fiction.wikisort.org - Actor

Faramarz Sedighi (Persian: فرامرز صدیقی;born 1949) is an Iranian actor and assistant director.[1][2] He is a theater graduate of the Faculty of Fine Arts, University of Tehran. Seddighi started his professional career in 1969 with acting in "Rostam and Sohrab" theaters. He experienced his cinematic activity in 1972 with his role in the film "Cheshmeh" (Fountain) directed by Arbi Evansian. He became famous with his film "Naked to Noon with Speed" (1972) and his outstanding works include Snake Fang (1989) and "Blade and Silk" (1985).[3][4][5][6]

Faramarz Sedighi
Born	Faramarz Sedighi (1949-11-11) November 11, 1949 (age 72) Saqqez, Iran
Alma mater	University of Tehran
Occupation	Actor film producer
Years active	1969–2010
Awards	9th Fajr International Film Festival Crystal Simorgh for Best Actor in 1991

‌‌Biography

Faramarz Seddighi lived and studied in Saqqez until he was 17, when he moved to Tehran after being accepted to the University of Tehran in 1967 when he was 18 years old. He starred in several movies before the Iranian revolution in 1979. The film "The Virgin Woman" was one of the famous films in 1973, which starred alongside Morteza Aghili and Mehdi Fakhimzadeh. After the revolution in 1980, he made his first film. The film "Said all three of them", directed by Gholam-Ali Erfan, were his first professional activities after the revolution and played alongside Saeed Amir Soleimani, Jamshid Mashayekhi and Homayoun Asadian. His other films include Snake Fang, "The Last Flight", Love-stricken, and "The Prosecutor". Sedighi started working as a theater teacher before the Iranian revolution, and one of his most famous students was Mehraneh Mahin Torabi[7] In 1992, Faramarz Sedighi made a screenplay and directed the movie "The Bait"[8] with the presence of Jamshid Hashempour and Reza Rooygari. The last film in which this actor played a role is "Khak va Atash" (Soil and fire), produced in 2010. According to some of his colleagues, Seddighi chose to withdraw in the 1990s, and according to Parviz Parastui, who first published Sedieghi's controversial photo,[9][10] he did not even open his home door on the production cast when they followed him for the 2016 film "The Domestic Killer", directed by Masoud Kimiai[11][12][13][14][15][16][17] According to his relatives explanations, Faramarz Siddiqui has developed Alzheimer's disease in recent years.[18][19]

Filmography

Movies[20][21]

Movie Name	Year	Role
The Bait	1992	writer and director[22]
Soil and Fire	2010[23]	Actor
Son of Adam, daughter of Eve	2008[24]
Ghadmagah	2003
Maral	2000[25]
A Thousands Women like Me	2000[26]
Love is not enough	1998
The Love Squadrons	1997[27]
Long Autumn	1993
Attorney General	1991[28]
Love-stricken	1991
Last Flight	1989
Snake Fang	1989
Lost Time	1989[29]
The Aperture	1988[30]
Shadows of Sorrow	1987
The Blade and The Silk	1985[31]
Said all three of them	1980
Tonight a Tear Is fallen	1980[32]
Naked until noon with speed	1976
Female Virgin	1973
Cheshmeh	1972

TV Series[33]

TV Series Name	Director	Year
Long Autumn	Manouchehr Asgari Nasab	1994
Attacker	Jafar Simaei	1995
Silent shout	Jahangir Jahangiri	1996
Eagle Day	Seyed Mohammad Reza Mofidi	1998
Station	Manouchehr Asgari Nasab	1999
Only in the dark	Massoud Rashidi	1999
The story of a city	Asghar Farhadi	1999
lights off	Kazem Baluchi	2000
Lost	Young Rambod	2001
Sheriff		2003
White Papers	Shafi Agha Mohammadian	2003
Hengameh	Majid Javanmard	2003
Little Men	Akbar Mansour Fallah	2003
Until sunset	Mohammad Banai	2004
Circle of Doubt	Amir Ghavidel	2004
Golrizan	Masoud Rashidi	2004
Destiny	Mohammad Reza Zehtabi	2007

References

External links

• International film guid, the University of Michigan, 1988, page 232
• Iranian Cinema and the Islamic Revolution, Shahla Mirbakhtyar, 2015, page 86
• Animating Eroded Landscapes: The Cinema of Ali Hatami, Ramin S Khanjani, 2014, page 47
• Le cinéma iranien: l'image d'une société en bouillonnement : ..., Hormoz K, 1999, page 295
• Variety International Film Guide, The university of Michigan, 1993, page 219
• International Film Festival of India '92, Bangalore, January 10–20, 1992, page 78
• Cinemaya: The Asian Film Magazine – Issues 15-21, Idiana University, 1992, Page 11
• Iranian Cinema, 1985–1988, Fardin Press House, Page 32
• in wikipedia

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