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La Llorona (lit.'The Crying Woman') is a 1933 Mexican supernatural horror film directed by Ramón Peón and starring Ramón Pereda, Virginia Zurí, Adriana Lamar and Carlos Orellana. It was the first Mexican horror film with sound.

La Llorona
Directed byRamón Peón
Screenplay by
Story byAntonio Guzmán Aguilera[1]
StarringRamón Pereda
CinematographyGuillermo Baqueriza[1]
Edited byGuillermo Baqueriza[2]
Production
company
Eco Films[2]
Release date
  • May 25, 1933 (1933-05-25) (Mexico)
Running time
73 minutes[2]
CountryMexico[3]
LanguageSpanish[3]

Cast


Cast adapted from the liner notes of the Indicator home video release of La Llorona.[4]


Production


In the 1930s, a cycle of horror films began.[5] In Mexico, the first sound film was released in 1932.[6] La Llorona was one of the 21 sound films created in Mexico in 1933.[5] The film's story is based on that of La llorona, a crying woman from Hispanic folklore who mourns her dead child.[7] According to the newspaper El Universal, the filmmakers found difficulty in finding a voice for the ghost that would be convincing and not encourage laughter from the audience.[8] Journalists of the newspaper noted that great expense was made to recreate the sets in the film to represent New Spain.[9]


Release and reception


Prior to the film's release, Emily Masincup of the Northwestern University stated that the film was highly anticipated due to the number of laudatory articles found and large banner ads found in Mexico prior to its release.[6] La Llorona was released in Mexico on 25 May 1933.[6]

From contemporary reviews, the Mexican newspaper Excélsior who commented that both horror and mystery films were put out to great difficulty noting the special effects involved, but that La Llorona was more impressive as it had to do that and recreate the period film sets. The film was declared the most serious work put out by Mexico's film industry yet. The liner notes of Indicator's blu-ray release stated that the Excélsior review was a typical response to the film as Mexican press found the film technological achievements was met with a sense of national pride. Among the few desenting critics, Chano Urueta of Mundo cinematográfico found that the film trivialized Mexican history to create a Hollywood-like story.[10] Harry T. Smith who reviewed the film in 1935 when it showed at Harlem's Teatro Compoamor, who found the film had "Excellent acting by all the principals" and that "some fine scenes of the Mexico of long ago all make the picture well worth seeing."[11]


Legacy


Following the release of La Llorona, Guillermo Calles was selected to direct the short feature La Chillona, a parody of La Llorona.[12][13] The Llorona figure has appeared in several films since the 1933 feature, including dramatic films such as La herencia de la Llorona (1947), the Western The Living Coffin (1958), the luchador film La Venganza de La Llorana (1974) as well as gothic horror films such as La Llorona (1960) and The Curse of the Crying Woman (1961). The character vanished from Mexican cinema for decades only to be resurrected in the new millennium with Kilometer 31 (2006), J-ok'el (2007), and La leyenda de la Llorona (2011).[14]

La Llorona was believed to be lost for nearly half a century.[15] It was uploaded to YouTube from what Emily Masincup of the Northwestern University described as a "poor quality television broadcast".[9] While most films from the Calderón family studio survived from film negatives, La Llorona existed only as a 16 mm print. Peter Conheim of the Cinema Preservation Alliance stated this print was at least three generation removed from the primary source.[15]


References



Citations


  1. "Crew". La Llorona (booklet). Indicator. 2022. p. 3. PHILTD243.
  2. "Llorona, La" (in Spanish). National Autonomous University of Mexico. Retrieved May 10, 2016.
  3. La Llorona (Back Cover). Indicator. 2022. PHILTD243.
  4. "Cast". La Llorona (booklet). Indicator. 2022. p. 2. PHILTD243.
  5. Rhodes 2003, p. 94.
  6. Masincup 2022, p. 6.
  7. Rhodes 2003, p. 95.
  8. Masincup 2022, p. 9.
  9. Masincup 2022, p. 11.
  10. "Critical Response". La Llorona (booklet). Indicator. 2022. p. 31. PHILTD243.
  11. "Critical Response". La Llorona (booklet). Indicator. 2022. p. 33. PHILTD243.
  12. Agrasánchez, Jr. 2010, p. 102.
  13. Agrasánchez, Jr. 2010, p. 103.
  14. Lindvall 2022, p. 23.
  15. Conheim 2022, p. 35.

Sources






На других языках


[de] La Llorona (Film)

La Llorona ist ein mexikanischer Film aus dem Jahr 1933, bei dem Ramón Peón Regie führte. Es handelt sich um einen Film mit Elemente eines Historienfilms, eines Fantasy-Films und eines Thrillers. Er erzählt die Geschichte von Ricardo und Ana Maria, die einen jungen Sohn haben. Ricardos Schwager, Fernando, warnt ihn, dass in seiner Familie viele Jungen im Alter von vier Jahren verstorben sind, und zeigt ihm ein altes Buch. Es folgt ein Flashback in die Kolonialzeit, in dem die Geschichte von Ana geschildert wird. Sie wird von ihrem Geliebten und Vater ihres Kindes geschmäht und entscheidet sich deshalb, ihr Kind umzubringen. Dann begeht sie Selbstmord und erscheint als spukender Geist. Dann springt der Film wieder in die Gegenwart. Fernando wird von einer maskierten Person ermordet, als er die Entführung seines Neffen vereitelt. Der Entführer kann entkommen und es taucht ein weiteres Buch auf. In einem weiteren Flashback wird die Geschichte von La Malinche, die Hernan Cortez bei der Eroberung Mexikos half, erzählt. Als ihr der Sohn weggenommen wird, wird sie verrückt und begeht Selbstmord. Damit endet der Rückblick und der Film wird in der Gegenwart fortgesetzt. Die maskierte Person, die Fernando ermordet hat, wird von der Polizei erschossen, als sie das Kind zu erstechen versucht. Es handelt sich um ein Hausmädchen, dessen klagender Geist am Ende des Films entschwindet.
- [en] La Llorona (1933 film)

[es] La Llorona (película de 1933)

La Llorona es una película mexicana de terror de 1933 dirigida por Ramón Peón y protagonizada por Ramón Pereda, Virginia Zurí, Adriana Lamar y Carlos Orellana. Está escrita por Carlos Noriega Hope y Fernando de Fuentes, en un guion basado en una historia de A. Guzmán Aguilera.[1] Está basada en la leyenda de la Llorona. Es considerada la primera película de terror mexicana.[2]



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