Machine Gun McCain (Italian: Gli intoccabili, lit. 'The untouchables') is a 1969 Italian crime film directed by Giuliano Montaldo. The film is based on the novel Candyleg by Ovid Demaris.[1]
Machine Gun McCain | |
---|---|
![]() Film poster | |
Directed by | Giuliano Montaldo |
Screenplay by |
|
Dialogue by | Israel Horowitz[1] |
Based on | Candyleg by Ovid Demaris |
Produced by |
|
Starring |
|
Cinematography | Erico Menczer[1] |
Edited by | Franco Fraticelli[1] |
Music by | Ennio Morricone[1] |
Production company | Euroatlantica[1] |
Distributed by | Euro International Films |
Release date |
|
Running time | 116 minutes[1] |
Country | Italy[1] |
Language | English |
Box office | ₤803.751 million |
Machine Gun McCain was shot at both Incir-De Paolis and Dear Studios in Rome, as well as Las Vegas, San Francisco and Los Angeles.[1] Director Giuliano Montaldo stated that both Machine Gun McCain and Grand Slam were made to establish him in the film industry before making the films he wanted to make.[2] Montaldo stated that Cassavetes took the title role to finance his own films.[2]
Machine Gun McCain was entered into the 1969 Cannes Film Festival.[3] It was released in Italy on 1 April 1969 where it was distributed by Euro International Films.[1] It grossed a total of 803,751,000 Italian lire on its theatrical run in Italy.[1] On its American release, the film was cut to 96 minutes.[1]
In a contemporary review, the Monthly Film Bulletin described the film as "executed with minimal flair, and thudding rather heavily on the moralist/social documentary side of the fence" and that "apart from an over-use of the Techniscope zoom lens, there's no style to speak of."[4] In a contemporary review, on reviewing the Blue Underground Blu-ray, Tom Charity described the film as "haphazardly scripted" but noted that it is "Cassavetes' participation alongside his soon-to be regular collaborator Falk and his wife Gena Rowlands that piques our curiosity" and that "Adroitly mixing stylish Roman interiors with colourful location work, fast-paced and featuring a ridiculously snappy Ennio Morricone dirge, 'The Ballad of Hank McCain', ... adds up to an attractive footnote to Cassavetes' career".[2]