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Émile Bergerat (29 April 1845 13 October 1923) was a French poet, playwright and essayist. He used the pseudonyms l'Homme masqué (the masked man), Caliban and Ariel (the latter two drawn from The Tempest by William Shakespeare). A library in Neuilly-sur-Seine opposite his flat bears his name.

Émile Bergerat early in his career.
Émile Bergerat early in his career.
Poster for More Than Queen, the Broadway production of Bergerat's play Plus que Reine in New York City in 1899.
Poster for More Than Queen, the Broadway production of Bergerat's play Plus que Reine in New York City in 1899.
Émile Bergerat
Émile Bergerat
Signature of Émile Bergerat
Signature of Émile Bergerat

Life


Bergerat was born in Paris. An essayist for Voltaire and Figaro, head of the La Vie moderne review under the editorship of Georges Charpentier and a member of the Académie Goncourt, he was the son in law of Théophile Gautier and the brother in law of Théophile Gautier (fils). Émile Bergerat married Estelle Gautier, daughter of Théophile Gautier, and they had one son, Théo Bergerat, director and radio essayist.[1] Théophile wrote in a letter to Carlotta Grisi that Émile was

a young poet who wrote Les Cuirassiers de Reichshoffen, a verse play about battle, which was an immense success during the siege [of Paris] and which was then re-produced throughout France - not only is he a poet, but he writes very well in prose and his work is certain and regular. He is also the most fervent admirer of mine and we work side by side, on the same journal, at the Bien Public

Bergerat died in Neuilly-sur-Seine, aged 78.


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На других языках


- [en] Émile Bergerat

[es] Émile Bergerat

Émile Bergerat llamado Caliban (París, 29 de abril de 1845 - Neuilly-sur-Seine, 13 de octubre de 1923) fue un poeta, dramaturgo y cronista francés.

[fr] Émile Bergerat

Émile Bergerat, né à Paris le 29 avril 1845 et mort à Neuilly-sur-Seine le 13 octobre 1923[1], est un poète, auteur dramatique, considéré à son époque comme un « excellent chroniqueur » à l'esprit « verveux et paradoxal[2] ». Il utilisa aussi les pseudonymes de « l'Homme masqué » d'« Ariel » et de « Caliban[3] ».



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