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Alicia Elsbeth Stallings (born July 2, 1968) is an American New Formalist and Philhellene poet and translator. A fellow of the American Academy of Arts and Sciences, she was named a 2011 MacArthur Fellow (the "Genius Grant").[2]

A. E. Stallings
Born	(1968-07-02) July 2, 1968 (age 54) Decatur, Georgia[1]
Occupation	Poet
Education	University of Georgia (AB) University of Oxford (MSt)
Literary movement	New Formalism

Background

Stallings was born and raised in Decatur, Georgia[1] and studied classics at the University of Georgia (A.B., 1990) and the University of Oxford (MSt in Latin Literature, 1991, Lady Margaret Hall). She is an editor with the Atlanta Review. In 1999, Stallings moved to Athens, Greece and has lived there ever since.[1] She is the Poetry Program Director of the Athens Centre.[3] She is married to John Psaropoulos, who was the editor of the Athens News.

Stallings's poetry uses traditional forms, and she has been associated with the New Formalism.[4]

She is a frequent contributor of poems and essays to Poetry magazine[5] and the Times Literary Supplement.[6] Her work has been published in The New Yorker, The Atlantic, The New York Review of Books, The Times Literary Supplement, The Sewanee Review, Beloit Poetry Journal, and many other publications. She has published four books of original verse: Archaic Smile (1999), Hapax (2006), Olives (2012) and Like (2018). In 2007, she published a verse translation of Lucretius's De Rerum Natura (The Nature of Things) and, in 2018, a verse translation of Hesiod's Works and Days, both with Penguin Classics.

Critical response

In nominating Stallings for the position of Oxford Professor of Poetry in 2015, British literary critic and scholar Sir Christopher Ricks wrote: "The poems of A. E. Stallings are never less than the true voice of feeling, and always more ... she is able to realize in her poems the myriad minds of Europe."[7] The MacArthur Fellowship committee praised her "mastery" of poetic form, declaring that: "[t]hrough her technical dexterity and graceful fusion of content and form, Stallings is revealing the timelessness of poetic expression and antiquity's relevance for today."[8]

In a review for her book Archaic Smile, Able Muse, a formalist online poetry journal, noted that, "For all of Stallings' formal virtuosity, few of her poems are strictly metrically regular. Indeed, one of the pleasant surprises of Archaic Smile is the number of superb poems in the gray zone between free and blank verse."[9] Her work has been favorably compared to the poetry of Richard Wilbur and Edna St. Vincent Millay.[10] In a review of her second book, Hapax, Peter Campion critically wrote that, "The meter and rhyme unfold elegantly, but at the expense of idiom," a criticism that is commonly aimed at the Formalist poets. On a positive note, Campion also states that, "[her best poems in the collection] match prosodic talent with intensely rendered feelings."[10] In a review for her collection Olives, Publishers Weekly stated that they were most impressed with those poems that were not responses to ancient mythology, noting, "When she unleashes her technical gifts upon poems in which she builds a new narrative instead of building upon an old one, Stallings achieves a restrained, stark poise that is threatening even by New Formalism standards." [11]

Awards

Her debut poetry collection, Archaic Smile, was awarded the 1999 Richard Wilbur Award and was a finalist for both the Yale Younger Poets Series and the Walt Whitman Award. Her second collection, Hapax (2006), was awarded the 2008 Poets' Prize.[12] Her poems have appeared in The Best American Poetry anthologies of 1994, 2000, 2015, 2016, and 2017. She has been awarded a Pushcart Prize, the Eunice Tietjens Prize, the 2004 Howard Nemerov Sonnet Award, and the James Dickey Prize.

In 2010, she was awarded the Willis Barnstone Translation Prize. In 2011, she won a Guggenheim Fellowship,[13] received a MacArthur Foundation Fellowship[14] and was named a Fellow of United States Artists.[15] In 2012, the book Olives was a finalist for the National Book Critics Circle Award.[16] She is a Fellow of the American Academy of Arts & Sciences.[17] In 2019, her book Like was a finalist for the Pulitzer Prize for Poetry.[18]

Books

• Archaic Smile. University of Evansville Press. 1999. ISBN 0-930982-52-5.
• Hapax. TriQuarterly. 2006. ISBN 0-8101-5171-5.
• The Nature of Things. Penguin. 2007. ISBN 978-0-14-044796-5. Verse translation of Lucretius's De Rerum Natura.
• Delanty, Greg; Matto, Michael, eds. (2010). The Word Exchange: Anglo-Saxon Poems in Translation. W. W. Norton & Company. ISBN 978-0-393-07901-2.
• Olives. TriQuarterly. 2012. ISBN 978-0-81015-226-7.
• Works and Days. Penguin. 2018. ISBN 978-0141197524. Verse translation of Hesiod's Works and Days.
• Like. Farrar Straus Giroux. 2018. ISBN 9780374187323.
• 'The Battle Between the Frogs and the Mice': A Tiny Homeric Epic. Paul Dry. 2019. ISBN 978-1589881426. Verse translation of the Batrachomyomachia.
• This Afterlife: Selected Poems. Farrar Straus Giroux. 2022. ISBN 9780374600693.

References

External links

External audio
Conversation: A.E. Stallings, Poet and Translator Inspired by the Classics, PBS Newshour, Jeffrey Brown, September 30, 2011
In Greece, Getting By On The Brink Of A Financial Meltdown, For the Record, Rachel Martin, April 5, 2015

• (Archived 2009-10-23)
• Athens Centre 2009 Poetry Workshop webpage
• Poems by A.E. Stallings and biography at PoetryFoundation.org
• "A.E. Stallings Interviewed by Edward Byrne". Valpraiso Poetry Review. Vol. XII, no. 1. Fall 2010 – Winter 2011.

На других языках

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- [en] A. E. Stallings

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[es] A. E. Stallings

Alicia Elsbeth Stallings (2 de julio de 1968 (54 años) es una poeta y traductora estadounidense. Obtuvo la beca MacArthur en 2011.[1]

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[ru] Столлингз, Алисия Элсбет

Алисия Элсбет Столлингз (англ. Alicia Elsbeth Stallings; род. 2 июля 1968, Декейтер, Джорджия, США[2]) — американский поэт и переводчик. Лауреат стипендии МакАртура 2011 года.

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