Windows is a 1980 American suspense thriller directed by Gordon Willis and starring Talia Shire, Joseph Cortese and Elizabeth Ashley.[1] It was the only film directed by Willis, who is better known as a cinematographer for such films as The Godfather series and several films by Woody Allen.[2]
Windows | |
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![]() Theatrical release poster | |
Directed by | Gordon Willis |
Written by | Barry Siegel |
Produced by | Mike Lobell |
Starring | Talia Shire Joseph Cortese Elizabeth Ashley |
Cinematography | Gordon Willis |
Edited by | Barry Malkin |
Music by | Ennio Morricone |
Production company | Mike Lobell Productions |
Distributed by | United Artists |
Release date |
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Running time | 94 minutes |
Country | United States |
Language | English |
Box office | $2,128,395 |
Emily Hollander (Shire) is the subject of a lesbian obsession of Andrea Glassen (Ashley), her next-door neighbor.
Emily, a shy, recently divorced woman, lives alone in a New York City apartment. A man forces his way into her apartment and performs a bizarre "rape." He forces her to make sounds of erotic satisfaction, capturing them on his tape recorder. She reports the attack to the police, and while they are interviewing her, Andrea stops by to comfort her.
Emily seeks safety by moving to an apartment in another section of the city. However, while she is moving out, the same man tries to attack her again. This time, Andrea just happens to be visiting Emily, and she is able to prevent the man from entering Emily's apartment.
It soon becomes apparent that Andrea is not the helpful neighbor that she seems. She has the recording that was made during Emily's first attack. Andrea has developed an erotic fascination with Emily. She hired a taxi driver to perform the attacks, with the purpose of gaining the recording, to which she repeatedly listens to and eventually recites while fantasizing of Emily. Unaware of the situation, Emily continues to view Andrea as a friend. She also begins a relationship with the police detective (Cortese) who responded to her case. At this intrusion into her fantasy, Andrea becomes increasingly unhinged. She takes to spying on Emily through a telescope.
When Emily unwittingly hails a taxi driven by the very man who assaulted her, he strikes up a conversation "because you look familiar." She finally realizes who the man is and asks him to stop at a phone booth. She calls the police, who advise her to get back into the taxi and engage the man in harmless conversation until they can arrive to assist her.
With the taxi driver getting arrested and confessing to the entire plot, Emily and Andrea have a confrontation. Andrea professes her love for Emily, but Emily slaps her hard on the face and tells a devastated, weeping Andrea that they never will speak to each other again. Her ordeal over, Emily greets the detective at her front door.
The film was the subject of many protests from gay rights activists who accused the film of being homophobic and resorting to hateful stereotypes of lesbians.[3] David Denby attacked the film, writing "Windows exists only in the perverted fantasies of men who hate lesbians so much they will concoct any idiocy in order to slander them."[4]
Gene Siskel and Roger Ebert both gave negative reviews for the film alongside other critics like Vincent Canby for The New York Times.[5][6][7][8][9]
Gordon Willis admitted the film had been a mistake,[10][11] and later said of directing that he didn't really like it. "I've had a good relationship with actors," he reflected, "but I can do what I do and back off. I don't want that much romancing. I don't want them to call me up at two in the morning saying 'I don't know who I am'".[12]
Scream Factory released the film on Blu-ray July 4, 2017 with a high-definition transfer from the interpositive and interviews with both actresses and producer along with trailer and TV spots.[13]
Year | Award | Category | Recipient | Result | Ref |
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1980 | Golden Raspberry Awards | Worst Picture | Mike Lobell | Nominated | [14] |
Worst Screenplay | Barry Siegel | Nominated | [14] | ||
Worst Actress | Talia Shire | Nominated | [14] | ||
Worst Supporting Actress | Elizabeth Ashley | Nominated | [14] | ||
Worst Director | Gordon Willis | Nominated | [14] | ||
1980 | Stinkers Bad Movie Awards | Worst Supporting Actress | Elizabeth Ashley | Nominated | [15] |