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Johan Sebastian Cammermeyer Welhaven (22 December 1807 – 21 October 1873) was a Norwegian author, poet, critic, and art theorist.[1] He has been considered "one of the greatest figures in Norwegian literature."[2]

Background

Johan Welhaven was born in Bergen, Norway in 1807. His grandfather, Johan Andrew Welhaven (1748–1811) was a teacher and later assistant to the pastor at St Mary's Church (Mariakirken), which served the city's German community. The author's father, Johan Ernst Welhaven (1775–1828), was a pastor at St. George's Hospital, (St. Jørgens spedalskehospital), while his mother, Else Margaret Cammermeyer, was the daughter of Johan Sebastian Cammermeyer, resident chaplain of Holy Cross Church (Korskirken).[3]

Johan Welhaven was the member of an accomplished family which included his sister socialite Maren Sars, the wife of theologian and biologist Michael Sars (1805–1869), and mother of historian, Ernst Sars (1835–1917), marine biologist Georg Ossian Sars (1837–1927) and mezzosoprano singer Eva Nansen (1858–1907). Johan Welhaven was himself the father of Norwegian architect Hjalmar Welhaven.

Welhaven attended Bergen Cathedral School from 1817–25. In 1828 he began to study theology under the supervision of his father, but that same year his father died, and thus, Welhaven continued his studies at the university in the capital, where he came to live the rest of his life. After his final exams at the University of Christiania in 1827, he devoted himself to literature.

In 1836 he had visited France and Germany; and in 1858 he went to Italy to study archaeology. In 1840, he was appointed lecturer in philosophy at the Royal Frederik's University in Christiania and delivered a series of lectures on literary subjects.

When in 1843 he obtained an academic job, controversy aroused because he had not even completed his theological degree, and had not published any work of philosophical nature. Wergeland also searched for the position and completed a theological degree and used the illustrations of Creation, Man and the Messiah to show his deep historical and philosophical knowledge. He became professor in 1846.

Afterwards, he spent 26 years lecturing in philosophy at the University from 1840 to 1866. His influence was extended by his appointment as director of the Society of Arts.[4]

He died in Christiania in 1873.

Career

Welhaven made his name as a representative of conservatism in Norwegian literature in the 19th century. As shown by an attack on Henrik Wergeland's poetry, he opposed the theories of the extreme nationalists. He desired to see Norwegian culture brought into line with that of other European countries, and he himself followed the romantic tradition, being influenced by J.L. Heiberg.

He is known for his feud with Henrik Wergeland and for the poem Republikanerne ("The Republicans"). Welhaven was also romantically involved with Wergeland's younger sister Camilla Collett.[5]

He gave an exposition of his aesthetic creed in the 1834 sonnet cycle Norges Dæmring ("The Dawn of Norway"). He published a volume of Digte ("Poems") in 1839; and in 1845 Nyere Digte ("Newer Poems"). Other poems followed in 1847 Den Salige (The Blessed One), 1848, 1851 and 1859.[6] He was well known for dealing with nature and folklore, such as in «Asgaardsreien» from Nyere Digte, the basis for Peter Nicolai Arbo's painting The Wild Hunt of Odin.[7] He later also became known for poems about religion, like «En Sangers Bøn» (The Prayer of a Singer).[8] In it, he showed his spiritual side, expressing empathy for his fellows human being and pious Christian hope with biblical allusions.

In the 1840s, Welhaven was a figure of the Norwegian national romanticism movement.[9] Welhaven helped in beginning the career of Hans Gude—a romanticist painter—as it was Welhaven who first recommended that Gude should attend the Academy of Art in Düsseldorf.[10]

Selected works

• Til Henrik Wergeland! (1830)
• Henrik Wergelands Digtekunst og Polemik ved Aktstykker oplyste, (1832)
• Norges Dæmring. Et polemisk Digt, (1834)
• Digte, (1839)
• Nyere Digte, (1845)
• Halvhundrede Digte, (1848)
• Reisebilleder og Digte, (1851)
• En Sjel i Vildmarken, (1856)
• En Digtsamling, (1860)
• Ewald og de norske Digtere, (1863)
• Samlede Skrifter, (1867–68)
• Samlede Digterværker, Jubilæumsutgave I-VI (1907, reissued in 1921)
• Samlede Digterverker I-III, (1945)
• Metaphysik i 100 Paragrafer (lecture manuscript published with comments by A. Aarnes and E.A. Wyller, 1965)
• Samlede verker 1–5 (with introduction and commentary by Ingard Hauge, 1990–1992)

References

•  This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Welhaven, Johann Sebastian Cammermeyer". Encyclopædia Britannica (11th ed.). Cambridge University Press.

Sources

• Hauge, Ingard Demringens tolker, en essaysamling om Johan Sebastian Welhaven (with Asbjørn Aarnes og Paul Grøtvedt. 1990) ISBN 82-588-0604-1
• Vassdal, Tore Bastian, Johan Sebastian Cammermeyer Welhaven som bergenser og vestlending (2006) ISBN 82-7916-041-8
• Seip, Anne-Lise Demringstid, Johan Sebastian Welhaven og nasjonen (Aschehoug, 2007) ISBN 978-82-03-19237-1

External links

Media related to Johan Sebastian Welhaven at Wikimedia Commons

• Johan Sebastian Welhaven liv og skrifter by Arne Løchen.
• Digitized books by Welhaven in the National Library of Norway

На других языках

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[de] Johan Sebastian Welhaven

Johan Sebastian Welhaven, „Johan Sebastian Cammermeyer Welhaven“ (* 22. Dezember 1807 in Bergen; † 21. Oktober 1873 in Christiania) war ein norwegischer Lyriker, Literaturkritiker und Kunsttheoretiker.

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- [en] Johan Sebastian Welhaven

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[fr] Johan Sebastian Welhaven

Johan Sebastian Cammermeyer Welhaven est un poète, écrivain et professeur de philosophie norvégien, né en 1807 à Bergen et mort à Christiana en 1873. Sa ville de naissance, une cité marchande et cosmopolite, fut longtemps la plus importante de Norvège, et elle a contribué à forger la personnalité de celui qui demeure l'une des principales figures littéraires de ce pays. Welhaven est issu d’une famille de pasteurs, et pendant toute sa jeunesse, il est particulièrement proche de son père d'origine allemande, un homme simple et tolérant, très apprécié par ses ouailles. Par sa grand-mère maternelle, Welhaven est parent du poète danois Johan Ludvig Heiberg, qui devint par ailleurs son ami et une autorité littéraire de premier plan en Scandinavie[1]. Grâce au poète Lyder Sagen, qui fut son enseignant à l'école épiscopale de Bergen, Welhaven commença à s'intéresser avec éclectisme à l'art et à la littérature, des œuvres d'Homère en passant par le théâtre de Shakespeare, la philosophie des Lumières, la jeune littérature romantique allemande (Goethe, Schiller) ou encore la littérature danoise (Holberg, Oehlenschläger). Cet enseignement, livré de manière socratique, donne au jeune homme les bases d'une culture esthétique à la croisée du classicisme et du romantisme, marquée par une ouverture assumée vers les influences culturelles venues d'Europe, qui va durablement imprégner sa démarche littéraire[2].

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[ru] Вельхавн, Юхан Себастьян

Юхан Себастьян Вельхавн (норв. Johann Sebastian Welhaven; 22 декабря 1807 — 21 октября 1873) — норвежский поэт и историк литературы[2].

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