Los tres berretines (The Three Whims) is a 1933 Argentine black and white comedy film, the first film made by the newly formed Lumiton film studio, and one of the first sound films made in Argentina. It was a great success and launched the film career of the comedian Luis Sandrini.
Los tres berretines | |
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![]() Theatrical release poster | |
Directed by | John Alton, José Guerrico, László Kish [it], Luis Romero Carranza, Enrique Telémaco Susini |
Written by | Nicolás de las Llanderas, Arnaldo Malfatti |
Produced by | Raúl Orzábal Quintana |
Starring | Luis Arata, Luis Sandrini, Luisa Vehil |
Cinematography | John Alton |
Edited by | Francisco Múgica |
Music by | Enrique Delfino "Delfy" |
Production company | Lumiton |
Release date |
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Running time | 65 minutes |
Country | Argentina |
Language | Spanish |
The film has traditional popular melodrama plot elements, and includes performances of tango songs.[1] It depicts a family whose members are obsessed with the three national berretines (interests or hobbies) of tango, football and cinema.[2] (In the play the last berretín was radio.).[3] The family is middle class and makes its living from a hardware store. The father complains that the hobbies lead the family to neglect business. In the end, the father himself succumbs to all three hobbies.[3]
It is one of the first Argentine films dealing with the themes of immigration (to Argentina).[4]
The full cast was:[5]
Los tres berretines was directed by Enrique Telémaco Susini and starring the local actors Luis Sandrini and Luisa Vehil.[6][7] The American cinematographer John Alton was not credited but may have played an important role in direction and cinematography.[8] Los tres berretines was based on a hit play of the same name, in which the circus performer and actor Luis Sandrini played Eusebio, a brother with a dream of becoming a famous tango composer. Lumiton expanded his role in the film version.[9] Los tres berretines was released on 19 May 1933 in the Ástor in Buenos Aires.[6] It was the second Argentine film with an optical soundtrack. The first was ¡Tango!, released the week before.[10]
The film, which cost 18,000 pesos to produce, earned over one million.[6] Sandrini's performance made him the first local cinema star.[2]
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