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Joachim-Ernst Berendt (20 July 1922 in Berlin – 4 February 2000 in Hamburg) was a German music journalist, author and producer specialized on jazz.

Joachim-Ernst Berendt
Born	(1922-07-20)20 July 1922 Berlin, Germany
Died	4 February 2000(2000-02-04) (aged 77) Hamburg, Germany
Nationality	German
Occupation	Author, music journalist
Parent	Ernst Berendt (father)

Life

Berendt's father, Ernst Berendt, was a Protestant pastor belonging to the Confessing Church who was imprisoned and died in the Dachau concentration camp. J.-E. Berendt started studying Physics, but his studies were interrupted by his enlistment to the Wehrmacht. Already during the Nazi Germany years Berendt took an interest in jazz; enthusiasts in this period retreated to the underground.

After World War II, he helped founding the Südwestfunk (SWF) radio network in the then French occupation zone of Germany. From 1950 until his retirement in 1987, he was in charge of the jazz department of the SWF.[1]

In 1952, the first German edition of Berendt's Jazz Book was published. It became a definitive book on jazz translated into many languages and is still being updated and reprinted. For almost 40 years, Berendt produced the jazz program of the Baden-Baden station of the German public radio and TV network ARD. His weekly TV show Jazztime Baden-Baden and his daily radio shows were pioneer work in promoting jazz in post-war Germany. Berendt later focused on world music and was one of its early promoters, founding a World Music Festival in 1965.[1]

Berendt initiated and organized many jazz festivals (American Folk Blues Festival, Berliner Jazztage, World Expo Osaka).[1] He was the producer of many records, mainly for MPS Records, and supported the Jazz & Lyrik project, combining jazz performances with readings of poetry (not jazz poetry).

Berendt was awarded, amongst others, the critic's award of German television, the culture award of Poland, and twice the Bundesfilmpreis.

Berendt died on 4 February 2000 at the age of 77 after a traffic accident which he was involved in as a pedestrian. The accident happened in Hamburg, Berendt was on his way to a book promotion for his book Es gibt keinen Weg nur Gehen (There Is No Way, Only Going).

Berendt's huge collection of records, books, magazines, photos and more is in the archive of the Jazzinstitut Darmstadt.

Later work

In 1983, Berendt published The World Is Sound: Nada Brahma and The Third Ear: On Listening to the World. In these books Berendt investigates in listening in general, i.e. its medical, historical, physical, cultural and philosophical aspects.

This turn to philosophy also saw him becoming a disciple of the Indian mystic Osho.[2]

Works (selection)

• "Jazz: A Photo History." (Translated by William Odom), Schirmer Books 1979, ISBN 0-02-870290-5.
• Joachim-Ernst Berendt reads Rainer Maria Rilke "Seelenlandschaften" (Landscapes of the Soul), with music from Philip Catherine, Krzysztof Zgraja, Vladislav Sendecki; Producer: ℗1998 Horst Bösing ©2003 Jaro 4267-2

Bibliography

• The Jazz Book, Lawrence Hill & Company, New York
• The World Is Sound: Nada Brahma: Music and the Landscape of Consciousness, Inner Traditions
• The Third Ear: On Listening to the World
• Klangräume (1996)
• The Return of Jazz: Joachim-Ernst Berendt and West German Cultural Change, Andrew Wright Hurley, Berghahn Books (2011)

See also

• Karl Lippegaus

References

External links

• Joachim-Ernst Berendt in the German National Library catalogue
• Obituary from Der Journalist
• Homepage of J.-E. Berendt at the Wayback Machine (archived July 21, 2001)
• Jazz & Lyrik

На других языках

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[de] Joachim-Ernst Berendt

Joachim-Ernst Berendt (* 20. Juli 1922 in Berlin-Weißensee; † 4. Februar 2000 in Hamburg) war ein deutscher Musikjournalist und Musikproduzent in der Gattung Jazz. Mit seinem Standardwerk „Das Jazzbuch“ prägte er seit den 50er Jahren für Generationen von Hörern und Musikern vor allem im deutschsprachigen Raum die Kenntnis und die Auffassung von Jazz. Er war über vierzig Jahre lang Redakteur beim damaligen Südwestfunk in Baden-Baden und damit der dienstälteste Jazzredakteur der Welt.[1] Mit der (zeitweise) wöchentlichen Fernsehsendung mit Jazzkonzerten und einem damals noch täglich gesendeten Hörfunkprogramm über Jazz leistete er große Pionierarbeit zur Förderung und Verbreitung des Jazz im Nachkriegsdeutschland.[2]

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- [en] Joachim-Ernst Berendt

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