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Ngũgĩ wa Thiong'o (Gikuyu pronunciation: [ᵑɡoɣe wá ðiɔŋɔ];[1] born James Ngugi; 5 January 1938)[2] is a Kenyan author and academic who writes primarily in Gikuyu and who formerly wrote in English. He has been described as having been "considered East Africa’s leading novelist".[3] His work includes novels, plays, short stories, and essays, ranging from literary and social criticism to children's literature. He is the founder and editor of the Gikuyu-language journal Mũtĩiri. His short story The Upright Revolution: Or Why Humans Walk Upright, is translated into 100[4] languages from around the world.[5]

Ngũgĩ wa Thiong'o
Born	James Ngugi (1938-01-05) 5 January 1938 (age 84) Kamiriithu, Kenya Colony
Occupation	Writer
Language	English, Kikuyu
Education	Makerere University (BA) University of Leeds
Spouse	Njeeri
Children	Mũkoma, Wanjiku and others
Website
Official website

In 1977, Ngũgĩ embarked upon a novel form of theatre in his native Kenya that sought to liberate the theatrical process from what he held to be "the general bourgeois education system", by encouraging spontaneity and audience participation in the performances.[6] His project sought to "demystify" the theatrical process, and to avoid the "process of alienation [that] produces a gallery of active stars and an undifferentiated mass of grateful admirers" which, according to Ngũgĩ, encourages passivity in "ordinary people".[6] Although his landmark play, Ngaahika Ndeenda, co-written with Ngugi wa Mirii, was a commercial success, it was shut down by the authoritarian Kenyan regime six weeks after its opening.[6]

Ngũgĩ was subsequently imprisoned for over a year. Adopted as an Amnesty International prisoner of conscience, the artist was released from prison, and fled Kenya.[7] In the United States, he is currently Distinguished Professor of Comparative Literature and English at the University of California, Irvine. He has also previously taught at Northwestern University, Yale University, and New York University. Ngũgĩ has frequently been regarded as a likely candidate for the Nobel Prize in Literature.[8][9][10] He won the 2001 International Nonino Prize in Italy, and the 2016 Park Kyong-ni Prize. Among his children are the authors Mũkoma wa Ngũgĩ[11] and Wanjiku wa Ngũgĩ.[12]

Biography

Early years and education

Ngũgĩ was born in Kamiriithu, near Limuru[13] in Kiambu district, Kenya, of Kikuyu descent, and baptised James Ngugi. His family was caught up in the Mau Mau Uprising; his half-brother Mwangi was actively involved in the Kenya Land and Freedom Army, and his mother was tortured at Kamiriithu home guard post.[14]

He went to the Alliance High School, and went on to study at Makerere University College in Kampala, Uganda. As a student he attended the African Writers Conference held at Makerere in June 1962,[15][16][17][18] and his play The Black Hermit premiered as part of the event at The National Theatre.[19][20] At the conference Ngũgĩ asked Chinua Achebe to read the manuscripts of his novels The River Between and Weep Not, Child, which would subsequently be published in Heinemann's African Writers Series, launched in London that year, with Achebe as its first advisory editor.[21] Ngũgĩ received his B.A. in English from Makerere University College, Uganda, in 1963.

First publications and studies in England

His debut novel, Weep Not, Child, was published in May 1964, becoming the first novel in English to be published by a writer from East Africa.[22][21]

Later that year, having won a scholarship to the University of Leeds to study for an MA, Ngũgĩ travelled to England, where he was when his second novel, The River Between, came out in 1965.[21] The River Between, which has as its background the Mau Mau Uprising, and described an unhappy romance between Christians and non-Christians, was previously on Kenya's national secondary school syllabus.[23][24][25] He left Leeds without completing his thesis on Caribbean literature,[26] for which his studies had focused on George Lamming, about whom Ngũgĩ said in his 1972 collection of essays Homecoming: "He evoked for me, an unforgettable picture of a peasant revolt in a white-dominated world. And suddenly I knew that a novel could be made to speak to me, could, with a compelling urgency, touch cords [sic] deep down in me. His world was not as strange to me as that of Fielding, Defoe, Smollett, Jane Austen, George Eliot, Dickens, D. H. Lawrence."[21]

Change of name, ideology and teaching

Ngũgĩ's 1967 novel A Grain of Wheat marked his embrace of Fanonist Marxism.[27] He subsequently renounced writing in English, and the name James Ngugi as colonialist; by 1970 he had changed his name to Ngũgĩ wa Thiong'o,[28] and began to write in his native Gikuyu.[29] In 1967, Ngũgĩ also began teaching at the University of Nairobi as a professor of English literature. He continued to teach at the university for ten years while serving as a Fellow in Creative Writing at Makerere. During this time, he also guest lectured at Northwestern University in the department of English and African Studies for a year.[20]

While a professor at the University of Nairobi, Ngũgĩ was the catalyst of the discussion to abolish the English department. He argued that after the end of colonialism, it was imperative that a university in Africa teach African literature, including oral literature, and that such should be done with the realization of the richness of African languages.[30]

Imprisonment

In 1976, Thiong'o helped to establish The Kamiriithu Community Education and Cultural Centre which, among other things, organised African Theatre in the area. The following year saw the publication of Petals of Blood. Its strong political message, and that of his play Ngaahika Ndeenda (I Will Marry When I Want), co-written with Ngũgĩ wa Mirii and also published in 1977, provoked the then Kenyan Vice-President Daniel arap Moi to order his arrest. While detained in the Kamiti Maximum Security Prison, Ngũgĩ wrote the first modern novel in Gikuyu, Devil on the Cross (Caitaani mũtharaba-Inĩ), on prison-issued toilet paper.

After his release in December 1978,[20] he was not reinstated to his job as professor at Nairobi University, and his family was harassed. Due to his writing about the injustices of the dictatorial government at the time, Ngugi and his family were forced to live in exile. Only after Arap Moi, the longest-serving Kenyan president, retired in 2002, was it safe for them to return.[31]

During his time in prison, Ngũgĩ made the decision to cease writing his plays and other works in English and began writing all his creative works in his native tongue, Gikuyu.[20]

His time in prison also inspired the play The Trial of Dedan Kimathi (1976). He wrote this in collaboration with Micere Githae Mugo.[32]

Exile

While in exile, Ngugi worked with the London-based Committee for the Release of Political Prisoners in Kenya (1982–98).[20][7] Matigari ma Njiruungi (translated by Wangui wa Goro into English as Matigari) was published at this time. In 1984, he was Visiting Professor at Bayreuth University, and the following year was Writer-in-Residence for the Borough of Islington in London.[20] He also studied film at Dramatiska Institutet in Stockholm, Sweden (1986).[20]

His later works include Detained, his prison diary (1981), Decolonising the Mind: The Politics of Language in African Literature (1986), an essay arguing for African writers' expression in their native languages rather than European languages, in order to renounce lingering colonial ties and to build an authentic African literature, and Matigari (translated by Wangui wa Goro), (1987), one of his most famous works, a satire based on a Gikuyu folk tale.

Ngũgĩ was Visiting Professor of English and Comparative Literature at Yale University between 1989 and 1992.[20] In 1992, he was guest at the Congress of South African Writers and spent time in Zwide Township with Mzi Mahola, the year he became a professor of Comparative Literature and Performance Studies at New York University, where he held the Erich Maria Remarque Chair. He is currently a Distinguished Professor of English and Comparative Literature as well as having been the first director of the International Center for Writing and Translation[33] at the University of California, Irvine.

2000s

On 8 August 2004, Ngũgĩ returned to Kenya as part of a month-long tour of East Africa. On 11 August, robbers broke into his high-security apartment: they assaulted Ngũgĩ, sexually assaulted his wife and stole various items of value.[34] When Ngũgĩ returned to America at the end of his month trip, five men were arrested on suspicion of the crime, including Ngũgĩ's own nephew.[31] In the summer 2006 the American publishing firm Random House published his first new novel in nearly two decades, Wizard of the Crow, translated to English from Gikuyu by the author.

On 10 November 2006, while in San Francisco at Hotel Vitale at the Embarcadero, Ngũgĩ was harassed and ordered to leave the hotel by an employee. The event led to a public outcry and angered both African-Americans and members of the African diaspora living in America,[35][36] prompting an apology by the hotel.[37]

His recent books include Globalectics: Theory and the Politics of Knowing (2012), and Something Torn and New: An African Renaissance, a collection of essays published in 2009 making the argument for the crucial role of African languages in "the resurrection of African memory", about which Publishers Weekly said: "Ngugi’s language is fresh; the questions he raises are profound, the argument he makes is clear: 'To starve or kill a language is to starve and kill a people’s memory bank.'"[38] This was followed by two well received autobiographical works: Dreams in a Time of War: a Childhood Memoir (2010)[39][40][41][42][43] and In the House of the Interpreter: A Memoir (2012), which was described as "brilliant and essential" by the Los Angeles Times,[44] among other positive reviews.[45][46][47]

His book The Perfect Nine, originally written and published in Gikuyu as Kenda Muiyuru: Rugano Rwa Gikuyu na Mumbi (2019), was translated into English by Ngũgĩ for its 2020 publication, and is a reimagining in epic poetry of his people's origin story.[48] It was described by the Los Angeles Times as "a quest novel-in-verse that explores folklore, myth and allegory through a decidedly feminist and pan-African lens."[49] The review in World Literature Today said:

"Ngũgĩ crafts a beautiful retelling of the Gĩkũyũ myth that emphasizes the noble pursuit of beauty, the necessity of personal courage, the importance of filial piety, and a sense of the Giver Supreme—a being who represents divinity, and unity, across world religions. All these things coalesce into dynamic verse to make The Perfect Nine a story of miracles and perseverance; a chronicle of modernity and myth; a meditation on beginnings and endings; and a palimpsest of ancient and contemporary memory, as Ngũgĩ overlays the Perfect Nine's feminine power onto the origin myth of the Gĩkũyũ people of Kenya in a moving rendition of the epic form."[50]

Fiona Sampson writing in The Guardian concluded that it is "a beautiful work of integration that not only refuses distinctions between 'high art' and traditional storytelling, but supplies that all-too rare human necessity: the sense that life has meaning."[51]

In March 2021, The Perfect Nine became the first work written in an indigenous African language to be longlisted for the International Booker Prize, with Ngũgĩ becoming the first nominee as both the author and translator of the same book.[52][53]

Family

Four of his children are also published authors: Tee Ngũgĩ, Mũkoma wa Ngũgĩ, Nducu wa Ngũgĩ, and Wanjiku wa Ngũgĩ.[54][49]

Awards and honours

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• 1963: The East Africa Novel Prize
• 1964: Unesco First Prize for his novel, Weep Not Child, at the First World Festival of Black and African arts at Dakar, Senegal
• 1973: The Lotus Prize for Literature, at Alma Atta, Khazakhistan
• 1992 (6 April): The Paul Robeson award for Artistic Excellence, Political Conscience and Integrity, in Philadelphia
• 1992 (October): honoured by New York University by being appointed to the Erich Maria Remarque Professorship in Languages to "acknowledge extraordinary scholarly achievement, strong leadership in the University Community and the Profession and significant contribution to our educational mission."
• 1993: The Zola Neale Hurston-Paul Robeson Award, for artistic and scholarly achievement, awarded by the National Council for Black Studies, in Accra, Ghana
• 1994 (October): The Gwendolyn Brooks Center Contributors Award for significant contribution to The Black Literary Arts
• 1996: The Fonlon-Nichols Prize, New York, for Artistic Excellence and Human Rights
• 2001: Nonino International Prize for Literature[55][56]
• 2002: Zimbabwe International Book Fair, "The Best Twelve African Books of the Twentieth Century."
• 2002 (July): Distinguished Professor of English and Comparative Literature, UCI.
• 2002 (October): Medal of the Presidency of the Italian Cabinet Awarded by the International Scientific Committee of the Pio Manzu Centre, Rimini, Italy.
• 2003 (May): Honorary Foreign Member of the American Academy of Arts and Letters.
• 2003 (December): Honorary Life Membership of the Council for the Development of Social Science Research in Africa (CODESRIA),
• 2004 (23–28 February): Visiting Fellow, Humanities Research Centre.
• 2006: Wizard of the Crow is No. 3 on Time magazine's Top 10 Books of the Year (European edition)[57]
• 2006: Wizard of the Crow is one of The Economist's Best Books of the Year[58][59]
• 2006: Wizard of the Crow is one of Salon.com's picks for Best Fiction of the year[60]
• 2006: Wizard of the Crow is the winner of the Winter 2007 Read This! for Lit-Blog Co-Op; The Literary Saloon
• 2006: Wizard of the Crow highlighted in the Washington Post’s Favorite Books of the year.
• 2007: Wizard of the Crow - Finalist on the Long List for the 2007 Independent Foreign Fiction Prize.
• 2007: Wizard of the Crow - Finalist on the NAACP Image Award for Fiction
• 2007: Wizard of the Crow - finalist on the 2007 Commonwealth Writers' Prize Shortlist for Best Book – Africa.[61]
• 2007: Wizard of the Crow - Gold medal winner in Fiction for the 2007 California Book Awards[62]
• 2007: Wizard of the Crow - 2007 Aspen Prize for Literature
• 2007: Wizard of the Crow – Finalist for the 2007 Hurston/Wright Legacy Award for Black Literature
• 2008: Wizard of the Crow nominated for the 2008 IMPAC Dublin Award[63]
• 2008 (2 April): Order of the Elder of Burning Spear (Kenya Medal – conferred by Kenya’s Ambassador to the United States in Los Angeles).
• 2008: (October, 24) Grinzane for Africa Award
• 2008: Dan and Maggie Inouye Distinguished Chair in Democratic Ideals, University of Hawaiʻi at Mānoa.[64]
• 2009: Shortlisted for the Man Booker International Prize[65][66]
• 2011: (17 February) Africa Channel Literary Achievement Award.
• 2012: National Book Critics Circle Award (finalist Autobiography) for In the House of the Interpreter[67]
• 2012 (31 March): W.E.B. Du Bois Award, National Black Writer’s Conference, New York.[68]
• 2013 (October): UCI Medal
• 2014: Elected to American Academy of Arts and Sciences[69]
• 2014: Nicolás Guillén Lifetime Achievement Award for Philosophical Literature[70]
• 2014 (16 November): Honoured at Archipelago Books' 10th anniversary gala in New York.[71]
• 2016: Park Kyong-ni Prize[72]
• 2016 (14 December): Sanaa Theatre Awards/Lifetime Achievement Award in recognition of excellence in Kenyan Theatre, Kenya National Theatre.[73]
• 2017: Los Angeles Review of Books/UCR Creative Writing Lifetime Achievement Award[74]
• 2018: Grand Prix des mécènes of the GPLA 2018, for his entire body of work.[75]
• 2019: Premi Internacional de Catalunya Award for his Courageous work and Advocacy for African languages
• 2021: Shortlisted for the International Booker Prize for The Perfect Nine
• 2021: Elected a Royal Society of Literature International Writer[76]
• 2022: PEN/Nabokov Award for Achievement in International Literature[77]

Honorary degrees

• Albright College, Doctor of Humane Letters honoris causa, 1994
• University of Leeds, Honorary doctorate of Letters (LittD), 2004
• Walter Sisulu University (formerly U. Transkei), South Africa, Honorary Degree, Doctor of Literature and Philosophy, July 2004.
• California State University, Dominguez Hills, Honorary Degree, Doctor of Humane Letters, May 2005.
• Dillard University, New Orleans, Honorary Degree, Doctor of Humane Letters, May 2005.
• University of Auckland, Honorary doctorate of Letters (LittD), 2005
• New York University, Honorary Degree, Doctor of Letters, 15 May 2008
• University of Dar es Salaam, Honorary doctorate in Literature, 2013[78]
• University of Bayreuth, Honorary doctorate (Dr. phil. h.c.), 2014[56]
• KCA University, Kenya, Honorary Doctorate degree of Human Letters (honoris causa) in Education, 27 November 2016
• Yale University, Honorary doctorate (D.Litt. h.c.), 2017[79]
• University of Edinburgh, Honorary doctorate (D.Litt.), 2019[80]
• Honorary PhD, Roskilde, Denmark

Publications

Novels

• Weep Not, Child (1964), ISBN 978-0143026242
• The River Between (1965), ISBN 0-435-90548-1
• A Grain of Wheat (1967, 1992), ISBN 0-14-118699-2
• Petals of Blood (1977), ISBN 0-14-118702-6
• Caitaani Mutharaba-Ini (Devil on the Cross, 1980)
• Matigari ma Njiruungi, 1986 (Matigari, translated into English by Wangui wa Goro, 1989), ISBN 0-435-90546-5
• Mũrogi wa Kagogo (Wizard of the Crow, 2004), ISBN 9966-25-162-6
• The Perfect Nine: The Epic of Gĩkũyũ and Mũmbi (2020)

Short story collections

• meeting in the Dark (1974)^{[citation needed]}
• Secret Lives, and Other Stories, (1976, 1992), ISBN 0-435-90975-4^{[citation needed]}
• Minutes of Glory and Other Stories (2019)^{[citation needed]}

Plays

• The Black Hermit (1963)^{[citation needed]}
• This Time Tomorrow (three plays, including the title play, "The Rebels", "The Wound in the Heart" and "This Time Tomorrow") (c. 1970)^{[citation needed]}
• The Trial of Dedan Kimathi (1976), ISBN 0-435-90191-5, African Publishing Group, ISBN 0-949932-45-0 (with Micere Githae Mugo and Njaka)^{[citation needed]}
• Ngaahika Ndeenda: Ithaako ria ngerekano (I Will Marry When I Want) (1977, 1982) (with Ngugi wa Mirii)^{[citation needed]}Homecoming: Essays on African and Caribbean Literature, Culture, and Politics (1972), ISBN 0-435-18580-2^{[citation needed]}

Memoirs

• Detained: A Writer's Prison Diary (1981)^{[citation needed]}
• Dreams in a Time of War: a Childhood Memoir (2010), ISBN 978-1-84655-377-6^{[citation needed]}
• In the House of the Interpreter: A Memoir (2012), ISBN 978-0-30790-769-1^{[citation needed]}
• Birth of a Dream Weaver: A Memoir of a Writer's Awakening (2016), ISBN 978-1-62097-240-3^{[citation needed]}
• Wrestling with the devil: A Prison Memoir (2018) [81]

Other nonfiction

• Education for a National Culture (1981)^{[citation needed]}
• Barrel of a Pen: Resistance to Repression in Neo-Colonial Kenya (1983)^{[citation needed]}
• Mother, Sing For Me (1986)^{[citation needed]}
• Writing against Neo-Colonialism (1986)^{[citation needed]}
• Decolonising the Mind: The Politics of Language in African Literature (1986), ISBN 978-0852555019
• Moving the Centre: The Struggle for Cultural Freedoms (1993), ISBN 978-0852555309
• Penpoints, Gunpoints and Dreams: The Performance of Literature and Power in Post-Colonial Africa (The Clarendon Lectures in English Literature 1996), Oxford University Press, 1998, ISBN 0-19-818390-9
• Something Torn and New: An African Renaissance (2009), ISBN 978-0-465-00946-6[82]
• Globalectics: Theory and the Politics of Knowing (2012), ISBN 978-0231159517 Globalectics: Theory and the Politics of Knowing on JSTOR
• Secure the Base: Making Africa Visible in the Globe (2016), ISBN 978-0857423139

Children's books

• Njamba Nene and the Flying Bus (translated by Wangui wa Goro) (Njamba Nene na Mbaathi i Mathagu, 1986)^{[citation needed]}
• Njamba Nene and the Cruel Chief (translated by Wangui wa Goro) (Njamba Nene na Chibu King'ang'i, 1988)^{[citation needed]}
• Njamba Nene's Pistol (Bathitoora ya Njamba Nene, 1990), ISBN 0-86543-081-0^{[citation needed]}
• The Upright Revolution, Or Why Humans Walk Upright, Seagull Press, 2019, ISBN 9780857426475^{[citation needed]}

See also

• Kenyan literature
• 21st century in literature
• World literature

References

Further reading

• Toh, Zorobi Philippe. “Linguistic Mystifications in Discourse: Case of Proverbs in Ngugi wa Thiong’o’s Matigari”. Imaginaire et représentations socioculturelles dans les proverbes africains, edited by Lèfara Silué and Paul Samsia, Paris: L’Harmattan, 2020, pp. 63-71.
• Wise, Christopher. 1997. "Resurrecting the Devil: Notes on Ngũgĩ's Theory of the Oral-Aural African Novel." Research in African Literatures 28.1:134–140.

External links

• Official website
• Leonard Lopate, "Writing in Exile", 12 September 2006. Interview with Ngũgĩ wa Thiongo on The Leonard Lopate Show, WNYC, New York public radio, following publication of Wizard of the Crow.
• Petri Liukkonen. "Ngũgĩ wa Thiong'o". Books and Writers
• Ngũgĩ wa Thiong'o – Overview
• biography and booklist
• The Language of Scholarship in Africa, 2012 lecture by Ngũgĩ wa Thiong’o, published in Leeds African Studies Bulletin 74 (December 2012), pp. 42–47.
• 'Publishing Ngũgĩ' by James Currey, in Leeds African Studies Bulletin 68 (May 2006), pp. 26–54.

На других языках

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- [en] Ngũgĩ wa Thiong'o

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[ru] Нгуги Ва Тхионго

Нгуги ва Тхионго (кикуйю Ngũgĩ wa Thiong'o [ŋgoɣe wa ðiɔŋɔ], имя при рождении — Джеймс Нгуги, род. 5 января 1938, Камириитху, под Найроби)  — кенийский писатель и драматург левых взглядов. Пишет на английском языке и языке кикуйю. В 2009 был номинирован на премию Букер за совокупность созданного. В 2010, 2014 и 2021 годах рассматривался как один из наиболее вероятных кандидатов на Нобелевскую премию[4][5].

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