Élisa Mercœur (24 June 1809 in Saint-Sébastien-sur-Loire, 7 January 1835 in Paris) was a French writer, poet and essayist.[1] Mercœur was largely forgotten after her death. Her mother posthumously edited her work to ensure it survived for posterity, yet during her lifetime, Mercœur was known as the "La Muse armoricaine" (The Armorican Muse) and she was widely known throughout France.[2]
Mercoeur's mother was Adèlaïde (or Adèle) Aumand, an embroiderer who was born in 1780 in Nantes. Her father was Jules-François Barré, a solicitor in the Vendée department of the Les Landes-Genusson region.[3] As the couple were unable to afford to look after their baby, her mother abandoned Mercoeur, when she was only three days old. On 27 June 1809 at 10pm, the baby was taken in at the door of the Nantes Orphans' Hospice (Hospice des Orphelins, Nantes),[4] located in the Saint-Clément district near the lycée and La Bouteillerie cemetery, by Jean Favret, an employee of the orphanage.[3] The baby carried a piece of paper with these words:
"Élisa, born 24 June 1809, not registered in civil acts. Heaven and gentle humanity will watch over her. Her parents may be happy enough to claim her one day."
At 4 p.m. on 28 June, Jean Favret presented the baby to Police Commissioner Sébastien-Barthélemy Benoist, who was primarily responsible for orphans in the Lycée district, and who, in view of the information presented, gave her the name Élisa Mercœur.[3] The baby was then taken to the orphanage.
The complete works of Élisa Mercœur were published by her mother under this general title: "Œuvres complètes de Mlle Élisa Mercœur, précédées de Mémoires et notices sur la vie de l'auteur, écrites par sa mère"6 . In addition to her poetry, these volumes contain: Boabdil, a tragedy in five acts; Louis XI et le Bénédictin, a fifteenth-century chronicle; les Italiennes; les Quatre amours; Louis XIII, and some other novels and short stories.
The Élisa Mercœur medallion, created by the sculptor Sébastien de Boishéraud in 1909 and placed in the Jardin des plantes botanical garden in Nantes
There are streets called Rue Élisa Mercœur that are named in honour of Mercœur in Rennes, Vertou, Saint-Sébastien-sur-Loire. The street named Rue Élisa Mercœur in Nantes does not refer to this Mercœur but to the Philippe Emmanuel, Duke of Mercœur, the ultra-Catholic governor of the city from 1582 to 1598, at the end of the French Wars of Religion. There is an avenue named Avenue Élisa Mercœur in Champigny-sur-Marne and a square, Square Élisa-Mercœur[fr] in Nantes.[7] Lastly there is a small dead-end street in Séné called the Allée Élisa Mercœur.
Bibliography
Books
Mercoeur, Élisa (1829). Poésies de Mlle Élisa Mercoeur (de Nantes). 2e édition augmentée de nouvelles pièces [Poetry of Mlle Elisa Mercoeur (of Nantes). 2nd edition] (in French) (2nded.). Paris: Crapelet. OCLC461366497.
Mercoeur, Élisa (1827). Poésies de Mlle Élisa Mercoeur (in French). Nantes: Impr. de Mellinet-Malassi. OCLC457686917.
Mercœur, Élisa (1827). Bisson (in French). Nantes: Impr. de Mellinet-Malassis. OCLC457686908.
Mercœur, Élisa (1833). "La dernière feuille". In Hugo (1798-1855), Abel (ed.). Le conteur (in French). Paris: M. A. Hugo.
Gabrielle, Soumet (1834). Le livre rose: Récits et causeries de jeunes femmes. Tome troisième. La cloche de Saint-Bruno, chapitre deuxième d'un ouvrage inédit (in French). Paris: U. Canel. OCLC459363374.
Greenberg, Wendy N. (1992). "Elisa Mercoeur: The Poetics Of Genius". Romance Notes. University of North Carolina at Chapel Hill. 33 (3): 207–215.
Greenberg, Wendy N. (1995). "Elisa Mercœur: The Poetics of Genius and the Sublime". Nineteenth-Century French Studies. University of Nebraska Press. 24 (1/2): 84–96. JSTOR23536928.
Caillaud, Paul (1952). "La vie inquiète d'Élisa Mercœur". Annales de Bretagne. 59 (1): 28–38. doi:10.3406/abpo.1952.4356.
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