Fanny Howe (born October 15, 1940 in Buffalo, New York) is an American poet, novelist, and short story writer.[1][2] Howe has written more than 20 books of poetry and prose.[3] Her major works include poetry such as One Crossed Out, Gone, and Second Childhood, the novels Nod, The Deep North, and Indivisible, and collected essays The Wedding Dress: Meditations on Word and Life and The Winter Sun: Notes on a Vocation.[4] She was awarded the 2009 Ruth Lilly Poetry Prize[5] by the Poetry Foundation as well as awards from the National Endowment for the Arts, the National Poetry Foundation, the California Council for the Arts, and the Village Voice. She is professor emerita of Writing and Literature at the University of California, San Diego. She lives in Boston, Massachusetts.
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American poet, novelist, and short story writer
Fanny Howe
Born
Fanny Quincy Howe (1940-10-15) October 15, 1940 (age82) Buffalo, New York, U.S.
Howe was born in Buffalo, New York. When her father Mark De Wolfe Howe left to join the fighting in World War II, Howe and her mother, the Irish playwright Mary Manning, moved to Cambridge, Massachusetts where she grew up.[6] Her father eventually became a colonel and served in Sicily and North Africa and then after the war he went to Potsdam to give legal advice in the reorganization of Europe.[7] After the war, her father continued his work as a lawyer and became a professor at Harvard Law School.
Howe's mother was an actress at the Abbey Theatre of Dublin for some time.[7] Her sister is Susan Howe, who also became a poet. She attended Stanford University for three years, and in 1961—the year she left Stanford—she married Frederick Delafield, whom she divorced two years later.[8] Her aunt was Helen Howe, a monologuist and novelist.
As a Civil Rights activist, she met and married the activist Carl Senna in the 1970s, who is of African-Mexican descent and is also a poet and writer. They are the parents of the novelist Danzy Senna, who writes about growing up biracial in the 1970s and 80s in her novel Caucasia. Howe and Senna also had two other children, Lucien Quincy Senna, and Maceo Senna.
Work
Howe is one of the most widely read of American experimental poets. Her writing career began during the 1960s with a series of paperback original novels she published under the pseudonym Della Field.[7]
Howe has continued to publish novels throughout her career, including Lives of the Spirit/Glasstown: Where Something Got Broken (2005). She has also continued to publish in the essay form. Some of her essays have been collected, including The Wedding Dress: Meditations on Word and Life (2003)
Fanny Howe employs a sometimes fierce, always passionate,
spareness in her lifelong parsing of the exchange between matter and spirit. Her work displays as well a political urgency, that is to say, a profound concern for social justice and for the soundness and fate of the polis, the "city on a hill". Writes Emerson, The poet is the sayer, the namer, and represents beauty. Here's the luminous and incontrovertible proof.[9]
Joshua Glenn:
Fanny Howe isn't part of the local literary canon. But her seven novels about interracial love and utopian dreaming offer a rich social history of Boston in the 1960s and '70s.[10]
Howe's prose poems, "Everything's a Fake" and "Doubt", were selected by David Lehman for the anthology Great American Prose Poems: from Poe to the Present (2003).[11] Her poem "Catholic" was selected by Lyn Hejinian for the 2004 volume of The Best American Poetry.[12]
Fanny Howe adding emphasis to her poetry at a West Tisbury Public Library gathering on Martha's Vineyard - 23 August 2012.
Howe's Selected Poems won the 2001 Lenore Marshall Poetry Prize. On the Ground was on the international shortlist for the 2005 Griffin Poetry Prize. Howe received the 2009 Ruth Lilly Poetry Prize.[5]
She was a judge for the 2015 Griffin Poetry Prize.
Howe has taught at Tufts University, Emerson College, Kenyon College, Columbia University, Yale University, Massachusetts Institute of Technology and Georgetown University.[9]
Publications
Poetry
Eggs: poems, Houghton Mifflin, 1970
The Amerindian Coastline Poem, Telephone Books Press, 1975, ISBN0-916382-08-7
Poem from a Single Pallet, Kelsey Street Press, 1980, ISBN0-932716-10-5
Zimmer, Melanie (2008). "Fanny Quincy Howe". In Byrne, James Patrick; Coleman, Philip; King, Jason Francis (eds.). Ireland and the Americas: Culture, Politics, and History: A Multidisciplinary Encyclopedia, Volume 2. ABC-CLIO. pp.427–430. ISBN978-1-85109-614-5.
"Fanny Howe". The Academy of American Poets. Retrieved 2011-06-27.
Joshua Glenn (March 7, 2004). "Bewildered in Boston". The Boston Globe.Subscription required.
Lehman, David, ed. (2003). "Fanny Howe". Great American Prose Poems: from Poe to the Present. Simon and Schuster. ISBN978-0-7432-2989-0.
Hejinian, Lyn; Lehman, David, eds. (2004). "Catholic". The Best American Poetry 2004. Simon and Schuster. ISBN978-0-7432-5757-2.
Treseler, Heather (October 20, 2015). "Little Gods". Boston Review. Retrieved 2015-10-20. Howe transfigures our quicksilver hungers and contemporary condition into an art true to “the secular rule of life.” If Howe’s voice is that of the escaping nymph managing our shipwreck, we might not be safer than in her tote, finding our hope in the empathy that is imagining.
Fanny Howe page at Ploughshares includes links to Howe's contributions to Ploughshares that began in 1972 with an excerpt from an early novel. Since then she has been a consistent contributor of poems, essays, and non-fiction. Howe was the guest-editor for an edition of Ploughshares in 1974, and has contributed to this journal as recently as 2004.
Bewilderment a talk by Fanny Howe, with an excerpt here from a longer version presented 9/25/98 on the Poetics & Readings Series, sponsored by Small Press Traffic at New College, San Francisco. Bewilderment was collected in The Wedding Dress (2003)
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