Of Portuguese Jewish extraction, Mendès was born in Bordeaux.[1] After childhood and adolescence in Toulouse, he arrived in Paris in 1859 and quickly became one of the protégés of the poet Théophile Gautier. He promptly attained notoriety with the publication in the La Revue fantaisiste (1861) of his Roman d'une nuit, for which he was condemned to a month's imprisonment and a fine of 500 francs. He was allied with Parnassianism from the beginning of the movement and displayed extraordinary metrical skill in his first volume of poems, Philoméla (1863). His critics have noted that the elegant verse of his later volumes is distinguished rather by dexterous imitation of different writers than by any marked originality. The versatility and fecundity of Mendès' talent is shown in his critical and dramatic writings, including several libretti, and in his novels and short stories. His short stories continue the French tradition of the licentious conte.[2]
Personal life
A portrait of Mendès' daughters, Huguette, Claudine, and Helyonne, by Auguste Renoir, 1888, at The Metropolitan Museum of Art
In 1866, Mendès married Judith Gautier, the younger daughter of his mentor Théophile. They soon separated, and in 1869 he began cohabiting with the composer Augusta Holmès with whom he had five children, including:[3]
Huguette Mendès (1871–1964)
Claudine Mendès (1876–1937)
Helyonne Mendès (1879–1955)
The couple parted in 1886, and he later married the poet Jeanne Nette, who was to be his last companion.[4]
Death
Early on the morning of 8 February 1909, the body of Mendès was discovered in the railway tunnel of Saint Germain. He had left Paris by the midnight train on the 7th, and it is supposed that, thinking he had arrived at the station, he had opened the door of his compartment while still in the tunnel,[2] although some biographers have suggested suicide. His body was interred at the Montparnasse Cemetery.[4]
Works
Collections of poetry
Philoméla (1863)
Poésies, première série (1876), which includes much of his earlier verse
Soirs moroses, Contes épiques, Philoméla, etc.; Poésies (7 vols., 1885), a new edition largely augmented
Les Poésies de Catulle Mendès (3 vols., 1892)
Nouveaux Contes de Jadis (1893), Editeur Paul Ollendorff, Paris
La Reine Fiammette (1898), a conte dramatique in six acts and in verse, set in Renaissance Italy, later set to music by Xavier Leroux, for which see: La reine Fiammette
In the same year, Catulle Mendes wrote in Le Figaro that it was after reading the book of Gobineau "Les Religions et les Philosophies dans d´Asie centrale" that he had the idea to write a drama about the first woman disciple of the Báb: the persan erudite and illustrious poet Tahéreh (Táhirih)[5]
Critical works
Le NU au SALON, 1900 (published in 1901). The cover image is of a painting by Jules Scalbert, gravure de Louis Geisler[fr].
Richard Wagner (1886)
L'Art au théâtre (3 vols; 1896–1900), a series of dramatic criticisms reprinted from newspapers
A report addressed to the minister of public instruction and of the fine arts on Le Mouvement poétique francais de 1867 à 1900 (new ed., 1903), which includes a bibliographical and critical dictionary of the French poets of the 19th century.
Novels
Zo'har (1886), a story of incest in which the woman is virile and the man is feeble
Le Roi vierge (1880) in which he introduces Louis II of Bavaria and Richard Wagner
One or more of the preceding sentencesincorporates text from a publication now in the public domain:Chisholm, Hugh, ed. (1911). "Mendès, Catulle". Encyclopædia Britannica. Vol.5 (11thed.). Cambridge University Press. pp.124–125. The bibliography is partly derived from this article.
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