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The Lost Okoroshi is a 2019 Nigerian film produced, directed and edited by Abba Makama under the production studio of Osiris Film and Entertainment.[1][2] The movie links the African traditional belief system with modernity. It clarifies the modern notion that masquerades are bad and should be feared by painting them as super heroes.[3] The international recognised movie stars Judith Audu, Tope Tedela, Ifu Ennada, and Chiwetalu Agu.[1]

The Lost Okoroshi
Directed byAbba Makama
Written byAbba Makama, Africa Ukoh
Produced byAbba Makama
StarringJudith Audu, Tope Tedela, Ifu Ennada, and Chiwetalu Agu
CinematographyMike Omonua
Edited byAbba Makama
Music byShay Who
Production
companies
Osiris Film and Entertainment
CountryNigeria
LanguagesIgbo language, Pidgin English and English

 Plot


The film revolves around a young security guard, Raymond, who is melancholic because of the extinction of traditional and cultural antiquities of his country. He began to receive message from Okoroshi, a traditional Igbo figure which usually danced in mask. Eventually, he woke up one day in Okoroshi's attire, unable to neither take it off nor speak.  He disappeared into the air and become the superheroes of the city.[1][4][5]


Premiere


It was premiered globally at the Toronto International Film Festival (TIFF) in September 2019, got premiered at Vevey International Funny Films Festival and it is currently on Netflix.[5][4]


Cast



References


  1. DeFore, John (18 September 2019). "'The Lost Okoroshi': Film Review | TIFF 2019". The Hollywood Reporter. Retrieved 4 August 2022.
  2. Zilko, Christian (8 August 2019). "'The Lost Okoroshi' Trailer: TIFF Premiere Is an Afrofuturistic Journey Through Nigerian Masquerade". IndieWire. Retrieved 4 August 2022.
  3. "Identity and displacement in Nigeria". africasacountry.com. Retrieved 4 August 2022.
  4. "The Lost Okoroshi". VIFFF - Vevey International Funny Film Festival (in French). 23 September 2020. Retrieved 4 August 2022.
  5. "Abba Makama's "The Lost Okoroshi" Debuts on Netflix!". The Lagos Review. 5 September 2020. Retrieved 4 August 2022.



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