The Pusher film trilogy by the Danish film director Nicolas Winding Refn illustrates and explore the violent criminal underworld of Copenhagen in gritty realism. The films have been highly praised by critics and hold respective scores of 83%, 100% and 93% on Rotten Tomatoes.[1]
| Pusher | |
|---|---|
| Directed by | Nicolas Winding Refn |
| Written by | Nicolas Winding Refn (1-3) Jens Dahl (1) |
| Starring | Kim Bodnia Mads Mikkelsen Zlatko Burić |
| Music by | Peter Peter |
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| Country | Denmark |
| Language | Danish |
Each film is led by a different lead character; Frank (Kim Bodnia), a mid-level drug dealer in the first, his friend and associate Tonny (Mads Mikkelsen), in the second, and their boss Milo (Zlatko Burić), a Serbian gang leader, in the third. Milo is the only character to appear in all three films.
The first film follows Frank for a week, a mid-level drug dealer who becomes indebted to his supplier, Milo. It depicts his depravity and how his actions force him further and further out on thin ice while revealing the bittersweet relationship he has with his girlfriend, Vic.[2]
The movie was a success, not only in Denmark, but internationally, and launched both Refn's and Mads Mikkelsen's careers.[3]
The second film follows Frank's low-level criminal sidekick, Tonny. It illustrates how Tonny is rooted in an evil spiral of crime and drugs, his relationship towards his notorious, cynical father and how he adapts to the consequence of becoming a father himself.[4] According to film critic Robert Abele of the Los Angeles Times "in Refn's skilled street-realist hands, the child becomes a potent, wailing metaphor for Tonny's own dilemma of rudderless need."[5]
The third film depicts a day in the life of Serbian drug lord Milo. Milo, who was a feared and respected man in the first two movies, has since aged. He does not have the same grip on the underworld that he used to and is now slowly losing the battle against a younger generation of immigrants, who now want a piece of the action. The film shows Milo's downfall and his desperate attempt to reclaim the throne.[6]
Writing for The New York Times, critic Nathan Lee said of the trilogy: "From the mean streets of Copenhagen—they evidently exist—comes the Pusher trilogy, a pungent dose of Denmark rot. Written and directed by Nicolas Winding Refn, this tough trio of underworld thrillers sticks so close to its rogues’ gallery of gangsters, suckers and murderous megalomaniacs that you can almost taste the hate and smell the stomach wounds. Given an appetite for grisly crime flicks, they make for a delectably nasty epic."[7]
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