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Peter Ostermayr (18 July 1882 – 7 May 1967) was a German film producer, screenwriter and film director. Ostermayr was a pioneer during the early years of German cinema, with his brothers Franz Osten and Ottmar Ostermayr.[1] In 1907 they took over their father's photography business and turned into a film studio. After serving in the First World War he founded a company which later evolved into Bavaria Film, and acquired the Emelka Studios in Munich. While Bavaria went on to become a leading German production company, Ostermayr had left by the mid-1920s and worked at several other studios including the giant UFA.

Peter Ostermayr
Born	18 July 1882 Mühldorf, Bavaria German Empire
Died	7 May 1967 (1967-05-08) (aged 84) Munich, Bavaria West Germany
Occupation	Producer Director
Years active	1907–1959

Following the Second World War he entered independent production, and specialised in heimatfilm. He was made an honorary president of the West German Film Producers' Association. He had two sons, John and Paul born in 1908 and 1909 respectively, and a daughter Olga who was born in 1918. His son was the film director Paul May.

Filmography as producer

• Trutzi from Trutzberg (1922) (also director)
• To a Woman of Honour (1924)
• The Csardas Princess (1927)
• Volga Volga (1928)
• The Lady in Black (1928)
• Napoleon at Saint Helena (1929)
• The Peak Scaler (1933)
• Holiday From Myself (1934)
• Hubertus Castle (1934)
• The Saint and Her Fool (1935)
• Militiaman Bruggler (1936)
• The Hunter of Fall (1936)
• Storms in May (1938)
• Frau Sixta (1938)
• Left of the Isar, Right of the Spree (1940)
• Violanta (1942)
• The War of the Oxen (1943)
• The Violin Maker of Mittenwald (1950)
• The Cloister of Martins (1951)
• Marriage Strike (1953)
• The Monastery's Hunter (1953)
• Hubertus Castle (1954)
• The Vulture Wally (1956)

References

Bibliography

• Bock, Hans-Michael & Bergfelder, Tim. The Concise CineGraph. Encyclopedia of German Cinema. Berghahn Books, 2009.

External links

• Peter Ostermayr at IMDb

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