The Gallows Act II is a 2019 American supernatural horror film written and directed by Chris Lofing and Travis Cluff. It stars Ema Horvath, Chris Milligan and Brittany Falardeau.[1] It is the sequel to the 2015 found footage film The Gallows. However, unlike its predecessor, this film does not utilize the found footage filming technique.
The Gallows Act II | |
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![]() Theatrical release poster | |
Directed by |
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Written by |
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Starring |
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Cinematography | Kyle Gentz |
Edited by | Chris Lofing |
Music by | Zach Lemmon |
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Distributed by | Lionsgate |
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Running time | 99 minutes |
Country | United States |
Language | English |
It was released on October 25, 2019 in theaters, on demand and digital by Lionsgate. As with the first film, critical reception for The Gallows Act II has been predominantly negative.
![]() | This article needs an improved plot summary. (November 2019) |
After aspiring actress Auna Rue transfers to a prestigious new school, her desires are twisted after participating in a viral challenge capable of conjuring a malevolent spirit.
Principal photography on the film began in October 2016, with filming locations including San Joaquin College of Law in Clovis, California.[2][3]
After filming and post-production was completed, a special early screening took place at the Warner Bros. lot in Burbank, California in August 2017, for fans aged 13–25.[citation needed]
The film was released on October 25, 2019 in theaters, on demand and digital by Lionsgate,[4] unlike the first film, Warner Bros. and New Line Cinema have no involvement with the sequel.
On Rotten Tomatoes, the film has a rating of 0% based on reviews from 12 critics.[5] Glenn Kenny of The New York Times called it "a thoroughly undistinguished follow-up", and criticized the film's lack of logic.[6] Justin Lowe from The Hollywood Reporter offered the film similar criticism, writing, "Lofing and Cluff’s script blends horror and thriller elements without ever settling on a clear genre choice. The film’s surprising final twist only serves to emphasize its narrative incoherence, precipitated by insufficient backstory and inadequate character development."[7] Brian Tallerico of Roger Ebert.com gave the film a thumbs down, calling it Blumhouse's worst film, and criticised the film's script, shallow characters, story, and overuse of jump-scares.[8]
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