Jacinto Grau Delgado (1877 – 14 August 1958) was a Spanish writer. Best known for his plays, and his theoretical approach to theater, he also wrote essays, short stories, and criticism.[1]
Jacinto Grau | |
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Born | 1877 Barcelona, Spain |
Died | 14 August 1958 Buenos Aires, Argentina |
Nationality | Catalan |
Grau was born in Barcelona. He served as the Envoy Extraordinary and Minister Plenipotentiary of Loyalist Spain to Panama during the Spanish Civil War.[2] Following the war he emigrated to Argentina, where he died in exile in 1958.[3]
Grau published twenty-five plays over the course of fifty-five years.[4] His most celebrated work is El señor de Pigmalión (1921), which remained relatively unknown in Spain during his lifetime, though it was successful in Europe and Latin America.[1] Grau has stated that he writes plays 'with the greatest intensity possible within the limits of classical harmony'.[5]:23-24
His work is 'anti-realistic', and heavily influenced by George Bernard Shaw, as well as Henrik Ibsen, Jean Anouihl and Buero Vallejo.[4]:269-70 His contemporary critics 'universally' identified his theatre as avant-garde, though Grau 'scorned avant-garde theatre'.[6] Modern scholars have identified him as a 'psychological idealist'.[5]:23
He was nominated for a Nobel Prize in Literature in 1949.[7]
Play | Year Published | Year Premiered | Location Premiered |
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El Conde Alarcos | 1917 | ||
El hijo pródigo | 1918 | 1918 | |
El Mismo daño | 1921 | ||
El señor de Pigmalión | 1921 | 1923 | Charles Dullin's L'Atelier (Paris)[8]:135 |
La Casa del Diablo | 1933 | ||
En Ildaria | |||
Entre Llamas | |||
El Caballero Varona |
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