlan: "des Teufels Regisser" [Veit Harlan: The Life and Work of a Nazi Filmmaker]. Lexington: University Press of Kentucky. ISBN 9780813167008.

External links

External images
Screenshot of a scene showing general Gneisenau (Horst Caspar) making a speech on the market square in Kolberg
Official film poster (1945)
Screenshot of an army scene(the statists for these scenes came directly from the battlefields of the ongoing Second World War)

• Kolberg at IMDb
• Kolberg at AllMovie

На других языках

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- [en] Kolberg (film)

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[ru] Кольберг (фильм)

«Кольберг» (нем. Kolberg) — немецкий фильм, повествующий об обороне Кольберга от французских наполеоновских войск в 1807 году, в ходе войны четвёртой коалиции. В основу сюжета была положена пьеса Пауля Хейзе. Режиссёр — Файт Харлан. В батальных сценах участвовали солдаты расквартированных в Восточной Пруссии частей вермахта, в том числе Кёнигсбергского гарнизона, а также Русской освободительной армии генерала Власова. Съёмки были начаты в январе 1942 года и закончены к январю 1945 года. Хотя съёмки шли уже в тот момент, когда ситуация на фронтах стала критической для Германии, военные части отзывались со своих позиций для участия в масштабных батальных сценах с огромной массовкой. Как пропагандистский фильм, снятый на фоне развивающихся военных неудач в войне с СССР, был призван внушить армии и гражданскому населению нацистской Германии необходимость «тотальной войны» при обороне собственных городов от наступающего противника (примечательно, что в фильме французы переносят огонь осадной артиллерии с укреплений города на его крыши, чтобы заставить жителей сдаться). Стал самой дорогой постановкой кинематографа нацистской Германии. Однако потребовавший колоссальных ресурсов фильм увидело небольшое количество зрителей: к январю 1945 года, когда он вышел на экран, большая часть кинотеатров уже была разрушена союзными бомбардировками.

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