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Inder Raj Anand (died 6 March 1987) was an Indian film dialogue and screenwriter in Hindi cinema, who worked on many Raj Kapoor films, starting with Aag (1948), Aah (1953), Anari (1959) and Sangam (1963).[1] While formally referred to as a writer for Hindi films, he was actually an Urdu writer,[2] writing his scripts and dialogues in Urdu.[3]

He was father to actor-director Tinnu Anand and producer Bittu Anand. Inder's grandson is noted film director Siddharth Anand (Salaam Namaste (2005) and Anjaana Anjaani (2010)).[4] Famous director Mukul Anand was Inder's nephew. Shahenshah, starring Amitabh Bachchan, was Inder's last film as a writer. It was produced by his son, Bittu, and was directed by Tinnu. Shahenshah was released after Inder's death and it became one of the biggest hits of that year.


Career


Anand started off as a writer for Prithviraj Kapoor's Prithvi Theatres and also People's Theatre in Mumbai, and was a close friend of writer-director K.A. Abbas through IPTA.[5]

In his career, Inder Anand wrote almost 120 films including Safar, Sangam and Ek Duuje Ke Liye.[citation needed] Many of his films like Haathi Mere Saathi, Jaani Dushman and Shahenshah were successful.[citation needed]


Filmography


YEARFILMCREDITS
1948Phool Aur KaanteWriter
1948AagStory and screenplay, dialogues
1950Birha Ki RaatWriter
1951NaujawanDialogues and story
1953AahStory, screenplays and dialogues
1956New DelhiScreenplay
1956C.I.D.Screenplay and dialogues
1957SharadaScreenplay
1959Choti BehenScreenplay and dialogues
1959Char Dil Char RahenWriter
1959AnariDialogues, screenplay and story
1960ChalliaWriter
1961SasuralDialogues and screenplay
1962Dil Tera DeewanaWriter
1962Asli NaqliWriter
1963HamrahiScreenplay and dialogues
1963BahuraniScreenplay and dialogues
1964SangamWriter
1964Phoolon Ki SejWriter and Director
1964Dulha DulhanScreenplay and dialogues
1964Beti BeteScreenplay and dialogues
1965Aasman MehelWriter
1966Chotta BhaiDialogues
1968VaasnaDialogues
1968Sapno Ka SaudagarStory
1969Nanha FarishtaDialogues
1969Bhai BehenWriter
1970SafarWriter
1970Ghar Ghar Ki KahaniDialogues
1970DeviStory, screenplay and dialogues
1970Aanson Aur MuskaanScreenplay and dialogues
1971Haathi Mere SaathiDialogues
1971UpasnaScreenplay and dialogues
1971RakhwalaDialogues
1972Apna DeshDialogues
1972Anokha DaanWriter
1972Jawani DeewaniWriter
1973Gai Aur GoriWriter
1974HumshakalDialogues
1974FaslhaWriter
1974Prem NagarDialogues
1975Sunehra SansarWriter
1975RaajaWriter
1975JulieDialogues
1976NaginDialogues
1977DildaarDialogues
1977AainaDialogues
1977Yahi Hain ZindagiDialogues
1979Jaani DushmanDialogues
1981Ek Duuje Ke LiyeDialogues
1981KaaliaDialogues
1982Vakil BabuDialogues
1983LoversDialogues
1984Raaj TilakWriter
1984Jeene Nahin DoongaWriter
1985MardDialogues
1988ShahenshahScreenplay

References


  1. Gulzar, p. 304
  2. Nandy, Ashis (1998). The Secret Politics of Our Desires: Innocence, Culpability and Indian Popular Cinema. Palgrave Macmillan. p. 97. ISBN 9781856495165.
  3. Aḵẖtar, Jāvīd; Kabir, Nasreen Munni (2002). Talking Films: Conversations on Hindi Cinema with Javed Akhtar. Oxford University Press. p. 49. ISBN 9780195664621. JA: I write dialogue in Urdu, but the action and descriptions are in English. Then an assistant transcribes the Urdu dialogue into Devnagari because most people read Hindi. But I write in Urdu. Not only me, I think most of the writers working in this so-called Hindi cinema write in Urdu: Gulzar, or Rajinder Singh Bedi or Inder Raj Anand or Rahi Masoom Raza or Vahajat Mirza, who wrote dialogue for films like Mughal-e-Azam and Gunga Jumna and Mother India. So most dialogue-writers and most song-writers are from the Urdu discipline, even today.
  4. "Salaam Namaste's director is 'very anxious'". Rediff.com Movies. 6 September 2005.
  5. Ashis Nandy (1998). The Secret Politics of Our Desires: Innocence, Culpability and Indian Popular Cinema. Palgrave Macmillan. p. 97. ISBN 1856495167.

Bibliography






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