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Lesley Chamberlain (born 26 September 1951, Rochford, Essex) is a British journalist, travel writer and historian of Russian and German culture and has published short stories and novels and written about food.

Following her secondary education at Glanmôr Grammar School for Girls, she studied German and Russian at Exeter and Oxford Universities.

After becoming a Reuter's correspondent in 1978, she later became a full-time writer; her first book was published in 1982. She has written for The Independent, The Times Literary Supplement and Prospect magazine.

Chamberlain is married to Pavel Seifter, the former Czech ambassador to the United Kingdom.


Arc of Utopia (2017)


Chamberlain here starts with Kant's imaginative understanding of the human capacities for self-transformation. She traces the influence of these ideas on subsequent artistic visions of beauty. Such a self-understanding of inherent human creativity then inspired thoughts of revolutionary political change.[1] Her discussion moves generally from Germany to Russia during the 19th century, from Schiller's plays and Hegel's dialectic to Herzen, from Fichte to Bakunin, and by various paths from Heine, Feuerbach and Marx to Turgenev, Dostoevsky, and Plekhanov. The ultimate destination was the tragic Bolshevik coup d'etat of 1917 then an all-out civil war. The unfortunate result was not the "new kind of living" sought, but a "metaphysical disappointment", a perverse disaster, that led to a "harshly policed" industrial society.[2] The "whole utopian journey" became an "abject self parody." The "freedom and openness" of the imagination[3] "was not allowed to last" by the Soviet party and state.[4]


References


  1. Arc of Utopia, pp. 22-33. She refers to Kant's Critique of Judgment (1790).
  2. Arc of Utopia, pp. 185-186. Quote from cold-war era Pravda on the "spiritual life of Soviet people", but this aspiration never realized, not pursued.
  3. Lesley Chamberlain, "The Arc of Utopia in the anniversary year of Russia 1917". "Suddenly, say 1895–1929, and with that huge upsurge 1905-1922, poetry, painting, philosophy, drama and street art came alive in a way Russia had never seen before; and the style was radically modern and post-bourgeois, in a way that would captivate the more settled West for a century to come."
  4. Arc of Utopia, p.191; cf. p.159.

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