Claude Minière (born October 25, 1938) is an essayist and poet.[2] Initially, he took part in various avant-garde activities before turning towards a more solitary, more classical approach to writing, never forgetting, however, the conquests of Rimbaud, Ezra Pound and free-verse.
Claude Minière | |
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Born | (1938-10-25) October 25, 1938 (age 83) Paris |
Nationality | French |
Occupation | Essayist and poet[1] |
Notable work | Comment peut-on être cartésien? Editions Tituli,Paris,2021 ISBN 978-2-37365-147-B |
Minière was born in Paris. For fifteen years he taught at l’Ecole des Beaux-Arts and is the author of a “panorama” of artistic creativity in France between 1965 and 1996: L’art en France 1965-1995 (Nouvelles editions françaises, Paris, 1995).[3] Together with Margaret Tunstill, he translated two works by Ezra Pound: Henri Gaudier-Brzeska, A Memoir (Henri Gaudier-Brzeska, ed. Tristram, 1992) and Treatise on Harmony (Traité d’Harmonie, ed. Julien Salvy, 1980). In addition to the many collections of his poetry he has produced three remarkable essays : Pound caractère chinois (ed. Gallimard);[4] Barnett Newman (ed. Tarabuste);[5] and Descartes (ed.Tituli).
![]() | This article lacks ISBNs for the books listed in it. (November 2020) |
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