Zofia Nałkowska ([ˈzɔfianawˈkɔvska], Warsaw, Congress Poland, 10 November 1884 – 17 December 1954, Warsaw) was a Polish prose writer, dramatist, and prolific essayist. She served as the executive member of the prestigious Polish Academy of Literature (1933–1939) during the interwar period.
Zofia Nałkowska
Born
(1884-11-10)10 November 1884 Warsaw, Congress Poland, Russian Empire
Died
17 December 1954(1954-12-17) (aged70) Warsaw, Polish People's Republic
Nationality
Polish
Notable works
Granica (Boundary) Medaliony (Medallions)
Biography
Nałkowska was born into a family of intellectuals dedicated to issues of social justice, and studied at the clandestine Flying University under the Russian partition. Upon Poland's return to independence she became one of the country's most distinguished feminist writers of novels, novellas and stage-plays characterized by socio-realism and psychological depth.
Literary output
Nałkowska's first literary success was the Romans Teresy Hennert (The Romance of Teresa Hennert, 1923) followed by a slew of popular novels. She is best known for her books Granica (Boundary, 1935), the Węzły życia (Bonds of Life, 1948) and Medaliony (Medallions, 1947).
In her writing, Nałkowska boldly tackled difficult and controversial subjects,[1] professing in her 1932 article "Organizacja erotyzmu" (Structure of Eroticism) published in the Wiadomości Literackie magazine– the premier literary periodical in Poland at the time – that:
...a rational, nay, intellectual approach to eroticism must be encouraged and strengthened, to allow for a consideration of eroticism in conjunction with other aspects of the life of the human community. Eroticism is not a private matter of the individual. It has its ramifications within all domains of human life and it is not possible to separate it from them by way of contemptuous disparagement in the name of morality, discretion, or yet by a demotion on the hierarchy of subjects worthy of intellectual attention: it cannot be isolated by prudery or relegated to science for its purely biological dimension."[2]
Graves of Julian Tuwim (left) and Zofia Nałkowska (right) adorned with dark bronze bust, in Powązki Cemetery, Warsaw
Tribute
On November 10, 2014, Google celebrated her 130th birthday with a Google Doodle.[3]
Works
Novels
Kobiety (Women, 1906), translated by Michael Henry Dziewicki, 1920
Książę (The Prince, 1907)
Rówieśnice (Contemporaries, 1909)
Narcyza (1911)
Noc podniebna (Heavenly night, novella, 1911)
Węże i róże (Snakes and roses, 1914)
Hrabia Emil (Count Emil, 1920)
Na torfowiskach (At the bogs, 1922)
Romans Teresy Hennert (The Romance of Teresa Hennert, 1923), translated by Megan Thomas and Ewa Malachowska-Pasek, 2014
Dom nad łąkami (House upon the meadows, autobiography, 1925)
Choucas (1927), translated by Ursula Phillips, 2014 (winner of the Found in Translation Award 2015)
Niedobra miłość (Bad love, 1928)
Granica (Boundary, 1935), translated by Ursula Phillips, 2016
Niecierpliwi (Anxious,1938)
Węzły życia (Living ties, 1948)
Mój ojciec (My father, 1953)
Short stories
Medaliony (Medallions, 1946), a collection of 8 short stories about German World War II atrocities in occupied Poland, translated by Diana Kuprel, 2000
Stage plays
Dom kobiet (1930)
Dzień jego powrotu (1931) (The Day of his Return, translated by Marja Slomczanka, performed 1931)
Renata Słuczańska (1935)
Further reading
From Corsets to Communism: The Life and Times of Zofia Nalkowska by Jenny Robertson (Scotland Street Press, 2019) [4]
Zofia Nałkowska, "Organizacja erotyzmu", Wiadomości Literackie, vol. 9, No. 25 (442), 19 June 1932, p. 7. Quote in Polish: należy wymóc na sobie stosunek do zagadnień erotyzmu właśnie intelektualny, rozumowy, pozwalający je rozważać w splocie i wzajemnej zależności z innemi dziedzinami życia zbiorowego. Erotyzm nie jest prywatną sprawą człowieka. Wysyła on swe rozgałęzienia do wszystkich tych dziedzin i nie da się ani w imię wzgardliwego lekceważenia, ani moralności, ani dyskrecji, ani nawet w imię hierarchji tematów, godnych intelektualisty, od życia społecznego odciąć, nie da się w niem wstydliwie izolować i do swego zakresy ściśle biologicznego ograniczyć. (source)
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