Philip Pendleton Cooke (October 26, 1816 – January 20, 1850) was an American lawyer and minor poet from Virginia.
Philip Pendleton Cooke | |
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Born | October 26, 1816 Martinsburg, West Virginia |
Died | January 20, 1850(1850-01-20) (aged 33) Clarke County, Virginia |
Notable work | Froissart Ballads: and Other Poems |
Spouse(s) | Williann Corbin Tayloe Burwell (1837 - 1850, his death) |
Children | 5 |
Relatives | John Esten Cooke (brother) John Pendleton Kennedy (cousin) |
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Cooke was born on October 26, 1816,[1] in Martinsburg when it was then part of Virginia to the former Maria Pendleton and her husband, planter and delegate John R. Cooke (1788-1854).[2] He was thus descended from the First Families of Virginia. Of the large (13 child) family, his younger brother John Esten Cooke would become a minor novelist as well as lawyer, then a Confederate officer during the American Civil War while his cousin Philip St. George Cooke became a Union officer.[3] Much earlier, the Cooke brothers received a private education appropriate to their class. Philip attended Princeton University, and graduated in 1834.
Cooke spent the majority of his life in the northern part of the Shenandoah Valley.[4] At Princeton, Cooke wrote the poems "Song of the Sioux Lovers," "Autumn," and "Historical Ballads, No. 6 Persian: Dhu Nowas," as well as a short story, "The Consumptive" before graduation.[5] Admitted to the Virginia bar, Cooke followed in his father's profession as a lawyer. His two main hobbies, however, were hunting and writing, though he never made a profession out of his writing.[1] He once wrote: "I detest the law. On the other hand, I love the fever-fits of composition."[6] Cooke lived for a time at Saratoga, the former home of Daniel Morgan.[7]
Cooke died January 20, 1850.[1]
Cooke believed his literary sustenance came from his library rather than from writing, despite several important literary figures — including John P. Kennedy and Rufus Wilmot Griswold — who encouraged him to write more. Edgar Allan Poe praised his work and wrote to him that he would "give your contributions a hearty welcome, and the choicest position in the magazine."[8] By 1835, he resolved to give up on poetry entirely.[9] He believed that poetry was as barren "as a worn-out tobacco field" and that even William Cullen Bryant, who he considered "the master of them all," had "sheltered himself from starvation behind the columns of a political newspaper" rather than making money from poetry.[10] By 1847, the Southern Literary Messenger reported that Cooke had turned into a prose writer.[11]
Cooke was well-read and his poetry was inspired by Edmund Spenser, Geoffrey Chaucer and Dante Aligheri.[12] He also admired the prose work of Poe, which he told in a letter:
I have always found some remarkable thing in your stories to haunt me long after reading them. The teeth in Berenice—the changing eyes of Morella—that red & glaring crack in the House of Usher—the pores of the deck in the MS. Found in a Bottle—the visible drops falling into the goblet in Ligeia.[13]
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