Juan Pablo Villalobos (born 1973) is a Mexican author.
Juan Pablo Villalobos | |
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Born | Juan Pablo Villalobos 1973 (age 48–49) Guadalajara, Mexico |
Nationality | Mexican |
Occupation | Author |
His debut novel, Down the Rabbit Hole, was published by And Other Stories in 2011 and was shortlisted for the Guardian First Book Award 2011. He is also the author of Quesadillas (2011) and I’ll Sell You a Dog (2016).
His fourth novel, I Don’t Expect Anyone to Believe Me, won the Herralde Prize.
He has lived in Mexico and Brazil, and currently resides in Spain with his wife and two children.
Villalobos was born in Guadalajara, Mexico, in 1973. He lived in Barcelona, Spain for eight years, before moving to Brazil.[1] In 2014, he moved back to Barcelona.
He studied marketing and Spanish literature. He has worked in market research and published travel stories, as well as literary and film criticism. Villalobos has researched the influence of the avant-garde on the work of César Aira, and the flexibility of pipelines for electrical installations.[2]
Villalobos's first book, Fiesta en la madriguera,[3] has been translated into Portuguese, French, Italian, German, Romanian, Dutch and English.[4] Its English translation, Down the Rabbit Hole[5] by Rosalind Harvey, was published in September 2011 by the London publishing house And Other Stories.[6] Down the Rabbit Hole was shortlisted for the 2011 Guardian First Book Award.[7]
His second novel, Quesadillas, was also translated by Rosalind Harvey and was published by And Other Stories in 2013.
His third novel, I’ll Sell You a Dog, was published by And Other Stories in 2016. [8]
His fourth novel, I Don't Expect Anyone to Believe Me, was published by And Other Stories in the United Kingdom on April 30, 2020, and in the United States on May 5, 2020.[9]
Villalobos has said that his first book was inspired by Nellie Campobello's collection of short stories set during the Mexican revolution, titled Cartridge.[10]
In Germany, Villalobos is recognized as an important representative of the so-called "narco-literature."[11] His book Fiesta en la madriguera has been called "a disillusioned domestic tale from the dark heartland of Latin American machismo".[12]
Novels
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