Doina Ruști (Romanian pronunciation:[dojna roushtie]; (born 15 February 1957) is a Romanian writer and novelist.[1][Romanian Writes 1] Some of her novels are: Fantoma din moară[ro] (The Ghost in the Mill),[2] 2008, Zogru[ro], 2006, and Lizoanca la 11 ani (Lizoanca at age eleven), 2009.[3]
Romanian Writer (born 1957)
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Doina Ruști
Rusti at The London Book Fair, 2022
Born
(1957-02-15) 15 February 1957 (age65) Comoșteni, Dolj County, Romania
Ruști was born in Comoșteni, Dolj County. She was brought up in a village in the south of Romania by her parents and teachers, struggling to survive in a communist world.[4] Her blood accommodates ancestry ranging from Montenegrin[5] to Jews and especially Danubian Romanians, all with long names ending in -escu, most of them teachers, store keepers and horse dealers. Her childhood home in Comoșteni preserved the experiences of a Balkan world, collected throughout hundreds of years.[6]
Ruști's youth was spent in a house which had saved the traces of a past rich in events, carriages, coffers and period clothes, crowned by plenty of books and objects which incited her imagination. But this world had brutally come to an end. When she was eleven, her father was murdered under mysterious circumstances, which have not been elucidated even to this day. The insecurity, oppression, absurd rules and chaos installed at the end of communism blended with the fantastic universe of a village governed by ghost tales, hierophanies, and underground forces, and this dramatic and magical setting inspired the novel Fantoma din moară (The Ghost in the Mill).[7] For this novel, she was awarded the Prize of the Writers' Union of Romania.[8]
Work
A representative contemporary writer, Ruști has a wide variety of topics covered in her novels with a systematic construction. Some of her books were translated into international languages.[9]
Her novel Lizoanca la 11 ani, 2009, 2017 was awarded the Ion Creangă Prize of the Romanian Academy. It was remarked as "one of the most powerful contemporary Romanian novels", from the point of view of its themes and typology construction (according to Paul Cernat, Gelu Ionescu[clarification needed] On its publication, Lizoanca caused debates, as it brought to the public's attention the story of a child almost unanimously accused of the atrocities committed by the accusers.[10] Translated into German, Spanish, Italian, Hungarian, the novel had reviews and kindled debates on taboo themes, such as pedophilia, domestic abuse, the issue of children with incompetent parents[11][12] (Marina Freier and Magyar Nemzet). For that matter, the topic of family decay as an institution is recurrent in all the novels written by Doina Ruști.
Her bestseller Manuscrisul fanariot[ro] (The Phanariot Manuscript), 2015, 2016, 2017), which novelizes a18th-century's love story, was followed by Mâța Vinerii (The Book of Perilous Dishes, 2017), a tale about sorcerers and magical culinary recipes, translated into German, Spanish and Hungarian. These two books give a perspective on a quite controversial historical period: the 18th Phanariot century. The stodgy style, the poetic overlay and the narrative fluidity were hallmarks of these two books. She is also the author of the novel Omulețul roșu (The Little Red Man, 2004, 2012), which was awarded the Prize of the magazine Convorbiri Literare, and the multi-awarded Zogru (2006, 2015), a meta-novel translated into Italian, Bulgarian, Hungarian, and Spanish.
Ruști brings a specific vision into literature, exhibited throughout all strata of her work, but especially from a linguistic point of view. The creativity of expression lends the marker of her writing.[13][14][15]
She also wrote a number of short stories, published in periodicals and anthologies.
Style
Taking an interest in both the fantastic and realist genres, Doina Ruști succeeds in writing as persuasively about the atrocities of the contemporary world and high ideals. Her novels often feature rapists, murderers, people who are starving, become corrupt or consumed by trivial commitments, reminding us of William Faulkner's characters – writer who has always inspired her. Ruști also brings to life fantastic characters, elves, sprites, ghosts, magical cats and sorcerers, which prompted some critics to compare her work with Marc Chagall,[16] with Mikhail Bulgakov's,[17] Süskind's and Márquez's[18][15] (according to Dan C. Mihăilescu,[19][20] Marco Dotti[21] and Neue Zürcher Zeitung[7]). The diversified themes that are strongly related to the present, as well as the ability of Doina Rusti of switching between registers, place her among the writers of contemporary Romanian literature (according to Breban, Norman Manea,[22][23] Daniel Cristea-Enache[24]).
Novels
Paturi oculte[ro] (Occult Beds), Litera, 2020
Homeric, Polirom, 2019
Logodnica (The Fiancée), Polirom, 2017
Mâța Vinerii[ro] (The Book of Perilous Dishes), Polirom, 2017
Lizoanca la 11 ani[ro], Polirom, Top 10+, 2017
Manuscrisul fanariot[ro], (The Phanariot Manuscript) Polirom, 2015, 2016
Zogru[ro], 2nd ed, Polirom, Top 10+, 2013
Mămica la două albăstrele (The Story of an Adulterer), Polirom, 2013
Patru bărbați plus Aurelius (Four Men Plus Aurelius), Polirom, 2011
Cămașa în carouri și alte 10 întâmplări din București (The Checkered Shirt and 10 other episodes from Bucharest), a narrative puzzle, Polirom, 2010
Lizoanca la 11 ani (Lizoanca at the Age of Eleven), Ed. Trei, 2009
Fantoma din moară (The Ghost in the Mill), Polirom, 2008.
Zogru, Polirom, Iași, 2006, 2nd ed, 2013
Omulețul roșu (The Little Red Man), Ed. Vremea, Bucharest, 2004
Translated work
La gata del viernes (trad Enrique Nogueras, Esdrújula Ediciones, Granada, 2019[25]
Das Phantom in der Mühle (trad. Eva Ruth Wemme), Klak Verlag, Berlin, 2017[26]
Lizoanca (trad. Szenkovics Enikő), Orpheusz, Budapest, 2015[26]
Eliza a los once años (trans. Enrique Nogueras), Ediciones Traspiés, Granada, 2014[27]
Zogru (trad. Szenkovics Enikő), Sétatér Kulturális Egyesüle, 2014[28]
Dicționar de simboluri din opera lui Mircea Eliade (frag.) în La Jornada Semanal, nr. 455, 456, Mexico City, 2003 (trans: José Antonio Hernández García)
Lizoanca (trans Jan Cornelius), Horlemann Verlag, Berlin
Literary prizes
The Romanian Academy's Ion Creangă Prize for the novel "Lizoanca at the Age of Eleven", 2009[33]
The Prize of the Writers Union of Romania for the novel "The Ghost in the Mill", 2008[34]
The Golden Medal of Schitul Darvari, for literary activity. 2008
The Prize of the Bucharest Writers Association for the novel "Zogru", 2007[35]
Bibliography
Pedro Gandolfo – Un espiritu ligeramente inqueto, El Mercurio, 19 August 2018
Adina Mocanu – La infancia en femenino las niñas, Icaria Editorial, Barcelona, 2016, p.2017.
Ramón Acín – Turia, 115, Instituto de Estudio Turolenses, 2015, p.323
Jeffrey Andrew Weinstock, The Ashgate Encyclopedia of Literary Cinematic Monsters, Routledge, New York, 2015
Antonio J. Ubero – Las fabricas del odio, La Opinión, 3 01, 2015
Emanuela Illie – Fantastic și alteritate, Junimea, 2013, p.92 și urm.
Roberto Merlo – Quaderni di studi italieni e romeni, 5, 2010, Edizioni dell'Orso, p.121
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