Sanam is a 1951 Bollywood romantic film directed by Nandlal Jaswantlal, who also directed the classic Anarkali..[1] It starred Dev Anand, and his co-star was Suraiya, who also recorded the playback singing for the film. Meena Kumari acted in the film in a supporting role, where she played the role of Suraiya's best friend.[2] The film was unsuccessful at the box office, which attributed to Suraiya's fading stardom in the early 1950s, and Madhubala's and Nargis' simultaneous rise as the top female stars.[3]
Sanam | |
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Directed by | Nandlal Jaswantlal |
Written by | Nilkantha Tiwari |
Story by | Mohanlal G. Dave |
Produced by | United Technicians |
Starring | Dev Anand Suraiya Meena Kumari Gope |
Cinematography | Jal Mistry |
Edited by | Shankarlal Nayak |
Music by | Husnlal Bhagatram |
Production company | United Technicians |
Distributed by | United Technicians |
Release date |
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Running time | 120 minutes |
Country | India |
Language | Hindi |
'SANAM' is a romantic comedy, where Yogen (Dev Anand), a poor educated young man, who is unemployed, comes across Sadhana (Suraiya) and Rani (Meena Kumari) in a chance encounter in a book shop. He was there to request the shopkeeper for a job, which the latter turns down and shows him the door. While exiting, Yogen finds the handbag of Sadhna, absentmindedly left behind by her and returns to her. Sadhna is impressed by his honesty, when he declines to accept her offer of a large wad of currency notes, which was in the handbag. Consequently, she develops feelings for Yogen. In the meanwhile, when he could not land a job, Yogen snatches fifty rupees from a wealthy merchant for treatment of his ailing mother. Unfortunately, the merchant is accidentally runover by a approaching motor-car while Yogen was being pursued by him. Yogen is convicted for homicide and jailed, largely aided by the strong arguments put-forth by the Prosecution(Govt.) Counsel(K.N. Singh), who is Sadhana's father. While going for hitch-hiking near the jail, where Yogen was incarcerated, Sadhna happens to stop and exit her motor vehicle for a short while. Incidentally, at the very same moment, Yogen escapes from jail and hides in the vehicle to evade the pursuing guards. Sadhna and Rani recognize him and bring him along. Sadhna's dormant feelings for Yogen are rekindled and she becomes besotted with him following the incident of Yogen rescuing her from and accidental fire, where she and her friends were staging a play for the benefit of ex-convicts. Yogen after failing to convince Sadhna to find a partner matching her social stature, finally respects her affection and gives in. Sadhna is an independent-minded girl and does not hesitate to argue with her father about social justice for the poor and underprivileged. The story takes many twists and turns with songs and dance numbers. But, their desire to marry is vehemently opposed by the father of the bride. He even calls the police to arrest Yogen as he is an absconding murder accused. Eventually, he relents as he realizes that Sadhna and Yogen are truly in love with each other. He also realizes that Yogen is not after his wealth. To make amends and to see his daughter happy, he resigns his Govt. Counsel job and takes up Yogen's case in order to save him. It turns out that one member of the jury is the actual culprit, whose vehicle ran over and killed the rich man, who was pursuing a fleeing Yogen with the snatched fifty rupees. The juror confesses to his crime and surrenders. Yogen is absolved and is united with Sadhna.
For comic relief, there is a parallel track of Shri Rashiklal Mehta(Gope), Assisting Advocate to the Prosecution Counsel, who is infatuated with Sadhna without any reciprocation from her but, was at loggerheads with Rani. At the end, he is also shown to be marrying Rani, when Yogen and Sadhna are united.
The film's music was composed by the duo Husnlal Bhagatram and all songs were composed by lyricist Qamar Jalalabadi
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