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Unsettled Land (Hebrew: החולמים, lit. The Dreamers; also known as Once We Were Dreamers) is a 1987 Israeli drama directed by Uri Barbash.

Unsettled Land
Film poster
Directed byUri Barbash
Screenplay byBenny Barwash
Eran Preis
Produced byLudi Boeken
Katriel Schori
Ben Elkerbout
StarringKelly McGillis
John Shea
Christine Boisson
CinematographyAmnon Salomon
Edited byTova Asher
Music byMisha Segal
Production
company
Belbo Films
Distributed byGSO (France)
Hemdale Film (US)
J. L. Bowbank (Canada)
Release dates
  • September 26, 1987 (1987-09-26) (Tokyo International Film Festival)
  • January 13, 1989 (1989-01-13) (US)
  • January 30, 1990 (1990-01-30) (France)
Running time
109 minutes
CountriesIsrael
Netherlands
LanguagesHebrew
English
Budget$2,000,000[1]

The film premiered in the International Competition at the Tokyo International Film Festival and was selected to be shown at the Israel Film Festival in New York. It also won awards for Best Cinematography (Amnon Salomon) and Best Art Direction (Eitan Levy) at the Israel Film Center.[2]


Plot


In 1919, a group of idealistic Jewish pioneers from Europe, including Austrian doctor Anda (Kelly McGillis) and her Russian violinist lover Marcus (John Shea) who was a former yeshiva student and became a fervent Labor Zionist after the murder of his family in a pogrom, arrive in Palestine and attempt to establish a kibbutz in the Galilee. Their dream ends up shattered as they attempt to cope with the hardships of the land, sexual and ideological tensions within the group, and hostile confrontations with their Arab neighbours. Finally, the film dramatizes their disappointment as they must come to terms with the gaps between their utopian vision and reality.

As Miri Talmon has noted, the film "makes a clear intergenerational connection between the ‘pioneers’ and the shattering of the dream, which is the experience that the audience and the individual filmgoer faced at the end of the eighties.”[3]


Cast



Critical reception


Despite its rather large budget and Hollywood stars, the film did poorly at the box office and garnered poor reviews.[1]


References


  1. Judd Ne'eman, "Israeli Cinema," in O. Leaman, ed., Companion Encyclopedia of Middle Eastern and North African Film (Routledge, 2001), p. 270.
  2. Amy Kronish and Costel Safirman, Israeli Film: A Reference Guide (Praeger, 2003), p. 109.
  3. Quoted in Eldad Kedem, "Kibbutz Films in Transition: From Morality to Ethics," in M. Talmon and Y. Peleg, eds., Israeli Cinema: Identities in Crisis (Austin: University of Texas Press, 2011), p. 328.





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