Alamgir Hashmi (Urdu: عالمگیر ہاشمی), also known as Aurangzeb Alamgir Hashmi (born 15 November 1951), is an English poet of Pakistani origin.[1] Considered avant-garde, his early and later works were published to considerable critical acclaim and popularity.[2]
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Alamgir Hashmi | |
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Native name | عالمگیر اورنگزیب ہاشمی |
Born | (1951-09-15) 15 September 1951 (age 71) Lahore, Pakistan |
Occupation | English poet |
Education | University of the Punjab, Lahore, M.A. 1972 | University of Louisville, Kentucky, M.A. 1977 |
Website | |
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Alamgir Hashmi is said to have been born in this part of Planet Earth and trained, persuasively, formally and informally, to stay on here. His serious learning began as a child, at the home of his parents, who taught him many fine things of life including reading, writing, and listening, so that he would begin to hear the music of the spheres from early on. Later he chose his company, schools, and places to be according to his abiding interests, and went on to write mainly in different forms of poetry and prose, and to teach (subjects like language, literature, culture, interdisciplinary studies, and theory). Perhaps better known as an English poet, he has been a professor of English and comparative literature, an editor of literary and scholarly journals, a scholar-critic, a broadcaster, a translator, long lapsed lay minstrel, and a weekend canoeist. His work spans nearly all continents, for over four decades now, and he lives wherever his work lives. He acknowledges life as a gift.[3]
He was a practicing transnational humanist and educator in North American, European and Asian universities.[4] He argued for a "comparative" aesthetic to foster humane cultural norms. He showed and advocated new paths of reading the classical and modern texts and emphasized the sublime nature, position and pleasures of language arts to be shared, rejecting their reduction to social or professional utilities.[5] He produced many books of seminal literary and critical importance as well as series of lectures and essays (such as "Modern Letters") in the general press.[6]
All the poems are best and worth reading.