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Elisabeth Hauptmann (20 June 1897, Peckelsheim, Westphalia, German Empire – 20 April 1973, East Berlin) was a German writer who worked with fellow German playwright and director Bertolt Brecht.

This article may be expanded with text translated from the corresponding article in German. (July 2019) Click [show] for important translation instructions. View a machine-translated version of the German article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 9,477 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Elisabeth Hauptmann]]; see its history for attribution. You should also add the template {{Translated|de|Elisabeth Hauptmann}} to the talk page. For more guidance, see Wikipedia:Translation.

She got to know Brecht in 1922, the same year she came to Berlin. She worked as a secretary for the German-American poet and writer Herman George Scheffauer.[1] She began collaborating with Brecht in 1924, and is listed as co-author of The Threepenny Opera (1928). She purportedly[2] wrote the majority of the text as well as providing a German translation of John Gay's The Beggar's Opera, on which the musical play is based, as working material for Brecht and Kurt Weill, the composer. She reportedly wrote at least half of the Mahagonny-Songspiel, but was not credited.[2] She was the main text author of the musical comedy Happy End (1929).^{[citation needed]}

Because of the rise of Nazism, Hauptmann went into exile in the United States from 1934 to 1949, marrying German composer and conductor Paul Dessau in 1943. After Brecht's death in 1956, she published works of his at Suhrkamp Verlag, a German publishing house, and worked as a dramaturg for the Berlin Ensemble.^{[citation needed]}

In 1961, she received the Lessing Award, which the Ministry for Culture (East Germany) awarded every year. She made a German version of He hanshan (The Confronted undershirt), a Yuan Dynasty-era Chinese play. In 1977, a collection of her works was published under the title Julia ohne Romeo (Julia without Romeo).[3]

References

• Hanssen, Paula. Elisabeth Hauptmann: Brecht's Silent Collaborator. New York University/Ottendorfer, Book 46, 1995; ISBN 9783906753119. 173pp.
• Tian, Min. The Poetics of Difference and Displacement: Twentieth-Century Chinese-Western Intercultural Theatre. Hong Kong University Press, 1 June 2008; ISBN 9622099076/ISBN 9789622099074.

Notes

На других языках

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[de] Elisabeth Hauptmann

Elisabeth Flora Charlotte Hauptmann (* 20. Juni 1897 in Peckelsheim, Kreis Warburg, Provinz Westfalen; † 20. April 1973 in Ost-Berlin) war eine deutsche Schriftstellerin, Übersetzerin und Mitarbeiterin Bertolt Brechts. Sie verwendete auch die Pseudonyme Dorothy Lane, Josefine Diestelhorst und Catherine Ux. Sie ist unter anderem Mitautorin der Dreigroschenoper und Hauptautorin von Happy End (unter dem Pseudonym Dorothy Lane). Nach Brechts Tod gab sie seine Werke beim Suhrkamp-Verlag heraus und war Dramaturgin beim Berliner Ensemble. Eine Sammlung ihrer Texte wurde 1977 unter dem Titel Julia ohne Romeo herausgegeben.

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- [en] Elisabeth Hauptmann

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[ru] Гауптман, Элизабет

Элизабет Флора Шарлотта Гауптман (нем. Elisabeth Hauptmann; 20 июня 1897 (1897-06-20), Виллебадессен, Северный Рейн-Вестфалия, Германская империя — 20 апреля 1973, Восточный Берлин, ГДР) — немецкая писательница , журналистка, переводчица, драматург, сценаристка, сотрудница и близкая подруга Бертольта Брехта. Член Академии искусств ГДР.

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